Home Blog Page 55

Dust and Decay – Chapter 1 – By Sean P. Wallace

Want to know what’s happening? The first book Dust and Sand was serialised here at Geek Pride. A summary is available here. You can also buy the definitive edition of Dust and Sand at all good eBook stores.

A hundred matters vied for General Richard Ryman’s attention: the escalating research into the demonic gods known as the Triangle; messages from other States entreating him for protection; telegrams demanding to know what he was doing about the infestation of demons and demagogues known as the Dixie Problem; and the day-to-day demands of managing the Solution which fought the Triangle’s monsters. To name a few.

One dominated his time and attention, a matter more important than all others: the search for Dustin ‘Dust’ Longe, the Wanted Man, former Solution agent, and chief suspect in the murders of Eleanor Naismith and Penelope Chalmers.

Dustin… Damn that stupid fool. General Ryman doubted the veracity of the charges – murdering women didn’t seem in his nature – but Eleanor Naismith had sent the Solution a message accusing Dustin of killing Penelope Chalmers, then her own remains were brought out of the Badlands riddled with bullets. Though he couldn’t believe the man would run rabid like that, it would be… difficult to prove his innocence in even the most sympathetic of courtrooms.

And everyone thought it General Ryman’s job to ensure that a trial came to pass. Alongside everything else, of course. The victims’ fathers – William B. Naismith, the Solution’s sponsor, and Senator Chalmers – had made hunting Dustin the General’s top priority, but Texas’ Governor was far more concerned about the increase in eldritch activity. It wearied him to juggle these balls, but juggle he did.

So when he received the Governor’s latest request, he called for the man he trusted most: Joshua McManaman.

The knock came at his door five minutes later.

The General finished his response to the Governor of Missouri, explaining that no more resources could be spared for the secondary Solution office and the expanding Dark Marshes it faced, and said, “Enter.”

Joshua entered and stood to attention. Tough and plain of face, the man had a neatly-tended moustache and the slow manner of a sniper. He was patient like no one the General had ever met, but coarse, particularly when at ease. Like his military behaviour and manners were a suit he wore. Most importantly, he was an excellent tracker.

“Good morning, Joshua.”

“Good morning, sir.”

“How does this day find you?”

The sniper moved only the muscles required to speak. “It finds me well, sir.”

The General lowered his quill. “How are the men, in your opinion, Joshua?”

“Sir?”

“Give me your assessment. Be candid, if you would.”

The man had the decency to look uncomfortable, something the General always liked in a subordinate when he was being familiar. But he also knew to answer.

“We are stretched thin, sir. It was bad enough before, but now the things of That Which Sins are abroad even during the day.” His fist shook at the mention of the vile ‘god.’ “And that’s bringing other demons out. We will soon be low on supplies, particularly bullets, and the men know it. Their spirits are high after destroying that last batch of Fallen Angels, sir, but that was only a short-term victory.”

“We are working on the bullet situation.” The General pointed to one pile of papers among many on his desk. He withheld a wince at the mess. “I promise you it will be fixed.”

“We’d be much obliged, sir. Though I don’t think you called me up here for my assessment of our situation.”

The General smiled. It was a shame someone like Joshua hadn’t received Dustin’s powers: someone who had learned discipline, who had an understanding of order. Someone with patience. Perhaps more could have been done to stymie the Triangle if so…

Perhaps Eleanor Naismith would still breathe.

“No, I didn’t. Now, you are aware that the Governor has, for some time now, sought to form a formal posse to hunt Dustin Longe?”

Joshua nodded. “I’ve heard talk amongst the men, sir. Only rumours though.”

“They are not just rumours, Joshua,” the General said, rising. “Our Governor is fighting a tough re-election battle, and there is no surer way to ensure victory than by finding the State’s bogeyman and bringing him to justice.”

The sniper didn’t reply, but his expression shifted in some way the General couldn’t read.

“Well, he has finally pulled together enough favours to gather such a posse. Not a large group, they’d be noticed, but a powerful one. And he has asked that I provide manpower as well.”

Joshua tutted. “More mercenaries?”

“No. Quality men. Men of power and purpose. Men like you.”

He shifted, gaining pride and losing a little stiffness. “I see.”

“Now, this is not something I will order you to do.” The General stepped forward. “I cannot command you to face the Wanted Man, to lead the attempt to capture him, especially with the Badlands so agitated. But I would like to send the best… human the Solution has to offer. And that would be you.”

He did not add that Joshua would be hunting the best non-human the Solution had to offer.

A brief smile of pride crossed Joshua’s face. He visibly relaxed. “It would be hard to turn down a request like that, sir. But, if you don’t mind my asking, how are we going to go about this? How can a small band survive in the Badlands when they’re so agitated, let alone track a man no one has seen anything of for weeks?”

“That’s what I like about you, Joshua. You think of the practicalities. Of the realities. You will not go unprepared: the laboratories have produced an incredible coach for your posse. It will hide you whilst you’re in the Badlands, cover you from the Wanted Man’s attentions and the Triangle’s. As for tracking him, that will be left to you: in my view, it’s more than likely that everyone’s failure to find Dustin is down to the horrors of the Badlands, rather than anything he is achieving. Besides, you will be accompanied by capable people. Strong people.”

The sniper did not seem convinced by this last point, but he nodded nonetheless. “Okay. Then I volunteer myself. When do I leave, sir?”

“Good man. You’ll leave today. The Governor’s posse gather in his home in Austin as we speak.” He felt a strange need to prove the posse would not be a waste of time. “As I understand it, you will be working with a lawman and a representative from the Vatican.”

Joshua soured. “Really, sir?”

“Really,” the General said, a little heatedly.

There was a strange enmity from some in the Solution toward the Catholic church. Perhaps it came from their link to the Irish, or from their relative unwillingness to help fight the Dixie Problem. Whatever it was, the General disapproved.

“That won’t be a problem, will it?”

The sniper seemed to catch himself. “Not from my perspective, no.”

“Good. Your carriage is being loaded now. If you hand off your duties to your best men, you can leave within the hour.”

Joshua saluted. “Is that all, sir?”

“I rather think I’m asking a lot as it is, Joshua.”

He smiled. “Nonsense. I’m looking forward to it, if I’m honest.”

“Really?”

“Yes, sir. That bastard Dust killed the Naismith kid. And that poor Chalmers girl.” His lips tightened into a snarl, his tone grew spiteful. “If I get the chance, I’ll put a bullet through him and laugh after.”

The General couldn’t remember any animosity between Joshua and Dustin. But then something tickled his memories. “You and William Naismith were close once, were you not?”

“I’d like to think that we still are, sir. As close as a man can be to his betters. I managed his security for just over two years before he sponsored the Solution. Worked closely with him during that time. Mister Naismith still invites me and my family over for his Easter feasts.”

The General nodded, feeling a little stiffer towards his best soldier. “Why did the Naismith Mining Company require someone like you? If you don’t mind my asking.”

“Not at all. The redskin bastards wanted to take back some land that Mister Naismith had won the mining rights to. Those damn savages didn’t understand that the Government had given him it, without any strings, and they threw themselves at us. Claimed it was sacred. Mister Naismith refused Government help, seeing it as his duty to protect the lands he now owned, and so he hired militias and specialists on his own dime. That in turn meant he required people to marshal these mercenaries. Veterans. I was one of the latter.”

The General fought down his immediate reaction. Tensions between him and the Solution’s sponsor were at an all-time high. The magnate held the General personally responsible for his daughter’s death. It didn’t matter that Eleanor had pressed hard to go on the mission, or that everyone agreed that Dustin was the best man for the mission: his youngest child had died, and, in his wounded state, he blamed General Ryman.

As was a father’s prerogative, he supposed.

The General told himself it was those tensions, that crumbling relationship, which made him feel sudden trepidation about sending Joshua to the Governor’s posse.

“Is that all, sir?” Joshua asked again.

“Yes. Thank you, Joshua. And good luck to you.”

The sniper nodded and left.

The General spent the next ten minutes watching his office door, feeling much less comfortable with the massing demands on his desk and beyond.

Dany Laj and the Looks: “Alive & Kicking” coming February 17th

Like discovering new music? Like supporting upcoming bands and record labels? Get ready then, because Alive & Kicking, the upcoming release from Montreal-based Dany Laj and the Looks is set to release on February 17th.

Combining power-pop with garage and 1970’s/80’s dirty punk sound, Dany Laj and the Looks continue their rise on both the independent Canadian and US music scenes with their new album, the fourth in their catalog. Previously, the Looks released The Match (2010), Telepathic Voices (2012) and most recently Word on the Street (2016), the focus of last year’s very successful North American tour. Alive & Kicking looks to follow on that success with a new tour this year.

For those unfamiliar, Laj, born and bred in a small rural town about 8 hours outside of Toronto, ON, is now seeing success with the Looks after many years toiling on the independent music scene in Canada, taking any gigs available in order to perfect his vision for the right sound and gain that oh-so-valuable exposure that all bands need to survive. Now, Laj’s heartfelt songs and lyrics about a small-town kid making his way across the Great North finding love, touring the land and breakdowns (of the automotive kind) combine with a hot power-pop sound, a great sense of humour and catchy tunes to make for a great musical package that anyone can enjoy.

Frontman and band namesake Dany Laj (Photo by Holly Thomas)

Currently, the tour looks to take place from February to April, with more dates and cities being added all the time. The album will be released the week before the tour begins, and in the meantime, pre-orders are available. You can now order the album on CD or 12″ vinyl (which will be released late spring), and each purchase includes a streaming option as well as a full digital download, so you can take the sweet sounds of the Looks with you, no matter where you go. At less than $11.00 USD for either option (and that’s including shipping), you are looking at a great deal for some fantastic music. As an added bonus, you can also order their single “The Sweet Pretender”, exclusively on 7″ vinyl. Finally, with the pre-order, you will get early access to four full tracks from the album, available for download right away.

The band is currently taking orders on their official official Bandcamp page, where you can also download their entire library. Currently, The Match is available for free and Telepathic Voices is available with a “name-your-price” option, giving you a great chance to sample their sounds if you’re still unsure. And if you like what you hear, pick up Word on the Street for a great price while you’re at it.

CURRENT 2017 TOUR DATES/VENUES

Fri Feb 24 Sudbury ON, Townehouse Tavern
Sat Feb 25 Sault St-Marie ON, Loplops
Mon Feb 27 Thunder Bay ON, The Apollo
Wed Mar 01 Regina SK, the Club
Thu Mar 02 Saskatoon SK, Vangelis
Fri Mar 03 Calgary AB, Palomino
Sat Mar 04 Edmonton AB, Sewing Machine Factory
Tue Mar 07 Prince George BC, Nancy O’s
Wed Mar 08 Revelstoke BC, Last Drop
Thu Mar 09 Kelowna BC, Fernando’s
Sat Mar 11 Seattle WA, Funhouse
Sun Mar 12 Portland OR, Pop Tavern
Wed Mar 15 Lincoln NE, Vega
Thu Mar 16 Minneapolis MN, Eagle’s Club
Fri Mar 17 Milwaukee WI, Garibaldi’s
Sat Mar 18 Chicago IL, Subterranean
Sun Mar 19 Rockford IL, Mary’s Place
Tue Mar 21 Detroit MI, PJ’s Lager House
Wed Mar 22 Wyandotte MI, The Rockery
Fri Mar 24 Saint-Hyacinthe QC, Zaricot
Sat Mar 25 Montreal QC, Turbo Haus
Thu Mar 30 Oshawa ON, Atria
Fri Mar 31 Toronto ON, Bovine Sex Club
Sat Apr 01 Sherbrooke QC, La Petite Boîte Noire
Thu Apr 06 Québec City QC, L’Anti Bar
Sat Apr 15 New York NY, Hank’s Saloon

(MORE DATES/VENUES ADDED SOON!)

For more from the band, including upcoming releases, appearances, merchandise and more, you can visit their official site, as well as follow them on Facebook, Instagram and Twitter.

Dany Laj and the Looks are:

DANY LAJ – guitars, lead vocals
JEANETTE DOWLING – bass, vocals
COLIN BURNETT – drums

PATRICK BENNETT – organ (Sweet Pretender, Defending Champion, Mixing A Drink, Diamond In the Rough) 
EDDY BLAKE – cello, vocals (Mixing A Drink)
ROY VUCINO – additional guitar (We Were A Gang)

Drums & bass recorded by Paul Cargnello (May 2016)
The rest recorded by Dany Laj at Secret Passage Studios (June-November 2016)
Produced and mixed by Dany Laj
Mastered by Ryan Battistuzzi
Special thanks to Michael Bégin
© All songs by Dany Laj (SOCAN/ASCAP 2016)
Cover art, layout, and front photo by Jeanette Dowling
© 2017 Some Call It Pop Records, all rights reserved

 

The Geek Pride Cast #Xcomgiveitoya

In this episode we try not to talk about Rogue one too much, Matt makes a bold statement, Dave Talks about gay cake and Mike gives away some stuff.

If you would like to enter our, Random shit giveaway, and win yourself an Energy drink, a pasty, a ferrero rocher, a half eaten ferrero rocher, a hand written letter from Mike Orvis and a Geek Pride badge then all you have to do is follow us on twitter and send us the hastag #Xcomgiveitoya

Winner will be contacted in a month!

 

 

A Real Life Sarlacc

So it seems the Sarlacc isn’t actually science fiction after all. In fact we have our very own Sarlaac right here on earth…. granted it’s a lot smaller but it’s apitite is just as unquenchable and its threat just as horrifying.

Don’t believe me? Then check this out!

From Wikipedia :

Eunice aphroditois (colloquially known as the Bobbit(t) worm) is an aquatic predatory polychaete worm dwelling at the ocean floor.

An ambush predator, the animal buries its long body into an ocean bed composed of gravel, mud, or corals, where it waits for a stimulus to one of its five antennae, attacking when it senses prey. Armed with sharp teeth, it is known to attack with such speed that its prey is sometimes sliced in half.

Eunicids inject a toxin into their prey, which stuns or kills it, such that prey much larger than the worm itself can be eaten and digested.

Another family of polychaete worms, the fireworms (Amphinomidae), have harpoon-shaped chaetae (bristles) that release a toxin that can cause severe skin irritation, but in E. aphroditois, the chaetae are used only for grip when crawling over sediment.

Dust and Sand – Read The Story So Far…

Dust and Sand by Sean P. Wallace

Want to know what happened in Dust and Sand without having to read it? Then here you go…

Dust and Sand takes place in a Wild West where twisted creatures are abroad and cults which support them terrorise the land.

Hard-bitten former Texas Ranger DUST is used to fighting the Lovecraftian gods of the Triangle. When PENELOPE, a Senator’s daughter, is kidnapped during an emergency journey across the dangerous Badlands, the US government’s magical defence organisation turn to Dust for help. But ELEANOR NAISMITH, daughter of a powerful industrialist, uses her political clout to force her way onto the mission into the tainted Badlands.

SHADOWS FADE, a Native American warrior, also fights the gods with her companion wolf GODLY CLAW. She is alerted to something strange happening when she faces a creature which has built a body for itself from the soldiers who escorted Penelope.

Meanwhile, FATHER KILKENNY struggles to protect Crucifix, the town he has kept safe from bandits and demons for years. He knows where Penelope is being held, but cannot rescue her with a town to look after. And something almost as precious hidden in his church…

Dust, Eleanor and Shadows Fade cross paths and share knowledge. Shadows Fade agrees to join them in exchange for a favour. Eleanor is none too happy, but they investigate the telegraph line, finding that someone of immense power has been attacking the lines.

They head to Crucifix, their only lead, and meet Father Kilkenny. Dust realises that the Father protects a soul fragment invested with a piece of the Triangle god That Which Sins. The cult have been capturing young women and turning them into Vessels, with the aim of giving That Which Sins a physical presence in the world. And Penelope is fated to become one of them.

But Crucifix is the Father’s highest priority. Though he hates doing so, the Father forces the posse to protect Crucifix in return for Penelope’s location. When the Father throws the soul fragment in, Dust agrees.

The night does not go as planned; Eleanor freezes, leaving Dust to face dozens of creatures alone. The Dark Man ambushes them, killing Shadows Fade and taking Eleanor hostage. Dust surrenders to save her and is clasped in an artefact which suppresses his powers: he becomes a normal man.

Penelope, who has been tortured for days, finally cracks at seeing Dust captured. She is taken to an orgiastic ritual to turn her into a Vessel and voluntarily gives herself to That Which Since. And Eleanor, a worshipper of the dark gods all along, encourages her to do so.

Drained, beaten, and about to fail his mission to rescue Penelope, Dust gives up too. But then Shadows Fade rescues him, having faked her death. Together they fight through the cultists’ temple and break up the ritual to convert Penelope.

With Shadows Fade fighting for Penelope’s soul, Dust and the Dark Man face off. A great fight ensues which he just about wins. Bloodied, broken, he extracts the magic from Penelope’s soul.

Though Eleanor escapes in the melee, her failure is punished by her father: he kills her, miles away from everyone, and implicates Dust in her murder.

Dust and Penelope are left disconnected from the world, wanted as criminals and worshippers of the Triangle. They take the fragment of That Which Sins out into an uncertain world to discover what awaits them…

Has that whet your appetite? Then read Dust and Sand here at Geek Pride or find it at all good eBook stores.

Alien Covenant trailer reaction (better late than never!)

0

Alien Covenant trailer reaction (better late than never!)

This is going to be a relatively similar to an article that I wrote just over a year ago, sorry! But that’s what happens when you’re an Alien megafan,and obsess over every tiny piece of news/footage that’s released.

At that time, the buzz around the Alien franchise had been peaked by some sneakily released concept design photos of Chappie director Neil Blomkamp’s vision for a new Alien sequel. Fanboys (like myself) went into meltdown – Ripley and Hicks were back, Alien3 and Alien Resurrection were being ret-conned, and a mass of futuristic weaponry were on show – this seemed to be the type of sequel that we all deserved, and it was in the hands of a director whose recent movies show that he truly understood the sci-fi cinema of today.

Unfortunately, as we all know that movie has now seemly disappeared back into Development Hell, and we now have Alien Covenant on the horizon – as Ridley Scott tries his best to bring the franchise back in line with the rest of the Alien universe, while removing the remaining bad taste of his misfiringly bland Prometheus. 

The red-band trailer of Covenant has recently surfaced, and before I go into my general thoughts about the trailer, or my critical opinion on Prometheus (spoilers!) and Scott’s direction with the franchise, I thought it best to put into context my adoration of Ridley Scott as a director.

As a massive film fan, Scott’s work has been a huge constant in my life. While I consider the original Alien to be his true masterpiece, it was actually another movie that first brought him to my attention – his early 80s twisted take on fantasy/fairy tales, Legend.

Legend is a perfect representation of Scott’s body of work: visually stunning, able to take relatively low budgets and make the movies seem astronomical in scale and ambition, but at times they suffer from being quite empty in both plot and characterisation.

He is a director that has always (up until recently) refused to repeat himself – from the beautiful fantasy of Alien, Blade Runner and Legend, to the Asian film noir of Black Rain, his reinvention of the historic action blockbuster with Gladiator, and the superb ‘sci-fact’ thriller The Martian, he can never be accused of getting complacent.

But Prometheus has been in-my-opinion his most divisive movie. Lured back into the Alien Franchise by its producers Brandywine, with the promise of free reign in which direction he wished to go – Scott took a chance to tell a different type of Alien movie, one that would hopefully pull the franchise back from the abyss of the pathetic and childish Alien Vs Predator series.

His movie would be a mature attempt to tell the origin story of the iconic Xenomorph and its Space Jockey handler (a character/creature that long held a specific fascination for Scott since he first saw HR Giger’s initial designs), while bringing in aspects of religion and philosophy, and embellish it with relatable characters. 

While he certainly sought to include the aspects of horror and suspense that had made his original movie so successful and ground-breaking, the traditional gore that had been a massive part of the later movies in the franchise would be removed (allowing the movie to have a lower classification rating) – thus opening the film up to a much wider audience. Also missing from this movie would be the traditional Xenomorph design, with Scott stating that he thought the design had been played out through the many sequels.

Ultimately, this approach didn’t work. Prometheus was a critical disappointment, drawing mainly lukewarm to negative reviews, and a general rejection from fans of the Alien franchise. 

Prometheus was a flawed movie – there’s absolutely no disputing that fact – but I certainly wouldn’t say it was a bad movie, I just feel Scott misjudged what the fans wanted: that they expected him to replicate the majesty of Alien, rather than taking the film off on his own cinematic tangent.

My biggest criticism of Prometheus was the fact that they didn’t just cleanly tie it directly into Alien, in the same way that the recently released Rogue One  did so successfully to A New Hope.

Just set the movie on LV-426, and have the storyline develop as per the current version (discovery of the alien temple, the infection of Holloway, impregnation of Shaw and subsequent birth of her Trilobite ‘offspring’, the discovery and awakening of the Engineer, the sacrifice of the Prometheus ship to stop the Engineer ship in its journey to attack earth, etc..) right up to the impregnation of the Engineer.

Have him crawl back to his crashed ship, crawl into his chair, and have the ‘Deacon’ alien burst from his chest – thus confirming the detail behind the fate of the Space Jockey creature, and what had laid the eggs that the unfortunate Kane stumbles into at the start of Alien. Nice and neat! You could then have Shaw and David blast off in another ship and continue the franchise into a totally separate narrative.

While reports state that the above was very similar to the direction that had originally been planned, prior to filming 20th Century Fox requested that aspects of the story be changed, and the ‘origin’ story elongated into a planned trilogy of films instead of one. Whether this was due to concerns around Damon Lindelof’s script, or a wish to maximise potential profit, we’ll never know. Perhaps Scott will divulge more information about Prometheus during the promotion of Alien Covenant.

Returning to the Covenant trailer, first of all I was extremely glad to see it released in the ‘Red-Band’ format. I believe this was a deliberate act – one of the major complaints about Prometheus was its toning down of horror and suspense, and the easiest way for the studio to assure fans that this would be resolved is to show off some flashes of both gore and flesh. And show it off it did – with the quick flash of what appears to be the birth of the new ‘Back-burster’ proto-alien, which has long been rumoured, being the highlight of the trailer – as well as a bloody encounter in a shower between a couple mid coitus and the new ‘Neomorph’ creature. 

The setting of the movie appears to be shifting back to the ‘truckers in space’ aesthetic of Alien – the Covenant ship appears dirty and lived in, rather than the pristine scientific exploration ship of Prometheus.

More dark spaces for a creature to lurk in – another hallmark of the Alien franchise sorely missed in Prometheus. Also, from this small glimpse, the movie looks as visual stunning as you would expect from a Ridley Scott movie – the ship and alien world look evocative – and it certainly looks action packed, with plenty of explosions, gunfire and running away from whatever Neomorphs/Xenomorphs end up in the film. But I do have my concerns…

After watching the trailer, the thought that immediately popped into my head is that Alien Covenant looks suspiciously like it could be another Force Awakens – i.e. a film designed to re-energise a tired franchise, but ends up being an almost carbon-copy of the original movie. I mean, look at some of the scenes in the trailer: the crew of a star-ship explore a strange unexplored planet, one or more of the crew becomes infected by a parasitic organism, the organism gestates within the individual’s body before bursting out as an alien creature, the creature hunts down and kills the remaining crew. It’s just a bloody rehashed Alien! 

Even the casting and characterisation looks similar to Alien – with Katherine Watterson’s new heroine Daniels straying dangerously close to Ripley (short hair, vest, big gun, and questioning authority!).

I mean, doesn’t her “we don’t know what the fuck is out there!” conversation with Billy Crudup’s Captain seem almost identical to Ripley and Captain Dallas’ scenes in Alien? I could be totally wrong (I am basing this on a 2:11min teaser trailer, a few rumours that I’ve heard, and nothing else haha), but sadly I don’t think I am.

Certainly more intriguing is fact that Michael Fassbender will be playing two roles in Alien Covenant – firstly the android from the doomed Prometheus crew ‘David’, last seen blasting off into space with Noomi Rapace’s Shaw in a second Engineer ship; and secondly ‘Walter’, a more advanced model of David. Will there be some sort of conflict between the two androids? Will Walter share David’s at-times morbid curiosity around the humans in his crew, and the alien race that they come into contact with? Where have David and Shaw been in the rumoured 10 years between Prometheus and Covenant? Is Shaw still alive? I’m looking forward to seeing how these play out.

To sum up, the trailer suggests that the tone of Alien Covenant appears to be very much darker, which is definitely a step in the right direction for myself and fans of the original movie. The aspects of body horror look to be back, as is the ‘haunted house in space’ dynamic that made the original such an essential movie for horror and sci-fi fans. I just hope the final film isn’t a paint-by-numbers (kinda) remake, and that Scott is able to finally resurrect the Alien franchise to the heights that it so obviously deserves.

The Geek Pride Cast #FellaciousHannukah

On this Yuletide special, the gang discuss holiday traditions and deadly make up

10 GREAT Films we’ll never watch again

0

If you are anything like me, you will like a good jaunt to the Cinema. The anticipation of a new block buster or awaiting a fright from the latest Scare fest, the end result is generally the same; a great day / evening out and that buzzing feeling after seeing something special.

There are those times though that you, and maybe some of your friend group, or even partner, think you want to see something more sophisticated, something darker, thought provoking and altogether more mentally scaring.

The film is a master piece, well shot, engaging and indeed, thought provoking, but instead of that warm buzz and the excitement, you all leave quiet, barely looking at each other and unwilling to be the first person to discuss what you just saw.

With this in mind we at GPHQ have been trying to think of 10 films that were GREAT but you’ll probably never watch again.

 

Matt’s Choices

 

The Road

A John Hilcoat adaptation of the Cormac McCarthy book by the same name, myself and a few friends, having been told about it by another friend about it, decided that, despite the warnings of its grim, post apocalyptic setting, that we wanted something different to watch, and hey.. it had Viggo Mortensen in it.. Anything with Aragorn couldn’t be that bad right? Wrong…

The Road IS a Great film, don’t get me wrong, and apparently is slightly less bleak than the book of the same name, but as an experience it is grim, dark, joyless and just out and out traumatic.

The fact that highest point in the movie is when they find some food and then continues to go down hill from there, is testament to the well crafted nature of this movie but the exact reason I haven’t seen it again and probably wont for the foreseeable future.

Great film just emotionally draining.

 

Girl on a Train

Girl on a train, based on the book by Paula Hawkins, of the same name, and staring Emily Blunt is a psychological thriller about Alcoholism, abuse, sex and murder.

It’s a recent movie so I won’t spoil the plot or twist for you but Emily Bunts struggle with her past, her Ex and alcoholism is pretty real, and in some cases uncomfortable to watch.

Having left the film, my self and my Girlfriend didn’t really know what to make of it; a good film yes, but felt as if it was better placed on channel 4 on a week day eve.

A well shot and interesting movie but unfortunately not one I would go back to see.#

 

Peter Allison’ s Choice

2001: A Space Odyssey

A collaboration between Arthur C. Clarke and Stanley Kubrick sounds like an amazing idea. The result was 2001: A Space Odyssey, which was described “as exciting as the discovery of a new dimension in life” by The Boston Globe.

In reality the film has minimal plot, no dialogue for the first thirty minutes and an acid trip in the final segment. That is not to say 2001 is a bad film and should be avoided. Instead, 2001 is a visual experience, one which realistically portrays life in space; just do not expect to make sense of it.

 

Cristina Bogdan’s choice

J’ai tué ma mère.

It’s a brilliant film, considering the writer/director’s age at the time, however it’s emotionally draining and it’s better appreciated if it’s only experienced once, preferably not when you’re having the worst day ever.

Andy Haigh’s Choice

High Rise

From acclaimed director, Ben Wheatley, and based on the somewhat notorious novel by J.G Ballard it is a nightmarishly dark satirical black comedy centered around the life of Dr. Robert Laing played by Tom Hiddleston. Totally divisive amongst audiences and critics for its incoherent nature, High Rise is still undeniably a worthy entry in Wheatley’s oeuvre, especially for its use of Portishead’s take on Abba’s SOS but not something you’d watch again in a hurry.

Dave Foy’s Choices

Martyrs

Part of the 00s ‘New French Extremity’ horror revolution, which also brought us Haute Tension (2003), Frontier(s) (2007) and Inside (2007) – Martyrs is less a movie, and more a cinematic breezeblock being dropped onto your senses for 94 minutes.

Its unrelenting stream of violence, torture and suffering contains some of the most genuinely unsettling scenes I’ve seen in the horror genre in years. It also contains an ending so bleak, that it makes the climax of A Serbian Film look like the end of Home Alone 2: Lost in New York.

That said it’s an incredibly well made movie. Terrifying, thought-provoking, and very memorable – it’s a movie that I very much enjoyed, but still can’t bring myself to watch again – which for an experienced horror and gore fanatic, is a strange thing. Maybe it’s because I don’t want to spoil or dilute the effect of my first viewing, or maybe the final image of Anna is just still too raw in my psyche.

Trust the French to be this messed up!

Antichrist

Danish director, Lars Von Trier, has always been a polarising figure in modern cinema. To some he is the embodiment of ‘Dogme 95’ – a movement of avant-garde, experimental and confrontational film-making, which shies away from the influence and capital of the major studios, and uses low-budget craft to portray a sense of realness with award-winning results.

To others he is a crack-pot talentless hack, making monotonous and pretentious movies, and focusing more on making his actors suffer relentlessly during the film-making process and less about instilling his projects with an interesting and coherent plot.

I don’t really fall on either side – I’ve attempted to watch most of his movies, find most of them to be a bit dull but well-crafted, and then end up turning them off. There is one exception though. Antichrist is Von Trier’s bastardised version of a horror movie, set around the story of a couple who have isolated themselves in a rural cabin, in a seemingly hopeless attempt to deal with the grief of losing a child.

What follows is an exploration of the true depths of suffering, both in a mental and physical sense – as well as Von Trier’s own insecurities and fears regarding the outside world (specifically the cruelty that exists in nature/the animal kingdom) which impacted heavily on his own personal depression during the production. It’s a visually stunning film – full of terrifying, freaky, repulsive and yet strangely sensual imagery.

There are a few scenes of torture/gore that would rival any of the Saw or Hostel franchises, but it never feels gratuitous – instead it is meant to be a physical representation of the mental devastation and frustration that the couple feels. The main performances are good – Charlotte Gainsborough’s portrayal of a character being overcome by hysteria could have fallen into over-the-top territory, but instead attracts some level of pity, no matter what cruel things she says and does. But Antichrist’s bleak and abrasive tone makes it a film that is extremely difficult to revisit – I bought it on dvd at release, and have only managed one viewing – have no real interest in going back.

 

Josh Varney’s Choices

The Count of Monte Cristo

The 2002 film adaptation of the Alexandre Dumas novel. follows the general plot of the book which tells the story of Edmond Dantes, a sailor who is falsely accused of treason and imprisoned at the Chateau dif by his best friend Fernand Mondego, who wants Dantes’ girlfriend Mercedes for himself.

There Dantes hatches a plan for revenge not as himself but as the mysterious Count of Monte Cristo.

Betrayal, revenge and redemption set in 1815 France, we can expect nothing less than swashbuckling sword fights and brilliant manipulation from Dumas, a la The Three Musketeers.

Its worth the run time but like most of Dumas novel to film adaptations once you’ve seen it you don’t really need to see it again.

The Cable Guy

just…..pain. Nothing but pain. If you haven’t experienced Jim Carrey as the over indulgent “cable guy” giving Matthew Broderick the ‘fatal attraction’ vibe then…..you don’t get off that easy.

Experience 1hr and 35 minutes of screaming torture like the rest of us had to coming off of Carrey’s success of Ace Ventura and Dumb and Dumber. We were lied to dammit!!

Plot? Well Oddball cable installer Chip Douglas (Jim Carrey) attempts to strike up a friendship with customer Steven Kovacs (Matthew Broderick) by offering him premium channels at no cost. When Steven rebuffs Chip’s frequent need for companionship, Chip goes from a mildly eccentric acquaintance to a full-fledged psycho stalker.

Though it’s increasingly apparent to Steven that the cable guy is dangerous, convincing his friends, family and the authorities of that is another matter entirely.

A good film but not one I’ll probably watch again.

Lianne Gray’s Choice

Grave of the Fireflies

Studio Ghibli have made some of the best animated feature films in the world, a number of which are my favourite movies – just not Grave of the Fireflies; the beautifully crafted, ugly-cry inducing, heart wrenching animated masterpiece.

Do I want to watch this movie again? Well, the last time I saw it I had to hide under my duvet for a good 2 days binge watching Friends and eating my weight in custard creams. Then felt guilty about that fact that I was binge eating anything because of Setsuko.

So yeah, not something I will watch again, any time soon.

 

Agree with these choices?  Disagree? Have more? Then comment below!

The Walking Dead: A New Frontier Review – Geek Pride

0

Be warned that this article contains minor spoilers.

I’m not amateur when it comes to the walking dead. I have seen just about all there is to see so far and played every game based on the series I have come across, not to mention spending many nights reading the comics so naturally I was excited at the prospect of another game from Telltale based on the iconic series.

While it’s my held opinion that recent titles from Telltale have not been amazing I must admit I went into this game with some degree of worry. Luckily I had nothing to worry about.

The story

The Walking Dead: A New Frontier starts where it all began, bringing the story to when the “infection” started to spread.

You are confronted with a new family and what looks like a deadbeat son racing to get to his dads deathbed. This is where it all starts to descend into chaos. I won’t spoil anything but I think it’s pretty obvious what happens next.

We are then thrust several years into the future, sometime after clementine leaves us in the walking dead season 2. With what’s left of the family in toe you set out on your long journey of survival with a horde on your tail.

It’s a nice change of pace to get to know new characters and not have that pre-existing relationship with half the cast and having to worry that every corner could be their last. Getting to know these new characters and forging relationships depending on your actions is something I find has been lacking as of late.

The Walking Dead: A New Frontier seems to do this very well to start with and I find this is most likely due to not having to start the game with an already fully loaded consequence tree (IE who died, who ran, who likes who and where did they all end up). This freedom is evident from the start with the relationship being forged with the two adults in the cast open from anything to hatred to a loving relationship.

Naturally this freedom gives rise to a real connection to the characters and what becomes of them matters that much more.

The mechanics

Season two for me felt a little too much like the first one in terms with how it was put together, the mechanics of the gameplay and the facial expressions.

Although the story aspects were pleasing it just didn’t feel that real when clementine goes to smile and it looks like she is sucking on a lemon.

The Walking Dead: A New Frontier really stepped up to the plate however with far more complex facial expressions to more accurately display emotions. It doesn’t just stop there however as they seem to have done equally as much work on character movement and combat.

Overall this game is polished and really seems like a “new start” in many ways.

My impressions

After playing through the first episode which took roughly an hour and a half I was excited to play more.

The game was well paced from start to finish, was surprising and showed many elements of The Walking Dead’s world than previously seen and very much shifted the focus that has been on the cast in previous games.

The game does a good job of affirming the dangers of the dead but also shows that they are merely a secondary issue and the real dangers lie with the unknown. I felt that the game took all the best aspects of the comics and TV shows and condensed them down in its own way which seems to work great in its format.

20% off ALL GeeknSon Products!

0

Ladies and gents! two bits of amazing news for you this New Year.

First up, Matt has been busying away creating a dedicated space for Geek Pride to record videos for our Youtube channel  (photos to follow soon).

Now hearing about this the guys at GeeknSon have offered us one of their Denise tables to go ‘pride’ of place in the room!

We will be adding photos, a video and a review up in the coming months but just to wet your appetite, here is a video of what it will look like and its functionality.

Wetted the the proverbial whistle? Of course it has.

Well second up, fret not, because the GeeknSon guys are now offering 20% off ALL of their products, including accessories and chairs, until the end of January!

Things just got that little bit more affordable right?

These are great looking tables, in all sizes and affordability.

Don’t believe me then check them out HERE and if you buy one, tell them Geek Pride sent you!