We have got our hands on some great posters by the guys at Zero Room Designs and to round it all off, we have got them signed by the respective cast members of the respective shows : Arrow, Gotham, Torchwood and more.
Instead of having just a normal share to win though, we thought, bearing in mind Laura’s recent visit to Heroes and Villains and the Fuck Cancer event in London, that we would raise some money for charity, more specifically, Cancer Research UK and so we are going to offer out these posters over the next few months, for raffle.
NOTE: 95% of proceeds will go to the charity, the remaining 5% will be used to cover signed, insured postage to the winner, any amount remaining will be donated separately to the charity.
Tickets are £5, there are 150 of them and the winner will get a poster with the following signatures on it:Stephen Amell (Oliver Queen)
At 6pm on the 25th of May, The CW Arrow megastar Stephen Amell hosted the 2nd London based fundraiser for his charity of choice and patronage, Fuck Cancer (www.letsfcancer).
Like the previous event held a year ago, the venue was a prestigious London nightclub called the Piccadilly Institute, located in the very heart of Piccadilly Circus. It was all very impressive upon first glance. Any fan of the actor after learning of an event hosted by such beloved celebrity and in such an impressive location, would be willing to pay for entry.
Sadly, impressive at first glance is probably the best way to describe the event. Fans swarmed to the venue, climbed the dark and cramped stairwell to collect their exclusive “Fuck Cancer” t-shirts. (Condition of entry was for participants to wear this shirt, a requirement that combined with a lack of air conditioning inside, led to overheating and discomfort for many attendees.)
The venue is advertised as an “eclectic” venue and to a degree this is correct. The rooms are oddly set out with the mannequins hanging from the ceiling. Like any nightclub, the atmosphere is very dark, paired with strobing lights and music so loud, it is almost impossible to communicate.
For someone on a night-out with friends, looking to dance and drink, this is the perfect setting. For a charity event with fans hoping to see one person, this is a less then ideal venue. The fans waited in tense, bored silence, crowded around the podium they expected Amell to soon occupy. After an hour of waiting in this hot, unfriendly atmosphere the main star arrived.
The nights star, Stephen Amell came out of a backroom for a brief 10 minutes and made conversation with a small group of fans before being ushered back behind the curtain.
After a tense wait, the event was ready to begin. First up, a local artist presented her work, dedicated to the cause and gave a speech about her motivations for creating the piece. Awkwardly however, this either ran overtime or was a last minute addition to the nights events as it transpired Amells mother (Sandra Anne Bolté ) was waiting to surprise him with a birthday cake, complete with loud sparkler fountains, that could be heard over the speech and then had to be replaced and relit as the artist was rushed off stage.
Two cakes were then gifted to Amell along with a birthday message from his mother. The assembled crowed then sung the traditional Happy Birthday song. The star was unsurprised and said as much, however the affection towards his mother is obvious and provides a humanising moment for a man often put on a pedestal by fans.
The cakes cleared, Stephen Amell took the stage, on a dancers platform of some sort that he protested being placed on much to the amusement of those watching. He then proceeded to talk about the charity, a basic history and welcomed the crowd. Following this was a Q & A Session with the fans, making it clear he wasn’t going to spoil anything from the next season of Arrow. The questions asked were fairly standard questions. For example “Can you do an impersonation?” Or “Can I be on the show?” and “Do you prefer action scenes?”. The question Stephen seemed to enjoy the most was “Whats the worst advice you have ever been given?”. The answer being “Don’t be an actor”. Clearly he ignored this advice and has becoming highly successful. His mother then briefly joined him on stage to be given a gift and hear a story of a fans personal struggle with cancer.
A question posed about his cousin and fellow CW Alum Robbie Amell, had the actor in question joining Stephen on stage to talk about the duo’s upcoming Kickstarter project “Code 8”) A shared a moment of gentle family ribbing followed before Robbie left the stage.
More questions followed before the show was wrapped up with the signature “Fuck Cancer” group photo. Featuring Stephen Amell, Sandra Anne Bolté & Julie Greenbaum (Charity founder) and the gathered attendees behind them.
The Amells and company proceeded to the VIP room to spend time with each other and some fans who had paid a premium price to be included. The music got somehow louder so conversation became difficult. Despite this, Stephen took the time and effort to record a little message for our Podcast, regardless of the loud music.
This was pretty much the end of the event. Not long after the stars left, the main area had cleared of 50% of the attendees and was quickly on its way to shedding more. Many fans were then seen outside getting food and drinks from other establishments and wandering home, Fuck Cancer shirts proudly displayed!
In conclusion, charity is always a worthy goal, however more thought could be given to the needs of the fans attending. While a few lucky souls at the front got a chance to meet the man, most did not. This event lacked the ability for people to converse, meet new friends, socialise and perhaps share their own stories of strength. The length of time with the star and questions asked were no more unique, interesting or personal than what would answered at the Arrow panel, which happened over the next two days at the Heroes and Villains Fan Fest event.
For this event to really attract more attendees, donations, sponsorships and support discussion and change, the organisers need to have a discussion about more effective ways to make this an experience for the Geek community to really rally behind and flourish in.
With Beadle & Grimm’s Pandemonium Warehouse releasing the much anticipated Platinum Edition Dungeons & Dragons box, Waterdeep: Dragon Heist, in just a few months time, I spoke with one of the company’s founders, Matthew Lillard (actor, director, producer, entrepreneur, blue-haired-punk-god-that-one-time, D&D enthusiast) to learn more.
Lillard has been a D&D fan for most of his life. “When you’re a kid, you can only play so many games of football”, he says, so at 8 he and his friend would buy and paint D&D figures to occupy their time. Lillard didn’t play much after a while, but in 1991 he opted to play D&D with his college roommate, rather than attend a Superbowl Party. This lead to a fire-way best friendship, and the brainstorming that eventually gave us Beadle & Grimm. For 2 years the guys considered everything from escape rooms to loot boxes for their business endeavour, before someone suggested they create high end D&D accessories. Lillard recalls agreeing to do that immediately.
After Wizards of the Coast invited them to stream and they ran into Nathan Steward (Brand director and executive producer for Dungeons & Dragons) on a street corner; Lillard pitched the idea, and Stewart responded to the pure intentions and excitement behind the idea.
In case you were wondering what sets this box set apart from other D&D accessory sets, it can be summed up with one word. Quality. Everything in the platinum box set is hand crafted, meaning nothing you get is mass produced. These are specialty items. Lillard compares it to being a Pearl Jam fan and springing for the liner edition, there’s a market for that.
If someone hands you a letter in game, you’re getting a parchment with a handwritten calligraphy level prop. As you might expect, a boxset of this caliber is not cheap. Waterdeep: Dragon Heist Platinum Edition (available for pre-order now and releasing in November) will run you $499 USD. But, as Lillard notes, if you’re splitting the cost among five players, you’re each paying $100 for 18-20 months of gameplay, and the guide is included.
At this point, the interview moved to other things (how he’d been up since 5am for jury duty, he had discovered a mystery 12 foot pole in his yard, etc.). I asked if he had any interest in being involved in the upcoming D&D movie currently in development at Warner Bros., and Lillard emphatically told me he would love to be involved if he could.
“The rise of the geek is real,” says Lillard. He notes that there has been an uprising of geek culture, and the days of being ashamed to be a dork are gone. “There is a real revolution of people not content with looking at a screen all day, leaving more empty than when they began”
Next I asked whether he would consider being involved with James Merendino’s SLC Punk 3, which is said to centre around a modern Stevo (originally played by Matthew in 1998). “Not interested,” says Lillard. “The franchise is on it’s own path. With SLC 2 and the way that went down, it was no bueno, and he knows it. If someone else was doing it, maybe.” So, if you’re like me and spent the last twenty years hoping for the great blue mohawk’s return, well, sorry kids.
Now, this interview was conducted on the day the public learned of Anthony Bourdain’s suicide, immediately after Kate Spade took her own life. It felt irresponsible to not open a discussion about mental health, especially when speaking with an actor so entrenched in his characters, who are often troubled. We spoke about the events, and I asked if he, as someone who has played a fair amount of characters with mental health issues, could offer any advice to those who may be struggling.
“I will happily wear that mantle,” says Lillard. He recognises that people who like D&D, or horror, can sometimes feel like they’re on the outside looking in on society. “You lay your head down at night, and you know if you’re in trouble. But people will help you find the light. It can feel like a spiral, like there’s no way out, but there’s no shame in asking for help.” The first thing he advises is to disconnect from social media. Two years ago on New Year’s Day, Lillard took all social media apps of his phone. This was the result of him realising how “looking at others through a perfect lens” left him feeling empty in his own life. With the apps no longer on his phone, he couldn’t look in as easily. He’s still fairly active on social media, but has established a boundary to keep himself a little more distant.
His second piece of advice is to start working to help others. “We get so myopic. Millions of people need help. It takes the pressure off of being perfect and gives purpose.” We talked more about his aforementioned revolution of people who aren’t content to sit in front of a screen, who want to physically interact with people. It is important to engage without these perfection filters and embrace the flaws that make us human.
“Great things happen when you serve others. Turn off the garbage.”
This week Matt and Pete mosey on down to the Geek n son stand at UKGE 2018 and talk to Kerren about weddings, Geek n son, Star Wars, Infinity War, Halo, and, of course UKGE and table top gaming.
If you would like to see live streamed podcasts, then please check out our Facebook, Youtube and Twitch channels.
With over 70,000 people attending throughout the weekend, the UK Games Expo (UKGE) has quickly become the UK’s largest convention dedicated to tabletop gaming. Taking place over two halls within the Birmingham NEC, and with hundreds of traders and exhibitors, there is pretty much something for everyone.
One of the biggest draws of the day was the chance to meet the godfather of modern gaming in the UK; Ian Livingstone, who co-founded Games Workshop, co-created Fighting Fantasy and – if that wasn’t enough – was the CEO and President of Eidos Interactive, responsible for bringing Lara Croft to life. Ian gave several talks throughout the weekend about his life in gaming, as well as always making time to speak to his fans and sign books during the day.
Despite the draw of the guests, one of the best things is wandering around the convention and seeing what new games are available. The UKGE is often the first time many games are seen in the UK, such as the Big Trouble in Little China board game (so, so tempting…).
Despite the larger names in game design dominating the event, many of the smaller and more independent designers often have just as much to show. A case in point is Air Flix, which was a World War 2 equivalent of Subbuteo (but far better in our opinion), which quickly gained the eye of Geek Pride.
One of the main reasons for going to UKGE is to be able to pick up some great games without paying a second mortgage in postage and packing. With traders competing with each other as well, the more astute gamer can find some great bargains amongst the stalls. Some had even sold out by midday on Saturday.
One of the great points of the UKGE was the number of games that exhibitors had for attendees to try out for the first time. Special mention must go to go the UKGE Games Library, where people could book out games to play from an impressive selection on offer.
Pretty much every type of board game was on offer; from epic historical miniature wargames, through fun tabletop board games, to the fantasy card games. There was literally something for everybody, and not just for dedicated gamers. New and old gamers were equally welcome, with a dedicated area for those new to the hobby. With the UKGE becoming so massive, this curation was much needed as newcomers could be easily overwhelmed with the sheer scale of the event.
Alongside the traders and exhibitors was a massive play area, with hundreds of tables ready for people to play games on. Also on offer was a dedicated family area; where children could play age-appropriate games with likeminded families. This was great for those with young children as it allowed parents to share the hobby with their children.
There were also some great games accessories, such as some great dice bags and huge dice towers. For those wanting that something special, there was also some amazing gaming tables on offer. I have rarely called a table beautiful before, but the carpentry and attention to detail with Geek n Son’s tables were exquisite.
So all in all a great show and something we at Geek Pride are glad is increasing in size and popularity on a yearly basis.
Check out the UKGE website for more information about the show and to keep up to date with what is happening next year; we’ll be there!
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