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The Geek Pride Cast #Accidentalcosplay

This week on the Live Podcast, Matt, Giulietta Zawadzki and Bevan Xcom talk Expos, Accidental Cosplay, how Matt is a pussy and some E3!

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The Mist

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The Mist, based on a short story by Stephen King, has a pretty simple concept. A strange mist descends upon a small town in America. There are things in the mist. Bad things. A selection of characters, who have various histories between them, hole up to wait it out.

One of the major differences between this show and the story it’s based on is there are far more characters, and those characters are scattered throughout the town, Bridgeville, Maine, when the mist hits rather than holed up in one place together.

Eve (Alyssa Sutherland) has just been suspended from her teaching job for the crime of wanting to teach sex education.  Kevin (Morgan Spector) and Eve also really don’t agree on parenting styles for teenage daughter Alex (Gus Birney). The main cause of conflict being Eve is hyper protective of her daughter, whilst Kevin is more laid back thinking she has to actually get out and live life.  Alex, with Kevin’s permission and without Eve knowing, goes to a frat party, has her drink spiked and wakes up the next day having been raped. The towns star footballer Jay (Luke Cosgrove) is apparently the culprit, his father is the town sheriff.

Alex’s best friend Adrian (Russell Posner) is the town outcast, an eye shadow wearing woke gay teenager with a father who can’t bare to look at him and a mother that happily tolerates his father’s behaviour. Elsewhere in the town junkie Mia (Danica Curcic) is desperately searching for, well, something, after being caught trying to dig something up someone’s shed and Bryan (Okezie Morro) is an amnesiac soldier who wakes up on the outskirts of the town seeing the mist roll in, and also seeing Rufus, the dog he presumes is his, meeting an unpleasant end in said mist.

The Mist presents such a cliched slice of small town America it’s surprising that there isn’t a school shooting or some overt racism and police brutality. Crucially though it gives you very little reason to care about any of these people for the main reason that with few exceptions they are either incredibly bland or horrible. There’s little tension generated when you don’t care about the characters. At all.

When the mist rolls in Alex and Eve are in the same place as Jay, a shopping centre, whilst Kevin and Jay’s father are holed up in the local church. So the victim of a sexual assault is trapped with her alleged attacker, and various other people, whilst her father is with the local sheriff, the father of the alleged attacker, who is probably the most horrible character of them all. The Mist relies heavily on the sexual assault of Alex and how it impacts various people to generate drama and tension because apparently it’s impossible to make a TV show that doesn’t feature sexual assault now. The official line is it was inspired by a disturbing rape case in America with the sexual assault of Alex being a display of “an underlying hatred and misogyny that I thought was incredibly timely and relevant,” to quote show creator Christian Torpe.

Beyond the borderline exploitative narrative device of sexual assault playing a fundamental part there’s a reliance on shock scares which don’t really work for several reasons. Things happen to characters that have been barely established and when they do they’re not done well from a visual effects perspective. More than its bland characters and contrived drama the thing that really stands out is The Mist clearly doesn’t have a high enough budget to pull things off. Everything that happens to people in the mist is done via unconvincing rough looking digital effects. This in itself wouldn’t be so bad if everything else wasn’t so lacking too.

The Mist is completely and utterly lacking in any sense of atmosphere, which is quite an achievement for a show that has an atmospheric environment at its core. The only real reason to keep watching is to hopefully see these characters die horribly in some way, a bit like cheering on Jason as he methodically kills teenagers in a Friday The 13th film.

The Mist could work really well as a TV show. A tense and atmospheric exploration of a small town community slowly but surely giving in to the pressure cooker effect of being cooped up together. Grudges old and new flaring up, friends becoming enemies as paranoia runs rampant whilst the mist lingers outside, unfortunately this isn’t that show.

Transformers: The Last Knight – Not-so good knight?

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Ok, so let’s get the important things over with first. Yes, there’s an obscene number of explosions. Yes, there’s lots of giant robots, and a generous sprinkling of offensive stereotypes. Yes, there’s some long, gratuitous, pornographic shots of expensive American Military kit in Luridly oversaturated colour…. Oh, and there’s a huge 3 headed flying robot dragon that’s actually a combiner made up of 12 ancient Transformers. Only in a Michael Bay film could the last part be a footnote.

Robot Dragon with 3 heads

This is Michael Bay’s last Transformers film, or so we’re told. Apparently he got tired of tearing up my fondest childhood memories and stomping on them while blowing things up… To be fair, they gave him $217,000,000 to say goodbye with!

Let’s be honest here – Mark Wahlberg is back as the human hero. He has a spunky new sidekick who’s a young girl that can fix transformers and lost her parents in the last film, and a spunky black sidekick who screams and hides lots. Since the last film, when Megatron disappeared and Optimus Prime had a sulky moment of despatching himself off to drift in Interstellar space looking for Cybertron, Earth has declared Transformers persona non grata, formed a new international military force with a shoot first, ask questions later policy to hunt them down, and basically picked no side in the civil war that engulfs the Autobots and the Decepticons with their leaders gone, despite all the Autobots have sacrificed for them. In Prime’s absence, Bumblebee has stepped up to bully the Autobots into behaving, and with Cade’s help is hiding out in the middle of nowhere, so they won’t get hunted down. Meanwhile, Transformers keep falling from the sky to make things worse.

All things considered, it’s a 70 minute film in a 2 and a half hour cut – They just filmed more explosions to fill the gaps, and slowed down some of the fight scenes. they should have got Anthony Hopkins in for extra filming, cos he’s about the best thing about the film, and he spends half his time almost winking at the screen and breaking the 4th wall – I suspect he got a generous chunk of that $217 mill! Michael Bay still has issues with characterisation, and many of the transformers are either cyphers, one shot wonders or offensive racial stereotypes strapped into CG robots. You pull for the Autobots because they’re the good guys, but no-one really has a clue what’s going on. There are random Transformer terms thrown about, like ‘Headmaster’ and even ‘Unicron’, but sometimes it feels like they’ve jammed together 3 different scripts at random, filmed it and then edited out the clear bits. Throw in Optimus Prime/Nemesis Prime/Optimus Prime to traumatise your kids as he beats the snot out of Bumblebee (If you bring them to see the film), and I almost rooted for Megatron to win the day…..

Good bits? – Anthony Hopkins. Check. Stanley Tucci as Merlin? Check. Giant Freaking Robot Dragon that’s a lot cooler than Grimlock? Half a check. Mini/Baby Dinobots for the spunky teenage girl sidekick? Check. Sarcastic robot butler with 2nd world ward flying wing bomber that reminds me of a certain Victorian couple’s pet Potato? Check.

Bad Bits? – Optimus Prime as a brainwashed bad guy (Nemesis Prime, another reference to make classic Transformers fans wince) – Every film he becomes less noble, and more like a sub-standard Rincewind, ricocheting from disaster to disaster, trying to look like he knows what he’s doing, and getting more shambolic… The latest Deus ex Machina – Spectacular visuals, lots of UK specific screen time, but nothing behind it – Just empty eyes with ‘Help Wanted’ signs up.

Bumblebee comes out better than most overall, and the ‘Secret History of Transformers’ stuff is leading up to the rumoured 80’s solo movie – Please, let’s have a real Buster and Spike Witwicky! Maybe even Circuit Breaker?? But the other Transformers are, well, pretty generic I’m afraid – mostly just there so Hasbro can build and sell identikit toys of them. While the old cartoons were basically that as well, at least they were entertaining <or so the 8 year old me still insists>!

I wanted to like it – But I’ve been saying that for the last 5 films. I just felt a little empty at the end. There were some very well choreographed action scenes, metric tons of CG and C4 on screen at any one time, lots of bright lights and large sounds, and some call backs to the first film, including Josh Duhamel and a brief shot of Shia Lebouf as callbacks, but mostly this was Michael Bay and generic scriptwriter #324 having fun with a lot of very expensive computers and pyrotechnics. The female lead starts out strong, independent and spiky, but, of course, ends up falling into Cade’s arms (among other things), the world is saved (mostly), and some of the special effects on the space shots of earth will have everyone that remembers proper Transformers nodding ahead of time. Other than that, I’m not going to kid you – It’s a mess!

 

Pitch, Please! – Episode 6: Black Widow

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Welcome to Pitch, Please!, our weekly podcast in which a fistful of geeks get together to discuss their ideas for the next big thing. Come join us and listen to our terrible, awesome, possibly slanderous pitches for all manner of geeky TV shows and movies.

This week…

The boys squeeze into their black leather catsuits and brush up on their conversational Russian as they pitch ideas for a Black Widow solo flick. Join us for secret histories, dark conspiracies and some light misogyny.

The Summoner – Short Film Review

“In a world where spirits of the dead are the most pervasive and dangerous threat we face, the public must call upon the skills of an enigmatic ghost-hunter who gets more than he bargained for facing the most deadly threat of his career.”

Imagine if The Exorcist was stuffed into a blender with a Greggs pasty, then cranked up to puree. Halfway through a cassette tape stuffed with 80s fuelled synth music is tossed in there for flavour. The end result would be The Summoner, the new short film from writer and director James Secker, the man behind ForceVideo.

The Summoner in action.

 

At a lean 20 minutes, the film wastes no time it making it’s intentions clear. Shot digitally and then heavily trashed in edit it looks like and old VHS tape found in a slightly damp Poundshop bargain bin, with harsh colour tones and heavy contrast. This blends perfectly with the incredible soundtrack to capture that 1980s vibe which is currently trending hard on Netflix.Adam McNab plays the title role, and does great work with very little dialogue. We quickly establish that the summoner is a broken man, hard drinking and smoking with busted knuckles and a set jaw. I was surprised to hear a thick Northern accent emerge, as the film has a very American vibe but this added to the surreal nature of the project.

The editing is tight, fight scenes are kept simple but effective and the attention to detail with authentic props and costumes help round off the retro aesthetic. My only criticisms is that a vehicle used in the film, plus some very modern road signs in a driving montage pulled me out of the 80s for a brief moment. Although I don’t believe that the time setting of the film is established, it was momentarily jarring to have such beautiful detail interrupted but it soon passed. Another scene sees a bystander to the events shout some abuse at our questionable hero, and I wanted to know a little more as to why he attracted such hatred. Again, the moment zipped by and we were back into the satisfying action quickly. It wasn’t by any means a weak moment in the film, it just felt as if it established some potential backstory that we don’t get to see. Perhaps this will be further explored if the project is expanded.

Exorcisms are brutal work.

The Summoner was made on an incredibly small budget, but it doesn’t show in the final product, and is now in submission to festivals around the world where I wish it the best of luck. James Secker is a talented director with a great style and I’m excited to see what will come next. The film will be made available for viewing online in the future, and I urge you to keep an eye open for it.

Official Trailer: https://www.youtube.com/watch?v=_NjUJFHUaIo

Original Soundtrack: https://lazerdiscs.bandcamp.com/album/the-summoner-original-soundtrack

Facebook: https://www.facebook.com/thesummonerfilm

Twitter: https://twitter.com/TheSummonerFilm

Transformers Spotted in London

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In celebration of Transformers: The Last Knight hitting the big screen last week we were sent a load of great pictures by artist and photographer Darryl Jones capturing the film’s most iconic characters in street scenes around the Capital.

Check out the story and photos below:

The motley crew of Transformers figurines including new favourite Sqweeks, Optimus Prime, Bumblebee and Grimlock took a much-needed break from their epic battle against dark forces to enjoy a short break in London, taking in the City’s most famous sights including Buckingham Palace, Trafalgar Square, St Paul’s Cathedral and Parliament.


The Transformers snacked on fish and chips along the Thames, boarded the busy tubes before cooling off from the midday sun in Trafalgar Square’s fountain. The merry gang, albeit a moody Grimlock, were even seen busking with guitars and pianos, cheekily serenading passers-by with an Oasis number before admitting tone deaf defeat and squabbling over vanilla ice cream.

The tourists also acquired some new skills during their jaunt taking artistic inspiration from the likes of Michelangelo, Rembrandt and John Constable at the National Gallery, while Sqweeks and Bumblebee attempted a few daring kickflicks with fellow skateboarders at the famous skating spot in Southbank.

Darryll Jones is a conceptual artist and graphic designer who creates street and rural art installations using toy figurines, using scale and imagination. Darryll said: “I’ve always been really interested in taking pictures of figurines in urban environments, and it was immensely exciting to work on this project for Hasbro using the Transformers figures and iconic London landmarks to create comical installations reminiscent of a visit to London”.

The Walking Dead: A New Frontier. PC REVIEW

*Some Spoilers Ahead*

The Walking Dead games from Telltale have usually been exhilarating and gripping, making them feel like you are watching the comic book with its unique style and tone. The New Frontier is the third season in the franchise and continues using the choices you made in Season One, Two and 400 Days. Where we had just one character to control in each “season”, this one shows we get to control both the returning Clementine and new character Javier.

Clem is much more mature in this game and maybe this girl is no longer as innocent as she used to be? Even though we get two characters who we can control, I still feel happiest to play as Clem. She is hard to work out at first, you want to trust her, but can you? We also have the new threat with the New Frontier, a group which are causing a lot of trouble and may or not be known to Clementine rather well.

Dependent on your decisions, there is a couple of old faces you get to re-visit. The end of Season Two was over two years ago, so we get a few flashbacks to remind us of your choices and it is great nostalgia to the very first episode if you have Kenny feature in yours. Clem is also still taking care of AJ no matter what the outcome. Also, unlike the majority of the game, this one does feature a very prominent character from the comics and TV show making a welcome appearance to connect the worlds.

I should mention Javier is also an interesting character and it is nice to finally control someone outside of that initial group from the first game. Javier is shown to be a family man and a very caring person throughout, even having his own life placed in the hands of Clem to bring together a great pairing for two strong characters. Sadly, Javier is the only new character that really interests me and kept me hooked; the rest of the New Frontier and Javier’s family do have some good moments, but not enough to remember them after the game.

The gameplay mechanics are the same as they have always been. You get some quick-time events, a couple sequences where you have to do a series of buttons in a certain order and a number of occasions in which you are searching for items to continue the game. Though these are staples of Telltale Games, it is now feeling a little stale and offers nothing new to the experience. Where the choices do indeed tailor the game to you, the end is almost always the same.

This being said though overall, I did enjoy the game with the acting probably at its best from all the seasons. Melissa Hutchison is still the star and her more mature version of Clem is by far the most important protagonist, as we have seen the character grow up over the last 5 years and don’t overly want to see her story end just yet.

I only hope we get some more interesting support characters next time round and maybe give us more significant threats (though the sequences in episode 5 are really fun). Worth a play, just don’t expect the same joy as before!

Final rating: 3/5

Written by Jonjo Cosgrove

SFW in the City announce more guests

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There is only four months to go before Science and Fantasy Warriors (SFW) in the City touches down at the O2 Academy in Sheffield, bringing the biggest science fiction, fantasy and horror spectacular to grace the steel city.

Already announced as headline guests were Sylvester McCoy, James Cosmo, Nick Kellington and Stanislav Ianevski.  Three more guests have now been added to the list.

Julian Glover has made a career of being a bad guy; from playing General Maximilian Veers in The Empire Strikes Back, the James Bond villain Aristotle Kristatos in For Your Eyes Only, to Walter Donovan in Indiana Jones and the Last Crusade and Brian Harcourt-Smith in The Fourth Protocol. He also voiced the giant spider Aragog in Harry Potter and the Chamber of Secrets and recently played Grand Maester Pycelle in Game of Thrones.

Equally known for his villainous roles, albeit in a more monstrous capacity, is Paul Kasey, who has played the Cybercontroller, the Cyber Leader, Cybermen, the Hoix, an Auton, a Slitheen, an Ood, and the Anne-Droid in Doctor Who. He has also made many appearances in Torchwood and The Sarah Jane Adventures.

Finally, but far less evil is, Ayshea Brough, who, alongside her singing career, played a recurring role on Gerry Anderson’s UFO series and made brief appearances in Gotcha and Demolition Man.

Sam Stone and David Howe will be running Author Central all weekend. Sam is the author of The Vampire Gene series as well as the Kat Lightfoot novella series. David is a non-fiction writer with over 35 titles to his name, including Doctor Who: The Television Companion.

Joining Sam and David will be Simon Clark (The Fall and London Under Midnight), Stephen Laws (Ghost Train and Spectre), Raven Dane (Legacy of the Dark Kind and the Cyrus Darian series), as well as Bryony Pearce (Windrunner’s Daughter and Phoenix Rising).

A SFW event would not be complete without comic creators, therefore comics artist Mike Collins will be discussing his work with Marvel, DC and 2000AD.

SFW in the City kicks off with a special Friday Fright Night, where a Sci-Fi quiz and karaoke (!) will be getting everyone warmed up, as well as DJ Level Up Leroy setting the music and the mood.

Saturday sees the event opening officially, with guest presentations and features, including the Retro Gaming Area, Jedi Training and Pop Up Puppet Cinema, with a special Imaginarium of dancing and spectacle by Area 51.

Also on Saturday night will be the awesome Star Wars themed Elvis tribute band Darth Elvis and the Imperials, who will be bringing their hot-dang brand of rock and roll to the stage!

Sunday will feature the cosplay competition, along with the MMORPG Show from Knightmare Live creator Paul Flannery, and a special SFW After Party, with more music, chilling and contemplation of what 2018 will bring to the realms of science fiction and fantasy.

The final boarding passes are available online or by telephoning 0207 193 9564.

SFW in the City is going to be a blast!

Pitch, Please! – Episode 5: Teenage Mutant Ninja Turtles

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Welcome to Pitch, Please!, our weekly podcast in which a fistful of geeks get together to discuss their ideas for the next big thing. Come join us and listen to our terrible, awesome, possibly slanderous pitches for all manner of geeky TV shows and movies.

This week…

The gang get heated as they discuss their pitches for a new Teenage Mutant Ninja Turtle movie. Including rat nudes, alcohol abuse and everyone’s favourite turtle, Mona Lisa! Cowabunga!

 

Don’t forget that all Geek Pride Podcasts, including this one and the Geek Pride Cast, can be found on ITunes, Google Play, YouTube and our website for download.

If you would like to see live streamed podcasts, then please check out our Facebook, YouTube and Twitch channels

The Geek Pride Cast #UKGE2017

For you Wednesday morning delectations Matt talks to Kerren from Geek n Son at the UK Games Expo about Gaming, The Walking Dead and people with no spacial awareness.

Dont forget that this podcast and our other podcast, Pitch, Please! can be found on Itunes, Google Play, Youtube and our website.