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Suicide Squad – ‘Blitz’ Trailer lands

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The newest Suicide Squad trailer has just arrived and features plenty more action, a whole load of Joker and, interestingly, a fair amount of Batman. Perhaps most notable however is the humour content in the trailer. Given that Suicide Squad is apparently undergoing reshoots at the moment designed to up the comedy/fun element, following the mauling of Batman V Superman as too grim and joyless, it’s entirely possible that this new trailer is designed to heavily remind us that this is the “fun” DC film. Either way, I’m liking the look of things so far. The characters appear to gel well and the comedy beats are landing well. But tell us what you think, check out the trailer below and leave us your thoughts in the comments.

Update (14:45, 11/04/16): Director David Ayer has now addressed the rumours of reshoots for humour on Twitter, saying: “#SuicideSquad “reshoots for humour” is silly. When a studio loves your movie and asks what else you want, go for it! #ThanksWB #moreaction”. Apparently the reshoots are instead aimed to increase the amount of action in the film, not the levels of comedy. It’s interesting to get the response from the director and to hear what they’re actually looking to change. Whether or not the film needed to be even more action packed is a subject for debate but it’s (perhaps?) reassuring to know that Suicide Squad is already fun enough without the need for expensive reshoots.

Suicide Squad will release on August 5th, 2016.

Firefly Fluxx Review

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I love the game Fluxx. I love the TV show Firefly even more. Put the two together, and it’s a match made in heaven.

If you’ve ever played any version of Fluxx in the past, you know how the game works, and it’s no different here. However, if you haven’t played, the rules are really simple. The game starts with an easy “draw 1, play 1” rule, with nothing else. As the game progresses, the rules for the game changes as more cards are played. Not only are goals eventually implemented (which you need to accomplish in order to win the game), but the rules change, and do so frequently. Card draws can go up to 5, you can be required to play all cards in your hand every single turn, you can steal other players’ cards, and more. Because of this, the game is always changing and no two rounds will be exactly the same.

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The Firefly aspect is just a theme, one of many types of themes in the Fluxx series, with cards being based on characters, items and events from the TV show. Beyond that, the game is very similar to pretty much all other Fluxx decks out there. That is done on purpose, as you can combine different-themed decks to make the game last even longer as well as increase the challenge.

While it plays the same as the other themes in the line, I did notice one difference between this and other sets I’ve played. This version includes a new group of cards called “Surprise”, and these cards can almost be played at any time. Each one has a specific action it can do if you’re playing it on your turn, as well as a separate action for when it’s someone else’s turn. Generally, these cards are designed to benefit you on your turn and hamper the other players when they are going, including preventing them from winning. It’s not a major change, but it does freshen things up and add a new aspect to the game. (Note: This feature does appear in other versions, but it was the first time I had come across it.)

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On a whole, Firefly Fluxx is nothing that will change the landscape, and it’s more of a lip service to fans of the show like me who will buy nearly anything with the logo on it. Having said that, what it does, it does well, and if you’re a fan of either the show or previous Fluxx games, you’ll want to pick this up.

Are Merchandise Stalls at Conventions a Con?

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Recently, I was chatting to a few friends about which conventions we had been to over the past few years and which we were looking forward to.  As is usual the conversation then moved on to the stalls at cons.

We all unanimously agreed that they can be a massive rip off.  One example cited by a person whom we shall refer to as “Mr. A” was at a con he attended in his home town.  There is a geeky shop in that town which he frequents regularly.  At the con, they had a stall so he went over to say hello and see if there were any goodies he could pick up.  He was shocked to find that the T-Shirts they usually sold in store for £10.00 had been marked up to £40.00 for the event and people were buying them!

When Mr. A challenged the store owners, they simply replied that “It’s a captive market here.  Supply and demand.  We can pretty much charge anything and get away with it.”

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Now, for reasons of balance, I should point out that there has also been a positive experience that Miss. H had at a convention.  Miss H went along to one and found that a particular stall run by a gaming company were selling special edition limited quantity gear at mark down prices.

In my own experience, I tend to find that for the most part stall holders do indeed mark up their prices by quite a hefty chunk.  Now, of course they would need to cover any costs incurred for the day, but when you see a t-shirt bumped up from £10.00 to £40.00 then that makes you wonder whether or not there is something of a con going on at cons.

Of course, no one forces you to buy anything.  We all have willpower and personal budgets and we are all (for the most part) responsible grown ups.  That said, I would, personally, like to see a bit more fairness in the pricing of goods available at conventions.  We are fans,   we are passionate and we will happily throw our money behind our favourite fandoms.  But, that doesn’t mean we are mugs.  We, just like the rest of the world, expect value for money and fairness.

By all means mark up prices.  You need to make a profit and of course there will always be added expenses attending large events like conventions.  But, don’t use a con to con us into buying overpriced merchandise.

Have you ever been ‘Conned at a con?’  We would love to hear from you!  Get in touch with us and tell us your stories either here on this article, or on our Facebook page.

(Names and convention locations have been withheld for reasons of privacy and to avoid negative publicity towards individual conventions and stallholders)

They’re He-eere!! Independence Day #1

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ID_#1_Cover_AIt’s almost summer, so it must be time for the next Blockbuster Sequel™! Hope you’re ready for more aliens than you can shake a cigar at. This issue is a nice, low key start, with a familiar face, some action and a cliff-hanger.

Set after the end of the first film, it deals with the investigation of a mysterious alien ship that escaped the destruction dealt out by the plucky human fighter pilots by virtue of having crashed underwater.  Titan have done a creditable job, with clean art and respectable colouring – Nothing to write home about, but it doesn’t stop you wanting to read.
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We follow the team assigned to investigate aboard a ballistic missile submarine – So there’s a little interpersonal conflict, some adrenaline and the realisation that the characterisation is about as strong as the original film – So don’t expect too much, it’s popcorn fare.

There’s some nice artwork on the covers, including variants, and a nice layout tracing the alien invasion and associated stories from tie in novels, etc, through to the new film. It’s a ‘nice to have’ for completists, and adds to the experience if you’re worried about that sort of thing. 32 pages gives you just enough time to get into the story – but not too much detail. I suspect Titan will do pretty well on the sales by virtue of the license. It’s not an awful read, and I’ll be interested to see where they take this next – 4 more to go!!

 

Kratos vs Thor? God of War Details Leaked

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Part man, part mythological disaster Kratos was thought to have met his end in God of War 3 after hate-killing his way through vast pantheons of gods. But his love for deicide and vicious combinations could not be contained by the grave as it seems that God of War 4 is coming to our screens soon.

This comes after a series of leaks in the last week strongly suggest that Kratos’ massacres have not yet come to an end. First of all, noted industry insider shinobi602 tweeted the following:

Across the rainbow bridge…

…to the halls of Valhalla.

My boy. 

Not exactly a cryptic message, we can agree. Kratos has left the Norse pantheon of gods woefully unmurdered so far, and those bastards have a bloody good stabbing/slashing coming their way. That’s right, we may soon be seeing Kratos dislocating Loki and decapitating Odin.

Though it isn’t just shinobi602 who revealed the existence of God of War 4. Hackers from NerdLeaks managed to brute force their way into the private website of an artist working on the game and found concept art for the forthcoming game too, such as the below image.

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What do you think then? Are you looking forward to seeing badass Viking gods facing off with noted stabby unhappy man Kratos? And who would win in a fight between Kratos and Marvel’s Thor?

Renaissance Not Fair

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As some of you may already know, a Renaissance fair is a gathering of people celebrating what’s known in England as the Middle Ages (or other historical periods such as the Medieval or Viking era).

Mainly popular in American culture they can include period inspired entertainment, food, costumes and stalls.

Despite being based on English history, oddly enough a quick search shows that we don’t really have them in England and personally I feel like we’re missing out.

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After previous discussions and trawling through old posts on message boards, one common factor is always agreed, England doesn’t tend to have Renaissance fairs because it’s our history, it’s all around us and thus we don’t need to go looking for it.

Ever being the dramatic I completely disagree, if anything I think that there should be more, we already have the castles, the old knights, the coats of arms and the food, part of the work is already done.

As for inspiration; Every year a music festival is held on a spot which has long been associated with the legend of King Arthur and the Holy Grail, but instead Glastonbury Tor goes unnoticed as the festival goes on. In Yorkshire it is believed that Tolkien gained inspiration for parts of Middle Earth and In Shropshire we have one of the biggest (if not the most) famous mythical land mark in the world!

I could go on, but it’s pretty clear that we already have the epic location inspiration down!

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Don’t get me wrong, there are a few yearly events that do stray down the Renaissance Fair path, some castles and stately homes do shows, re-enactments and occasionally crafts fairs and such. York has the Viking festival (the only Renaissance Fair listed for the UK on wiki) and who can forget Camelot (rip). But none of these seem to have the same energy, size and interest perceived by their American counter parts.

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If anyone knows of any such events in Northern England in particular, let me know in the comments so I can Morgana it up and go shopping for swords and poultices.

 

Rumpus “Choose your own misadventure” & the Era of Live Gaming

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The crowd begins to arrive
The crowd begins to arrive

Allow me to set the scene. It’s Friday night. I thought I was in London, but instead, I found myself surrounded by Unicorns, Unicorn Hunters, Sky Pirates, Luchadors and so many other vibrant characters. There are duels with swords within the royal court. There is a rebellion among the Panda community. I played cards against Death and secured a piece of a doomsday weapon for the Pandas. I crossed blades with the Royal weaponmaster. I was judged clean by the Cult of Health & Safety. I had my fate foretold by the Confectionomancer and I danced with the Sultan and his court.

The Confectionomancer at work
The Confectionomancer at work
All hail the Sultan!
All hail the Sultan!

Before I go further, let me preface this by saying that I do not enjoy nightclubs. Let me also say that I am no stranger to Live Gaming experiences, being a LARPer.

Rumpus host regular events in London and work alongside a variety of artists and creative faculties to make wild and innovative party experiences, but this was a little bit different.

As a part of the London Games Festival, Rumpus brought Sea Sylph Games on board to turn the night into a large Live Gaming experience, with puzzles and “quests” for the guests to take part in among the regular music acts, DJs and comedians.

Live Gaming has seen a rise in popularity over the past few years, with a variety of Escape the Room experiences and zombie survival or other such Live Horror events becoming more commonplace and, for the most part, I’m excited by this and I fully encourage organisations like Sea Sylph Games to continue bringing Live Gaming more into the public eye.

This being said, I haven’t experienced an event like this while being in a nightclub. I’m not sure what a Rumpus event is usually like, but if more clubs were like what I experienced that night, I would definitely consider myself more of a nightclub sort of person. Each room presented different opportunities for interaction with the wealth of notable characters, each with their own little stories and tasks for the guests. For example, the Sultan was giving out tickets for the very exclusive “Crap Comedy Club” (so named because it was held in a bathroom) but would only give myself and my partner-in-crime one ticket unless we sought out Death and passed on a message from him. Upon doing so, much like a video game, we seemed to open up an entire quest chain that took us a good portion of our evening to complete, finding different parts of a story and getting involved with other players, telling them where to go and what to do. By the time we completed this quest chain, made some new friends and started off the Panda revolution (you really had to be there), we had almost forgotten about getting the second ticket for the comedy show.

Live Gaming is serious business!
Live Gaming is serious business!

Overall, while I definitely had an enjoyable experience, I feel as though perhaps a nightclub setting might not be the best area for staging a Live Gaming experience. I definitely understand what Sea Sylph Games wanted to accomplish and have not by any stretch of the imagination been discouraged from future games like this, but I feel when the majority of your target audience are under the influence of alcohol and other, potentially questionable substances, the overall game does become more difficult to get involved with.

However, I fully endorse and encourage you all to seek out Live Gaming experiences like this near yourselves; I particularly hope that you can find yourself an event organised by Sea Sylph Games for the sheer level of enthusiasm and effort from the team put into their events to make them as enjoyable, thrilling and memorable as possible.

A special mention to Tell Tale Tusk. I encountered their music for this first time that night and they were incredible; each member of the band performing with so much energy and vibrancy, it was so easy to get lost in their act!

Tell Tale Tusk in action
Tell Tale Tusk in action

Until next time, stay lovely, stay awesome, stay nerdy.

I’ve been and shall remain Craig.

Horror Spotlight: The Taking of Deborah Logan

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Found footage is a sub-genre of horror that divides the opinions of many fans. For every Blair Witch Project, another twenty are made that produce as much enjoyment for the audience as a hot poker to the eye. Many people would like to see them retreat into the shadows, never to be heard from again. Every so often however, a shining gem emerges from said shadows, worthy to be watched and enjoyed. The Taking of Deborah Logan is one such gem.

Following a team of people creating a documentary about Deborah Logan, a woman suffering from Alzheimer’s, the team stay at her house and film her throughout the following weeks aiming to raise awareness for the disease and show an audience the struggles of people who suffer with it. Everybody soon realises that everything is not as it seems as Deborah begins to act beyond the realms of her disease.

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The film is haunting to watch, featuring segments that are genuinely unnerving and a treat to see. Jill Larson is fantastic as the titular Deborah Logan and her performance will stick in your mind long after the film has ended. The characters truly help to create an atmosphere in which the audience isn’t sure if this is simply a woman losing her mind in her final days or if something more sinister is afoot.

Directed by Adam Robitel and produced by Bryan Singer, this 2014 film shows the world that maybe there is some merit in found footage horror films after all. If they were all made equal to the quality of The Taking of Deborah Logan, then maybe they could shed the negative light that they are almost always cast in.

 

History of Japan – the best thing on the Internet ever

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One of my colleagues posted this video on her Facebook feed a while back, with the tag line over it saying it was the “greatest thing on the Internet. “A bold statement i thought to myself.

Now I’m a History Geek so History videos, documentaries and films, are pretty Rock and Roll as it stands and there are a lot of contenders for best thing on the Internet (Chimpanzee riding on a Segway.. obvs.) but I thought, it’s history, i’ll give it a go……

So.. you’ve watched it now, what did you think? Be honest?

thought so…..You’re welcome.

Not only was it an informative piece, it was funny, bizarre and It actually helped me learn a lot; sorry chimp, you’ve been dethroned.

The Walking Dead is that friend with a drinking problem

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So let’s start this with a warning that there will be spoilers galore for The Walking Dead Season 6, especially the finale, so if you’re an “ERMEHGERD! SPOILERS!” type then go put the kettle on or go for a nice walk.

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So The Walking Dead Season 6, like pretty much every season before it, has been a bit hit and miss…and where has missed it has really missed; like Glenn and the miracle dumpster. Though that little demonstration of hamfisted viewer manipulation pales into comparison to what’s demonstrated later on.

Even if you’re not really a fan of The Walking Dead it’s probably been hard to avoid hearing or seeing something about it in recent months given AMC’s relentless marketing, which in it’s wisdom announced to the general collective approval of fans everywhere that Jeffrey Dean Morgan had been cast as a new character in the hit show, a character from the comics, a character called Negan.

I’ve mentioned before how The Walking Dead, despite being a ratings hit, more on that later, is inevitably compared to its source material and often found lacking because there’s certain things that you apparently just can’t do on TV and also because The Walking Dead generally seems to have some of the worst narrative consistency of any show I’ve seen. As I stated in that previous piece making changes isn’t necessarily a bad thing if done well ,often it isn’t though.

Season 6 spent a lot of time trying, but really failing, to sell the idea that The Saviours were a threat. A threat that Rick and company agreed to deal with in exchange for supplies from the new settlement of Hilltop they are brought to by Jesus (another new character from the comics) who have been under the heel of The Saviours for some time so welcome Rick’s plan.

By this point Rick and the gang have been through that much that they figure this will be a walk in the metaphorical park.  Almost every instance of Rick and company dealing with The Saviours results in them having no real trouble or consequences at all, mainly due to The Saviours general incompetence and disorganised nature. From the start of Season 6 to the penultimate episode 15 The Saviours have only managed to kill one of Rick’s people and that was a character that nobody really cared about, seriously nobody really cared about Denise getting a crossbow bolt in the eye, even if they tellingly tried to focus on her in that episode to make you care. If there’s one thing The Walking Dead is good at it’s introducing characters that have very little development so they can be killed later to satisfy the bodycount without actually impacting the main core cast.

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Also let’s be clear The Saviours had no real idea about Alexandria until Rick and friends went and killed a bunch of them in their sleep in that encampment under the impression that would be mission complete . This is just part of the moral ambiguity of the world of The Walking Dead, the idea that Rick and company are the kind of people that they would’ve avoided in earlier seasons and they are the “good guys”.

So with the aforementioned hype and the news that the season finale with be longer, 90 minutes (with ads more like 65 actual show) anticipation had reached pretty high levels, for all its misses The Walking Dead is still capable of being a pretty solid show and there’s no way that all that gained momentum could just go nowhere and be utterly squandered right??

You have no idea how wrong you can be. Although I should point out that none of the problems here are due to bad performances, for all its faults The Walking Dead has a dependably solid core cast who definitely do a good job with what they’re given and Greg Nicotero’s make up FX continue to amaze.

The season finale is possibly one of the worst episodes yet because of everything it promised and then utterly failed to deliver . The episode at its core is basically supposed to be a tense and nightmarish ride as Rick tries and ultimately fails to get the apparently very ill Maggie to safety. This could’ve worked, it’s the kind of thing that could make for a horrendously taut nail biter of an episode, but any tension is torpedoed by pointless turgid extraneous scenes featuring Morgan tracking down Carol, who apparently wants to die after having one of the most out of character existential breakdowns ever and some other stuff with Carl and his galpal Enid.

There are numerous other problems though, Father Gabriel (one of many characters who you tend to forget is even there) is left to look after Rick’s daughter Judith and everyone else at Alexandria, this is despite previously being seen as an untrustworthy coward and very little being done to justify Rick’s new found faith in him.

More importantly though, and crucially, The Saviours went from a group of half arsed unorganised clowns who failed to be anything like a threat to being an incredibly effective military style precision unit seemingly over night. Negan’s plan as demonstrated here would’ve taken serious manpower, equipment, time and coordination but most importantly knowing where Rick was going to be going and there’s been no evidence of any of this in the previous episodes that I’ve seen. The idea of The Saviours being a threat was sold so badly over the season that they had to waste even more scenes on a subplot involving some random guy being punished as a warning to Rick and company that actually The Saviours were bad news.

By the time the last 15 minutes or so comes around it’s basically a mercy, because the finale is an exercise in filler, filler that’s only there so AMC can sell more ads because The Walking Dead is a ratings hit. Those extra twenty minutes or so add nothing to the narrative.

Youtuber Jeremy Jahns has an interesting theory about Carol’s surprising existential crisis which could at least explain a lot of the stuff here, but really I don’t give the writers of The Walking Dead that much credit but you can check it out here and make your own mind up.

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By far the worst part though, the whole episode was built on leading to a scene everyone knew was coming, but they still had to drag it out and then drag it out some more.  Anyone who’s read the comics knew this was coming, and anyone who hadn’t read the comics probably knew due to the extensive marketing and buzz about Jeffrey Dean Morgan’s casting as Negan. I should definitely say Jeffrey Dean Morgan is great as Negan and utterly sells the character in all his weirdly charismatic glory, but the way this episode ends utterly robs what should be a horrifyingly powerful scene of all it’s power in what plays like the writers deliberately giving viewers the finger for actually being dumb enough to get invested in this in the first place.

The war between The Saviors and Ricks gang is one of the most intense and engrossing arcs in the comics but whether you’ll actually be interested in whether they do that any justice at all or just utterly fumble it like they did with other memorable arcs from the comics remains to be seen. Negan spends what little time he’s on screen here, which is about 12 minutes give or take, explaining the consequences of crossing him only for this to not be shown , utterly negating the whole purpose of the scene for the sake of a bad cliff hanger to get people talking. Which has definitely worked, although given the reactions bouncing around social media we’ll see how that works out.

Cliffhangers in themselves can used well if a show has been done well enough to actually maintain interest until the resolution, I mean who can forget the first part of Best Of Both Worlds which was the last episode of Season 3 of Star Trek: TNG? That ending was a brilliant use of a narrative cliffhanger which made you excitedly want to know what was going to happen.

This isn’t that.

At all.

The Walking Dead has always been like that friend who has a drinking problem, you know they can be good but they keep disappointing you and this might be one disappointment too far.