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Becca’s Pick of Bad TV Mothers

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Today is Mother’s Day, a day to celebrate what a good job most of us mums do. A day to say thank you to the person that brought us into the world and guided us into adulthood, sharing with us traits and knowledge to enable us to become the (mostly) well-adjusted adults we are today. I’m not naive; no one is the perfect mum, we all have our failings and flaws, so I thought that I would shake it up and take a little time to look at those bad mums that have entertained us on TV.

Malory Archer – Archer

An alcoholic spy who got knocked up and left it to the valet Woodhouse to raise her son. This woman sent poor little Sterling to boarding school for ten years and forgot to tell him she had moved. Her constant and cringeworthy need to show off her sexual prowess continues to damage her son well into his adult years, and the occasional flashbacks we are privy to confirm the emotional neglect to which Archer was subjected. Added to the fact that she lead him to believe his father had died, only to reveal his father could be a number of possibilities, further adds to her incapability as a mother. The real judge of a parent is the adult the child becomes and Archer, whilst highly skilled and capable, has grown to become a male version of his mother; an alcoholic, self-centered, bad bad human. His persistent abuse of Woodhouse, the only real parent he had, reflects the well embedded damage and hate for his mothers lack of love and affection. Malory uses her son as tool to her own ends using guilt and his ‘mummy issues’ to her advantage.

bad mom malory

Endora – Bewitched

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So you fall in love with someone outside of your culture and want to adapt to their ways to make your marriage work, you would think that your mother of all people would support you even if she didn’t agree with how the man’s culture behaves. Endora is blatantly human racist, she hates the fact her daughter has married outside of the witching world and makes no effort to conceal this or to get to know her new son-in-law before making judgments. Her continuing efforts to persuade her daughter to leave him and constantly getting Darrin’s name wrong, whilst a funny running joke, also indicates the lack of respect she has for her daughter’s choice- plus she turned him into a frog. We all know mothers are expected to be protective and Samantha is a strong witch who knows what she wants, a trait probably ingrained in her by her mother, yet Endora in no way respects her daughter’s chosen life style. Let’s be honest, the show was set in an incredibly sexist era where Samantha endeavoured to become the housewife she was expected to be and I understand this must frustrate Endora, but instead of taking the opportunity to befriend Darrin and open his eyes to another way, she just sits back and insults their union.

Cersei Lannister – Game of Thrones

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Not sure I really need to make a huge case for this one. Her children are the offspring of her twin brother, Jamie. Now I understand that during this time they did not have the genetic science and medical expertise to prove siblings breeding is, without doubt, abnormal and wrong. No, this is something the human race learnt a long time ago in its evolution, humans traveled far to widen the gene pool.  These two knew it was wrong and hid their incestuous relationship, going as far as attempted murder of a child to do so. Yet a no point did she put an end to it for the sake of her children or marriage. I don’t doubt that she loves her abhorrent offspring and is clearly concerned for their safety  but she obviously can’t parent- Joffrey is an obnoxious, sexually deviant, power mad, man-child. Though I am willing to accept this could be a result of his tiny gene pool and maybe not just down to her parenting, but either way it is Cersei’s fault.

Lori Grimes – The Walking Dead

lori bad mom

So it’s the zombie apocalypse, not an easy time for a parent what with all the running and dying and murdering of turned friends. So it is perfectly acceptable for some of your parenting to go out the window, you know, for the sake of survival. But I have two words for you “Where’s Carl?” Yep, it is the ZA and this mother doesn’t even know where her son is. A simple trip to the supermarket is enough for me to be hyper aware as to the location of my children whilst I battle through the hordes of eager shoppers, so if it was the ZA I am absolutely sure that my dearest would never leave my sight, I would even go as far as to suggest I would somehow attach them to me so there is no sneaking off. But Lori is like ‘Yeah whatever I’m talking to these guys go play, son’. Seriously, watch the episodes as they go further and further into the horror she watches their lad less and less and as a result he morphs into an unemotional and brutal creep fest.

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Rick, unfortunately, is leading the group and generally being badass at protecting and providing for everyone so can be forgiven for lacking as a father. But Lori has no such excuse, she has no defined role in the group so the very minimum she should be doing is protecting Carl. But her blatant disregard for son’s life is not her only parenting fail. Oh no, this woman went and got herself knocked up, seriously, every day is a fight to survive with barely enough rations to feed the quickly dwindling number in the group; with no established safe and secure base to at least give you a little sense of normality. So why in light of all this badness she thought some unprotected sex with her ‘supposedly’ dead husband’s best mate was at any point a good idea. *Spoilery and don’t get me started on how getting pregnant caused her son to have to do one of the most traumatising things any child could ever experience. The horror of her reality should have been enough of a contraceptive. Worst. Mother. Ever.

There are so many more I could add to this list, but alas it is Mother’s Day and I must leave you and indulge in a rare opportunity to ignore the usual household chores and take hold of the remote or lose myself in a little gaming. Feel free to add your suggestions of bad mums that should have made this list, in the comments below.

Helheim #1

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580 A.D, the bitter cold of The North. Rikard ,his father Kirk and a handful of other Norsemen are retreating back to their settlement in the aftermath of a bloody battle. In the midst of their retreat Rikard sees an apparition of himself weeping tears of blood. With their enemies in pursuit they are forced to make a stand outside the gates, knowing opening them would doom everyone and a gothic tale of bloodshed and dark sorcery begins.

 Helheim from Oni Press is a collaboration between writer Cullen Bunn (The Sixth Gun, Marvel’s Fearless Defenders) and Joëlle Jones (You have killed me,Vertigo’s Fables) which combines several elements in a way not seen before.

The Norsemen make their stand.
The Norsemen make their stand.

Rikard and the rest of the Norsemen’s desperate scramble for the safety of their settlement rather than just being a few throw away panels actually takes up several pages. In the hands of a less talented duo this would smack of filler and a lack of ideas but here it adds a great sense of atmosphere and introduces the reader to the characters. Rikard is struggling to keep up with his Father and the rest of the men due to carrying a mortally wounded warrior, who he would not see die on his knees, his Father however is uninterested in hearing what Rikard sees and chastises him for carrying the warrior who is only slowing him down.

When the group realise that they will not make it in time they make a stand outside the settlement and a bloody skirmish ensues. The brave few taking on a larger group is a well known trope but it is utilised well here. Jone’s character designs give the Norsemen a rugged look whilst at the same time not making them look superhuman.

Foul magic is at work.
Foul magic is at work.

The fight is a frenetic and bloody affair, with Jones making good use of both silhouettes and the contrast between the crimson blood and the virgin snow. Most importantly it avoids being hamstrung by too much going on. With the action kept simple in each panel, rather than descending into a hard to follow mass of limbs and weapons which only confuses the reader and pushes them out of the story.

Their enemies vanquished the warriors venture inside the settlement and Rikard is reunited with his lover Bera whilst his Father is greeted by one of his friends. In another title this would be the whole story and lead into the next issue, Bunn has far too many ideas for such a pedestrian plot though. this is just the beginning of the story really with another threat surfacing shortly, black magic, the undead and more play their part, leading up to an ending which makes you want to pick up the next issue just to see what’s going on and where these characters are headed.

 

Playstation Plus: March 2013

Online systems in gaming consoles can be tetchy, and there’s a never-ending debate about which is better; Xbox Live or Playstation Plus. Just to sort it out for you all – there is no right or wrong answer – it just depends what you want out of your online gaming experience.

Playstation Plus

I know a lot of people worry about security with online systems, especially since Sony’s well-publicised hack into the Playstation Network. Sony since beefed-up their security, and compensated all PSN users considerably with lots of freebies etc. Just in case you’re still worried in that respect, a good practice to get into is to not add your payment information into PSN or XBL… buy top-up cards for credit on the respective systems… then you don’t have so much to worry about.

Anyway here at Geek Pride we decided we’d do a regular series about changes to the Playstation Plus offers, as Sony‘s online system has a plethora of monthly offers and freebies that frankly are pretty awesome. By the way if you’re an Xbox user… Xbox Live Gold is free for all this coming weekend (8th-9th of March).

Ok back to business – if you’re a PS3 or PS Vita user, should you invest in PS+? Yes. Here’s why:

* Exclusives – PS+ offers gamers the chance to take part in exclusive beta tests of yet-to-be-released games… a great example is Dust 514, which up until recently was a closed beta test for PS+ users only. There was also early access to the multiplayer of God of War: Acension & Playstation All-Stars Battle Royale.

* Discounts – You also get discounted games & DLC, as well as game bundles. Sometimes the discount isn’t a huge amount (dropping from £5.99 to £5.49 like some of the current God of War content), but sometimes its a big saving – I picked up a very worthwhile GTA4 bundle for under £10.

* Trials Of Full Games – Yep – you can play a full game for a limited time to try it out before you shell-out your hard earned cash… a great option to have in my opinion.

* Cloud Saves – Xbox Live does it too… you can upload your save games to the cloud (there’s 2gb of storage), so you can sign into your friend’s PS3, then pick up where you left off.

* Instant Game Collection – This is the biggie, and a big reason I personally prefer Playstation Plus. Sony give you access to digital versions of loads of PS3 & Vita titles… some stay the same, like LittleBigPlanet 2 and iNfamous 2… whereas other titles cycle. We’ve had access to the excellent Bioshock, Batman: Arkham City, Resident Evil 5, Red Dead Redemption, Sleeping Dogs and many more. It works out to well over £150 worth of games, and when you download it, you can keep playing the games a long as you want while you’re a subscriber.

Ok, ok – so I admit… I’m primarily a PS3 gamer and these features play a large part in that. My main reason is that I love to play online. You’ll nearly always find me playing Black Ops 2 when I’m gaming. The reason I stick to the PS3 versions is because if I can’t afford PS+, then I can still play online with my friends anyway. Xbox Live lock that feature for Gold subscribers, which personally I feel is a bit unfair (I’d suggest lock voice chat, but not online play).

I’ve used both networks as I have both consoles, so I see merits in both – I’m just a skinflint at heart… so I pay for PS+ mainly because you get a lot of bang for your buck compared to XBL Gold.

So… now I’ve gone through the merits of Playstation Plus, here’s where I’ll get down to this month’s offers and freebies. In future articles (done monthly) I’ll only go through the freebies & offers, and give my impressions of the new additions to the Instant Game Collection… so they’ll be much shorter articles… promise!

Playstation Plus – March 2013

Here are this month’s changes for both the North American & European regions:

North America – Removal from PS+ in March 2013

March 5th – Guardians of Middle Earth
March 12th – Quantum Conundrum
March 19th – Dungeon Defenders
March 19th – Foosball 2012 (PS Vita)
March 26th – Plants Vs Zombies

North America – New additions to PS+ in March 2013

Spec Ops: The Line (PS3) – FREE
Disgaea 3: Absence of Detention (PS Vita)
Joe Danger 2: The Movie (PS3)
Tekken 6 (PSP; Supported on PS Vita)
The Cave (PS3)

Europe – Removal from PS+ in March 2013

6th March: Sleeping Dogs
6th March: Vanquish
6th March: LIMBO
13th March: Wipeout 2048 (PS Vita)
20th March: Lumines Electronic Symphony (PS Vita)

Europe – New additions to PS+ in March 2013

6th March: Mass Effect 3
6th March: Dead or Alive 5
6th March: Joe Danger 2
13th March: Metal Gear Solid HD Collection (PS Vita)
20th March: Puddle

Impressions & Recommendations
If you haven’t played the excellent Sleeping Dogs or creepy indie hit LIMBO yet, then I’m afraid you’re out of luck… they were removed from PSN yesterday along with the average 3rd-person Gears of War-esque Vanquish in Europe – whereas the US lost The Lord of The Rings tie-in Guardians of Middle-Earth the day before.

In the US you still have a chance to pick up the enjoyable Quantum Conundrum, which I’d recommend if you’re a fan of Portal – it’s a quirky game where you manipulate gravity and density (among other things) to solve puzzles. Dungeon Defenders is worth a look, as is the addictive Plants vs Zombies. I don’t have a PS Vita so can’t really comment, but if you don’t pick up the Wipeout title in the UK then there’s something wrong with you.

This is a pretty good month for PS+ users judging by the above. The addition of Bioware‘s Mass Effect 3 (a massive 14gb download though) is awesome for UK players, and with a decent online co-op we’d recommend you grab this while you can. The big title for the US is Spec Ops: The Line – although I think the UK got the better deal this month, Spec Ops is a decent title that definitely deserves your attention – especially if you’re a fan of 3rd person shooters.

Dead or Alive 5 is another fun UK addition – while not an amazing game, it’s still a decent fighter… and I’ve already been challenged by fellow Geek Pride writer Phil Matthews to a few rounds, which I’m sure he’ll kick my ass in (I’m more of a Street Fighter kinda guy).

The Cave is a great title coming to the US Instant Game Collection, with similar asthetics to LIMBO, this puzzle game got some great reviews when it came out in January, and the dark humour that underpins the gameplay is definitely a draw for me.

The MGS bundle is a no-brainer… much like Wipeout, if you don’t grab this for your PS Vita (if you have one) then you need your head examining. Same goes for the Tekken title in the US – it’s worth the download. The Joe Danger games are fun, yet mindless… they’re the kind of games you play with friends, while getting very very drunk.

There have been a few great additions prior to this major update… for example UK users can also grab God of War HD for free at the moment, and there’s a sale on the whole God of War series of games, including bundles, DLC, and DLC for other games like LittleBigPlanet as well.

So what do you think about this month’s updates to PS+? Are you happy with the offerings, or disappointed? What would you love to see coming in the update for April? Let us know by commenting below!

The Sci-Fi Weekender: Jedi Vs Sith Flash Mob

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Our Friends at Nerd Vs World were at the recent  Sci – Fi weekender and have shared this amazeballz flash mob moment with us! 

ENJOY!

Meeting Ron Marz at the LSCC


11427_418443811582271_1632920745_nAt this years London Super Comic Conventions was the first time that Ron Marz has attended the event and I had, over the two days, the chance to not only listen to him on the ’20 Years of Top Cow’ panel but to speak with him one on one. If you didn’t already know Ron is most famous for writing on titles such as the Green Lantern, Silver Surfer, Batman/Aliens and Witchblade.

Ron was there as part of Top Cows attendance but also promoting, and signing his own comic book called ‘Shinku’ which he created with, and is drawn by Lee Moder (Wonder Woman) whilst being published by Image Comics.

As with everybody I met at LSCC, Ron was a very pleasant man and took time out of signing to speak with me and answer some questions. Although he has been to London before, this was his first time at the LSCC and even though he was enjoying his time here, he did admit the conventions aren’t the most favourite thing about being a comic book writer, as it keeps him away from his family. However; being a writer is also one of the best jobs he could ever have.

I asked him about writing comic books today compared to over twenty years ago and in particular the restrictions imposed. As he has written for some of the biggest characters in comics I was wondering if they are given any leeway, for instance, there are very few openly gay comic book characters and what would happen if he wanted to take a character and have them step out of the closest? Ron advised that if it was your character, one that you created and owned creative rights then you can technically do what you want unless a publisher doesn’t pick it up of course. However, when dealing with established characters you always have to bow to the whim of the creative executives who say what happens every step of the way. In today’s world the executives and studios are so protective of their characters that they very rarely want to rock the boat with them. There is to much money at stake, not just in comic book sales, but also merchandise and future film rights. You would not even go up to a studio’s executive and try and pitch an idea, if they want you to write for their character, then they usually already have a storyline in mind and look to you to write it in the best possible way. This even goes with minor secondary characters, though not as much, as every character has a potential value to the studio.

Emerald_Twilight_01Ron went on to explain about when he wrote the ‘Emerald Twilight’ storyline for the ‘Green Lantern’. He was told the he was to write out ‘Hal Jordan’ and that Hal will no longer be known as the Green Lantern and when picking the new Lantern Ron was told he could do whatever he wanted. So he set about getting rid of Hal, suffering the fans wrath in the process, destroying the Green Lantern Corps and having Kyle Rayner being chosen as the last Green Lantern.

So when a character dies, is resurrected, or has the first same-sex marriage in a comic studios history, it is very rare indeed that this will be the writers idea and they will just make the best storyline to fit a characters major development change, as dictated by the executive. Granted this is not the case 100% of the time but it is general practice.

Finally Ron started talking about a new project he is working on and that it would be very cool; however, despite the drip of information, sadly that was the most he was allowed to tell me. It appears comic book story lines are just as classified as military secrets! Ron did promise that it will be awesome and we should definitely keep our eyes pealed for when it (what ever ‘it’ is) hits the shelves.

 

“Bloody horror meets martial-arts mayhem in the first collection from the sold-out series by RON MARZ (WITCHBLADE, ARTIFACTS) and LEE MODER (WONDER WOMAN). The last surviving member of a samurai family wages a one-woman war against a clan of vampires in modern-day Tokyo in the first story arc from the acclaimed new series. If you like your vampires to sparkle, look elsewhere! Also contains a cover gallery, sketchbook, pin-ups and the rare black, white and red ashcan edition.“

– Shinku: Image Comics

9717878-shinku-vol-1-tp‘Shinku’ Vol.1 by Ron Marz and Lee Moder is available to buy now.

London Super Comic Con 2013: Saturday 23 – Sunday 24 February 2013 – THE SKB Diary

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Day One – Saturday 23 February


544109_418443721582280_2110737427_nIt is the second ever LSCC, once again held in the ExCel Centre in London, and Geek pride (Myself and our glorious leader Matt) are excited about our first comic convention in the big smoke! The doors opened at 10:00am with the early pass holders entering at 9.30am; we got there early.

 Having arrived to collect our press passes we skipped the queues and entered with the first arrivals into the main exhibition hall, which sadly seemed a little underwhelming.  The hall itself was of a medium size and only two thirds was taken up with exhibition stands, with the other third left for ticket processing and the Panel Room; leaving a lot of dead space.11177_418443654915620_1801498805_n

Having a quick browse round the hall to see what was on offer to the attendees, it came quickly apparent that if you are simply a fan of comic books or an avid collector this is the place for you.  With an entire third of the room dedicated to artists and producers and another third dedicated to selling everything comic book related, I thought to myself this was going to be a good weekend!

The day started off slowly as the staff busily worked away in letting the attendees enter in batches but this however gave me a chance to quickly meet Ron Marz (Artifacts and Witchblade) before it got busier….

Ron advised that although he has been to the United Kingdom before, it was his first time at LSCC for himself and Top Cow.  Ron was a pleasant man who confirmed he likes it here but that doing conventions is not his first choice of pastime, preferring couch surfing like most other men.  However, when doing conventions he definitely prefers traveling abroad than simply going from state to state. 

528407_418443521582300_915000420_n… and back to the event. To begin with not all the artists were present, with the most notable absence being George Perez (though he did turn up later), the rest having flight issues. This didn’t seem to put people off though and before too long queues were forming at the various artists stalls, with the largest at this time being for the likes of David Mack (Daredevil and Kabuki) and the trio of Dan Slott (The Amazing-Spider-man), Adi Granov (Iron Man: Extremis) and Marco Turini (Squadron Supreme).  

There was a large number of stands, most offering discounted merchandise and some publishers like; Top Cow, Avatar, Zenescope, AAM/Markosia and 2000 AD, offering limited edition LSCC variant covers.  As the day wore on, stands like J. Scott Campbell and Rob Layton, to name a few, held a high presence in the hall.

If you are either looking to complete your comic book collection, for that special item or simply after a bargain, then LSCC seemed like the place to be; something a patron we met, Mike, could attest to….

734595_418442344915751_1112422240_nMike  caught our attention as he had a hard back, collectors, 2000 AD book and was trying obtain all the artists signatures on it. Unfortunately, today he had a pen malfunction and a couple of signatures were a little worse for wear. Mike told us he hoped to have a complete collection of signatures within the next few years,  he will then continue to read the book (rather than store it away in a box) before maybe, one day, passing it to his grandchildren….lucky buggers!

 

Events and Panels

599155_418442434915742_2137412324_nThe Panel Room opened at 12.00 noon with ‘Celebrating 50 years of Marvel‘s Greatest Characters’ (the golden age to present). and the panel talked about their favourite characters, stories, what it meant to them and the wider world of comics.  They also lavished praise upon Stan Lee and Jack Kirby, and commented on the turnout being of the size usually reserved for Stan himself.  Throughout the presentation, we received insider views of how Marvel is run and controlled ( not always for the best it seems) and it was emphasized that for them to continue to lead they need to allow a greater creative ownership and control for the artists over their characters, as much of the talent are saving their best ideas to protect the ownership.  All in all, the presentation felt a little poor and they came off slightly bitter at times but that was just me, a lot of the crowd were definitely left wanting more.

Next up was presentations on ‘Daredevil through the Ages’ and ‘Dredd and Beyond: the whole wide world of 2000AD‘ which although I did not attend, many of the attendees were suitably impressed.

BDzd2vzCEAEcec6.jpg_largeThe final panel of the day was ’20 Years of Top Cow‘ which for me was the event of the weekend I did not want to miss.  On the panel was Matt Hawkins (President/COO of Top Cow, Think Tank & Aphrodite IX) Ron Marz and David Hine (The Darkness).  The presentation was more free flowing with an open question and answer session throughout.  The feel was a lot lighter than the Marvel panel and had a more pleasant atmosphere in general.  Matt Hawkins appeared to be in fine form, labeling (in his opinion) what he thought was crap or not within the comic book world.  With the emphasis on Top Cows consistently putting out only 3 to 4 comics per month of top quality compared to the likes of Marvel who put out 100, with only 5 being on par, 10 or so being good, 30 being ‘so, so’, and the rest being totally crap; however, he did acknowledge the fact that he has no doubts that the ‘Crap’ of Marvel and DC out sell the Top Cow releases, but as is life.

The writers talked about working with some of the top illustrators in the world and how the creative freedom (due to creative ownership and control) allows the artists to be the best they can.  It was also good to see Ron and David talk about other projects that they are working on that are not Top Cow published.  Matt did not have a problem with this and actively encouraged them to continue.

Matt was proud to announce that ‘Darkness’ the game was the most successful comic book computer game that was or had not been a movie.  He advised that they have had a number of offers to make Darkness a film over the years but is expecting a script to be landing immanently that should hopefully be good enough.  Matt also boasted about the fact that they have the highest rated TNT show to ever be cancelled (due to Yancy Butlers alcohol problem, her entering rehab during mid second season, before failing to return) in ‘Witchblade’.  They had also been offered to make a number of Witchblade games, but these were going to be ‘plug and play’ developments and this was something Top Cow was not happy about doing.  Finally Matt rubbed it into Marvel by announcing that they entered the Anime market years before them.  All in all, the Top Cow boys were more than happy with their product and creativity, but knew their place within the market at this time.

The Illustrative World of Matt Dixon

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Walking round the booths at London Super Comic Convention, amid all the artists doing their signings, the comic book retailers and publishers selling their merchandise, and the general event traffic; I noticed, in the far aisle, a booth that just stood out against the rest. Myself and Matt wondered over being simple folk and attracted by pretty things. Doing so we entered the domain of Matt Dixon, an English freelance illustrator, who, until this moment was an unknown quantity to us and, to be honest, still was when we approached his table as the little sign displaying his name was lost amongst his fabulous artwork.

Matt’s table was covered in glossy A4, brightly coloured, illustrations of robots and fantasy pin-ups. It was strange, as the artwork seemed familiar, yet I could not place it.  He advised that I’d most likely seen his work ‘around’ as he has done a lot of commercial commissions including numerous computer games and movie licenses ; I dug a bit deep to find more about the man…

Born in Birmingham, Matt has always enjoyed art but over time has moved away from canvas and paint, and now uses more modern tools to ply his trade, in the form of a pressure sensitive tablet computer and Photoshop. Something he says is quicker and easier to work on  than painting on canvas.  Asking if he works on multiple layers within Photoshop to build up his illustrations Matt confirmed that he did initially; however, he found that he would often make mistakes in his work because when painting on a number of layers, he would end up painting on completely the wrong layer altogether and finding the correct layers can slow his creativity.  He now works on one level building up the layers as he would on canvas, painting over the mistakes as he goes along and building up textures in the process.  Using the touch screen computer he paints just as anybody else would on canvas, yet he doesn’t create any mess like mixing paints or having to clean paintbrushes. In fact he doesn’t even have to buy brushes or paints anymore.

The entire creative process is so much quicker and slim-lined that once he enters his studio he does not need to leave his computer.   Commissions and contracts come in to he email inbox, he then paints the job and then fires it back off to the client or the printers.  Considering his working process I suggested that he would not have to leave his bed to work if he didn’t want to, but Matt confirmed that he has always got out of bed for work and has his studio upstairs. 

It was a pleasure talking to Matt and we will be giving aay some signed copies of his work in the near future. In the mean time you can find more on his website here.

 

 

Hanging out with Orang Utan Comics at LSCC

75522_418443894915596_21363240_nWe have all heard of 2000 AD and Judge Dredd right?  Yes I hear you say, of course we have we aren’t all stupid, they are the biggest British comic book publisher and have huge success with not one but two Judge Dredd films!  Well okay, but how many of you have heard of Orang Utan Comics?  Ahh, not so loud now are you?  But a good fair few of you have and that’s good.  Well for those of you who haven’t heard of Orang Utan Comics where have you been? And shame on you! However, you’re in luck because while I was at London Super Comic Convention, not only did Orang Utan have their own booth, but their co-founder Ian Sharman was there ( he stood out immediately, being the best-dressed man at the show, in his three-piece suit and silver cravat.), and graciously took the time on the Sunday to have a chat with me.

555093_418443881582264_1500097573_nGreeting me warmly he told me how Orang Utan came about and how he got into the business. Starting in comics when he used to ink artwork he decided, one day, to send his work off to other artists.  Having received advice and guidance on how to improve his work started to wonder (in his naive youth) why he was not yet working on titles such as the ‘X-Men’; surely he was good enough? As time went on and the big break he was dreaming of didn’t materialise, Ian got more and more frustrated and, eventually just gave it up and left his comic book life behind him…. Now, now, calm down people, he comes back to us… Ian 2.0 if you like; back with a plan.  So anyway, where was I, oh yes… Ian left his comic books behind and does the ‘grown up’ thing of getting married, having children, and no doubt meetings with bank managers and looking at paint samples.

Many years down the line and far away from the comic book industry, one drunken night Ian is having one of those ‘chats’…. you know the ones, they often start with; ‘you know what’s wrong with X?‘ This leads to ‘you know what we should do? We should do that, but only better!‘ Which inevitably results in a hangover and nothing else said or done.  Well not Ian, while talking with his friend Peter Rodgers they discussed creating their own comic publishers and instead of just palming it off as drunken nonsense the next day he set about creating Orang Utan Comics with Peter.

486096-11htpbcoverfrontfinalweb_superOrang Utan started off in 2007 with ‘Eleventh Hour’, nominated for an Eagle Award in the category of Favourite Black & White British Comic Book, and grew from there.  Orang Utan Comics is a group of up and coming artists (writers, illustrators, etc.) from around the world who come together to publish their own work with the help of AAM/Markosia who publish some of Orang Utan’s other works.

During our chat, one of the LSCC staff came to the booth and interrupted us.  He was carrying a stack of Orang Utan Comic books and was handing them out to other important people around the hall, but he had hit a snag, apparently people where very keen on the books, but they hadn’t a clue to how to contact Ian for distribution and were inquiring if he has some business cards.  Of course! So simple. So obvious, but just like you and me, when you are excited and surrounded by what you love, you can get lost in the moment.  A quick search around the business cards are located and all was well. During this encounter, Ian didn’t bat an eyelid and kept his happy and friendly demeanour.  Well it can happen to the best of us.

2818000-alpha_gods___betrayal_001__2011__pagecover_superMinor crisis averted, I asked him about their comic ‘Alpha Gods’ and in particular, why did it one day just stop?  Well, Ian was happy to tell me that this was due to the artist, Ezequiel Pineda, being in hospital for a long time and was even having his girlfriend bringing work back and fourth to the hospital during this time.  He was happy to announce that it’s back and there is a lot more of ‘Alpha Gods’ to come.

So having ignored the 2000 AD booth (okay, I didn’t ignore the booth it was just busy), I was glad that I talked to Ian and Orang Utan Comics, they are one of the leading small indie/press comic publishers in the United Kingdom and are growing all the time.  I urge you therefore to go out there and support more British comic publishers, go out and support Orang Utan Comics, not just for me but for Ian, those suits can’t be cheap you know, and if you see him at a convention tell him Geek Pride says ‘Hi, keep up the good work’.

Episode 131 – The one where Nijinsky forgot to push the red button…. featuring the Playstation IV!

New Gameovercast Podcast is online. Press the link below orrrrrr, as always, subscribe on I-Tunes to listen

Episode 131 is up and at them!

The show opens with the cast talking about the gaming related weekend to come, moving, and the joys of old school gaming.
In games we talk Crysis 3, Aliens Colonial Marines, Dark souls, Gravity Rush, Star wars the old republic, Star wars the force unleashed 2 and Dead Space 3!
In imminent releases we get ready for Tomb Raider!
Our subject of the week this week is about none other than the Playstation 4! Join in and judge how far out our predictions were!

http://www.gameovercast.co.uk/index.php?id=news&db3=131

 

 

(Another) Death in the Family

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So, due to a shortage of staff at my day job and money in my bank account, I’ve just spent a knackering twelve days solid working in the hell that is retail. I come up for air, and apparently Damian Wayne has pegged it.  So what of Batman and Robin? Well, I’ve heard speculative whispers that Stephanie Brown might be making a comeback, which I so badly want to believe because FUCK YES STEPHANIE BROWN. But honestly? I’m having a hard time believing he’s really dead.  Let me explain…

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Batman Incorporated doesn’t feel like canon.

Oh sure, there are vague ties to the rest of the DCU -Red Hood and Damian mention their appearance as Wingman and Redbird in Red Hood and the Outlaws #17, and Damian’s dog Titus puts in cameo appearances in other Bat-titles. It hasn’t escaped my notice, however, that the recent Death of the Family saga included every single title linked to Batman- except Batman Incorporated. It may technically be canon, but if Grant Morrison killed your parents and you refused to read his books as some lame-ass vengeance, there wouldn’t be any colossal gaps in your Bat-experience.

This is pretty much backed up by Morrison himself, who said “via Batman, Batman and Robin, Return of Bruce Wayne and Batman Inc this epic tale has finally reached its finale.”  Basically, it’s technically continuity, but it’s also a direct follow-up to events that have since been retconned out of existence.

 

The spoilers came two days before the event.

I’ve been trying so hard not to make this comparison, I really have. I just wanted you to know that.

We knew something big was going to happen in Spider-Man #700, not just because it’s a milestone issue, but also because the issues leading up to it told us that shit was going to go down. There were postcards in every comic shop telling us that if we missed that issue we would be laughed at by others of our kin for such epic schmucktitude. The writers and artists tweeted about how excited they were and how much they were dreading the fan reaction. The internet was abuzz with speculation.

With the death of Damian, Morrison said in an interview that he was going to die. Now I get the value of under-hyping a major event so it packs more of a wallop when it happens, I do. But, say you read Batman and Robin. You picked up the extra comics relating to Death of the Family but that’s all.  You haven’t seen any of the spoiler articles. You open up the next issue of Batman and Robin and are greeted with a little yellow continuity box:

continuity box

That would suck. That would suck more than a Dyson after a glitter party. You thought I was going to say “your mum”, didn’t you? For shame.

 

Everyone in the DCU is far too busy to care.

Grant Morrison is a wonderful writer and I like Batman Incorporated very much, but it’s pretty much a B-feature. DC is currently, for whatever reason, in the throes of crossover madness, with H’El on Earth, Throne of Atlantis, Rotworld, and the unholy clusterfuck that was The Black Diamond Probability, and of course, Death of the Family. Amongst all that, Batman Incorporated is a blip. A damn fine blip with strong characters and a loyal fanbase, but a blip nonetheless. It would have been better for the story, the characters, and most importantly, comic sales, if Damian were to meet his end at the climax of Death in the Family.

 

It serves no purpose.

Morrison has promised that the repercussions of Damian’s death will be felt throughout the DCU. How? We didn’t need him to die to show he’s a hero, we can already see that- it’s the main reason I’ve warmed to him over the years. As mentioned above, I’m sure the Justice League will feel bad for Bats and send him a wreath and a sympathy card, but they’re dealing with their own traumatic life-altering events right now. The Bat-family grew accustomed to the little whelp, but they went through this once before with Jason; they’ll grieve and move on. The only person who will really take this to heart will be Batman, and come on, would any of us really notice if he got more angsty and brooding?

Unless this causes a drastic change -by which I mean Batman being driven to lethal force- any repercussions will be laughably insignificant.

 I guess there are two ways this can go: I’m right, and everything will be back to normal in a few months, and I will get to do the ‘Told You So’ dance I’ve been practicing for so long; or I’m wrong, and hopefully DC can build it into something that doesn’t make me want to headdesk until I fall into blissful unconsciousness.