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Hanakai Studios Reveal Prodigy

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In an unassuming Parisian suburb, in a shared studio with Neko Entertainment, is nestled a game development company called Hanakai Studios. Here they are developing a game they have simply called ‘Prodigy’, it is a game involving no controllers, no mice or keyboards. This is due to their stunning use of models and cards upon a white games tablet seen below.

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After speaking with the creator Jean Bey, Geek Pride can reveal that Hanakai are looking at a release date towards the end of 2015. At launch there will be 17 models available to purchase all with their own morals, attitudes and relationships towards each other along with 2 starter models. The models each contain an NFC tag, this tag contains a unique ID that is detected when the figurine is placed upon the board. The figurine also stores further data. Such as character information, level, skills etc.

Elae the Ranger
Elae the Ranger

The two main characters that were on show were Elae and Toboro. Elae is a ranger suffering from amnesia, she does not remember her name, nor can she remember companions she might have bonded with in the past. She is driven by the distant feeling that she has retribution to seek against the Sorcerer Kings. Toboro on the other hand is a Guardian, The Guardian of Thorns to be precise and is a beast of tremendous power in service to another character called Orin Aki. It is an unsettling creature, whose constant agitation and brutal anger is the incarnation of the dark thoughts Orin tries to repress.

Whilst details were scarce about the story-line of Prodigy what has been made clear is that there are 2 definitive factions all vying for a different conclusion. The player will be able to play through both story-lines with more quests available through the purchasing other figurines. However, not purchasing all the figurines will not stop the player from experiencing the game and narrative.

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The lack of controller/keyboard was certainly unexpected but the games use of  Arcana cards makes them obsolete. If you wish to talk to an NPC character in an aggressive manner you simply lay the ‘Attack’ Arcana card. Similarly the player moves around the map through the use of Arcana cards, then the Guardian, Watcher and a Companion are placed on the board. Positioning of your company is very important. For instance if a fight were to happen during your journey upon the map, the player’s characters would start the battle in their positions. However ambushes can be avoided by placing a scout figurine on the front line.

The white tablet is divided into squares containing three different lines, during battles between enemies and other players these lines become quite tactical. If you place your champion on the front line so to speak, your defensive stats lower but your attack rises significantly. The middle line itself is neutral and on the back line your champion may not attack but his defenses are heightened. It will be interesting to see how far the creators will go with the grid system in battles and just how tactical they can make it. It already has potential to be very fun and challenging.

Jean Bey
Jean Bey

Speaking about what platforms this game will be appearing on, Jean Bey stated that as they were using the Unreal Engine 4 for Prodigy that it has the potential to become available for all consoles out on the market today, this includes PS3/4, X-Box 360/One and PC.

This game is simple enough that a three year old can learn it, however promises to be an in-depth. very tactical, squad based combat game with PvP multi-player options. The creators are aiming for this to be more for the 12+ age-range market and are offering incentives to people who will sponsor this project through their up-coming Kickstarter campaign.

Hercules Could be Dwayne Johnson’s Biggest Film yet as Trailer Arrives

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It seems that after the horror of the Clash of the Titans remake and its sequel that there might actually be a good film based on Greek mythology as the first trailer for Hercules, starring Dwayne “The Rock” Johnson as the titular son of Zeus, hit the interwebs.

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The film is based on the limited series Hercules comic written by the late Steve Moore, illustrated by Admira Wijaya and Cris Bolson published by Radical Comics. Moore’s story downplayed the more mythological aspects associated with the character and was more of a character study of a hardened warrior amidst the war, murder and deception of ancient Greece. It didn’t shy away from the brutality of ancient warfare as Moore, a comics veteran, didn’t want it to be prettified like a fantasy movie as  Hercules is hired by the king of Thrace to train his army. Fans of the comic will pick up the iconic headdress which featured in the comic in the trailer and will also notice that in some spot on casting Dwayne Johnson is Hercules and this could easily become a high profile franchise for the former wrestler.

There could be trouble though as director Brett Ratner was the man behind X-Men Last Stand, which was memorable for the worst of reasons and the screenplay is from relative unknowns Ryan Condal and Evan Spiliotopoulos.

Whether the film sticks to the more gritty and brutal style of its source material or whether it will ironically be a prettified fantasy movie   remains to be seen.

Place your bets now.

Scarface, Rebooting a Legend and Playing with Political Fire

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Last week I let out a little rant about the subject of reboots, it seems this week will be the same.

Last night, The Wrap revealed that Chilean director, Pablo Larrain (Academy Award nominee for “No” as Foreign Language film) will be taking over the helm to from David Yates (Harry Potter and the Deathly Hallows: Part 2) to direct the forthcoming Scarface reboot.

Scarface is no stranger to remakes with it’s long forgotten original being released in 1932 (directed by Hollywood legend Howard Hawks) and the more popularly known 1983 version reinventing the story to be relevant to a modern audience.

The original movie poster for the 1932 Scarface, how times have changed!
The original movie poster for the 1932 Scarface, how times have changed!

The 1932 film plays out very similarly to it’s 1983 partner, however, the 1983 version has the subplot of it’s anti-hero Tony Montana being a Cuban immigrant who rises to power through a “no guts no glory” struggle with the underworld cocaine business (emphasis on the “guts” part), whereas his 1932 counterpart was an more typical gangster movie Italian immigrant.

It’s hard to see how writer Paul Attanasio (Donnie Brasco) can avoid playing the immigrant card which in todays climate, could make for a very interesting spin.  Political tensions surrounding the subject could see the movie as a clashpoint for anti-immigration and immigrant rights.

You can immediately imagine certain more right wing parties will be enamoured by a film depicting an immigrant as a sleazy crime boss spreading drugs and murder wherever he goes. Equally, the backlash of portraying immigrants in such a dark light could backfire on the movie worlds more liberal press.  The real test will be to see how Universal want the movie made, regardless of Pablo Larrains intentions and artistic interpretation.

Do movie goers actually care though?  I for one am more interested to see how they manage to reboot a movie which is not only a classic, but a legend.  With the 80’s glamour lost and the story taking a Mexican crime lord route, I can see this being something that is described as “gritty” and aiming for it as well.

1983's monochrome scheme for Scarface showing the change in the industry over 50 years
1983’s monochrome scheme for Scarface showing the change in the industry over 50 years

Furthermore, I can see the producers and Universal attempting to shy away from the fierce political undertones at the risk of unsettling a tinderbox subject.  While other movies have handled such subjects, few have done it by resurrecting a legend to do so.  Could Universal effectively neuter the movies story and turn it into a run of the mill action movie?  Lets face it, with the arsenal of remakes and reboots and comic book movies they’re throwing out, it’s obvious that movie studios are playing safe cards at the moment and Scarface doesn’t lend itself to safe very well.

With a lot of faith in the writing and directing to come in Scarface, I think this is a movie that will ruffle a few feathers between the right, the left and the movie going public.

Unofficial ‘Avengers: Age of Ultron’ Set Shots Debut Scarlett Witch & Quicksilver

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Unofficial set shots have emerged from the filming of Avengers: Age of Ultron, currently shooting in Italy. Excitingly, this is the first glimpse we get of Scarlett Witch (Elizabeth Olson) and Quicksilver (Aaron Taylor Johnson) and, to top it off, they appear to be interacting with Jeremy Renner’s Hawkeye.

Just check out Scarlett Witch’s poses and tell me you’re not even a little bit psyched. Personally, I’m not sure about the Quicksilver’s hair and of course I would love to see them both in the full on heroing attire from the comics, but realistically I’m just going to have to let that one go.

The very last photo I have included because ‘people’ are saying this is supposed to be Ultron, may be it is, may be it isn’t, I guess only time will tell. If it is, then it is safe to assume there is going to be a shit tonne of special effects to bring Ultron up to a visually pleasing standard.

Machinima’s ‘Enormous’ Pilot is Here and it’s Impressive Stuff.

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The pilot for Machinima’s web series based on Enormous, the comic from Tim Daniel and Mehdi Cheggour, previewed here hit the interwebs a few days ago and if you haven’t seen it then you’re missing out.

Enormous is set in the aftermath of a vast ecological cataclysm which has spawned colossal beasts unlike anything ever witnessed. Ellen Grace, played by Ceren Lee in the pilot, leads the only remaining United Nations Search & Recovery Team through the deadly giant monster infested streets. The team is searching for a cure for a pathogen that has been decimating what’s left of humanity, the key to which may lie in the blood of uninfected children.

The pilot was written by Andre Ovredal, a name which some recognise as he directed the memorable Troll Hunter, with BenDavid Grabinski directing. Alongside Lee, the pilot also features Erica Gimpel and Steve Braun.

If the pilot is popular enough then a full web series will follow.

https://www.youtube.com/watch?v=_eq3tCdal2M&feature=youtu.be

And it’s a hat trick – LSCC nails it again for the third year running!

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10006961_598640483562602_1594257614_nIt almost feels odd to be writing about conventions again after such a long Winter without one, but I can safely say that con-season has officially kicked off with another spectacular offering from the guys and girls at London Super Comic Con.  Only three years since it’s creation, it’s hard to imagine LSCC has been around for such a short time. Yet last weekend saw it’s return with such style, it was almost as if it had been there for years!

For those of you that didn’t catch up with my last stellar review of LSCC, it’s basically the closest we UK con goers can get to an American style comic con, outside of, well, the USA. It’s two whole days, of stalls, panels, special guests and cosplayers – all uniting together in one big ol’ family that shares a love and appreciation for the comic book world.

It’s one of those places that is so warm and accommodating, you don’t have to feel intimidated or nervous about attending. I actually dragged my friend along for her first ever convention, and I think LSCC really has made her a convert to the cause now. You make lasting friends here, you bond with like minded people and there’s something really unique about that. It’s an experience that stays with you, because it feels wholly personal when you have enough breathing room to manoeuvre and experience the con for yourself, without wall to wall people, or some elitist whispers in your ear telling you to go home.

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From the minute I arrived at LSCC, I knew it was going to be good. The staff were helpful, streamlined and well organised despite the amount of people they were dealing with. Ticketing was honestly a joy to undergo, and if MCM takes note of a similar system ready for it’s return in May with the ever popular London Comic Con I can definitely foresee it being a vast improvement on the chaos of last time. So, passes acquired it was off into the halls to do some sleuthing for bargains and geeky gems!

I don’t actually usually spend much time looking at stalls at conventions, usually because I don’t have the patience to navigate all those crowds, so LSCC was a lovely change of pace to have everything so evenly spaced and easy to wander around. After clearing out my bank balance on a selection of prints (honestly, my favourite has got to be a gorgeous Vega one by Manos Lagouvardos) and  I definitely had a spring in my step as I came away as the proud wielder of many signed goodies and ventured off to the other side of the hall to explore a little more.

Highlights for me, included a long chat to the guys behind Art Heroes with their ever so brilliant comic Halycon & Tenderfoot (seriously go and check it out, it’s adorably heroic!), a clothing recommendation and half hour chat with the legendary Jamie Tyndall (who’s art books are essentially the best thing I bought all weekend) and a lot of silly face pulling as I discussed the intricacies of the X-universe and utter Magneto appreciation with the lovely Christeeny! (I’m still not convinced by Rogueneto, I’m sorry Chris!)

And that’s before I even get started on the cosplay. It’s one of the things I do enjoy about the convention scene, and that’s simply because the amount of effort and enthusiasm that goes into becoming your favourite character is astonishing. This was all the more encouraged by the attendance of cosplay legends Yaya Han and Riki LeCotey – Riddle, alongside the UK’s very own Tabitha Lyons, to judge this year’s inaugural cosplay competition!

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It was quieter than I’d perhaps expected, but I think that worked well in LSCC’s favour, because it meant there was a lazy relaxed atmosphere to the days, which allowed for a far better con going experience. You had room to move, to relax and to breathe. You could get clearer shots of your favourite cosplayers and take your time without fear of being run down by a small stampede of people chasing after their favourite celebrity.

But as always, it wouldn’t really have been a proper con without the customary trip to the Fox bar afterwards, to wind down amongst friends and just share stories of what had taken place that day. Who did you meet? What did you buy? Which cosplay had been your favourite? There’s a real sense of camaraderie there, and solidarity too for that matter, which is why I can’t wait for LSCC to return next year and prove once again, what a good con is supposed to feel like.

Some photos from LSCC 2014

X-Men: Days of Future Past – The new trailer is here!

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I don’t know about you, but I might have squealed, in what was a very undignified fashion, once this trailer came out. It’s been quite a while since the first one was released and since the premiere date is fast approaching, I was itching for something new to tide me over until then. Thankfully, we’ve been given this, a new teaser that has people around the world jumping up and down in excitement.

We’ve been promised an action packed story that will keep us on the edge of our seats and judging by the newly released trailer, the film might just deliver. Given the stellar cast, most of which has already proven that they can carry the weight of the characters, I expect nothing other than a box-office success and, leaving the monetary aspect aside, I expect a movie that will have me talking about it for years to come. (In a good way!)

Did you like the trailer and are you going to watch the movie in the theatre when it’s finally released on May the 23rd?

MULP: Sceptre of the Sun – Press release

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MULP: Sceptre of the Sun is an all-ages anthropomorphic comic that will be released in about two months, at the beginning of May. Set to have five parts, the tale will take us along on Jack Redpath and Vicky Jones’s adventures, both set to solve a mystery that will take them all around the world.

Created by Matt Gibbs and Sara Dunkerton, with letters by Jim Campbell, MULP is an anthropomorphic comic, a Pulp adventure set in a world of mice. Suitable for all ages, SCEPTRE OF THE SUN is the first story in this series.

MULP: Sceptre of the Sun Issue #1 is set to be released May 7th 2014, thanks to supporting shops, and will also be available at the BCExpo 2014 on May 10-11th.

Sceptre of the Sun follows the exploits of Jack Redpath and Vicky Jones as they attempt to unravel a mystery surrounding an ancient stone tablet unearthed during an archaeological excavation in Egypt. This tablet is the first marker on an adventure that sees them racing around the world in search of a legendary treasure. Joined by their friends Cornelius Field, Prof. Walter Harvest-Scott, and Elisabeth Harvest-Scott, together they must prevent a powerful artefact falling into unscrupulous paws.

On the anthropomorphic nature of the comic, Matt said, “Ever since reading Brian Jacques’ Redwall series as a child, I’ve enjoyed stories with anthropomorphic characters, especially ones featuring mice and rats. Working with Sara on MULP allows me to explore that fascination, as well as my passion for archaeology and history. Sara is also the perfect collaborator, sharing that same fascination, and I adore how she has brought our characters to life.”

“It has been a delight to submerge myself in the world that Matt and I have created, being in a mouse-made environment threw up so many questions, possibilities and inventive answers” said Sara, about creating and illustrating MULP. “Mice markets where they slice up giant fruit to order, domesticated lizards and beetles, trees that are to the same scale as the Great Pyramids, and planes made of wood. MULP has been a great pleasure to work on, I can’t wait to explore the rest of the story with our characters.”

It seems like we have a new adventure to look forward too, this time set in a slightly different environment than that that we’re used to.  The people behind the comic are: Matt Gibbs, a freelance writer and editor, that has worked on games such as Creative Assembly’s Total War: ROME II, Sega’s Binary Domain, and Ubisoft’s Driver San Francisco. Alongside his freelance editing, he is the Managing Editor of Improper Books; Sara Dunkerton, an Illustration graduate living and working in Bristol. She has illustrated comics for the Bayou Arcana anthology, Dark Harvest: Resistance, Sugar Glider Stories 2, and Into the Woods: A Fairy Tale Anthology,  and last, but not least: Jim Campbell an Eagle Award nominated letterer, whose work can be seen in titles from Classical Comics, Dark Horse, Image, Markosia, Renegade Arts, Timebomb, and Zenescope.

Gosh (London):www.goshlondon.com, Page45 (Nottingham): www.page45.com and Travelling Man (Leeds, Manchester, Newcastle, York): www.travellingman.com are some of the places that you can already pre-order your copy of the first issue. 

Matt Gibbs and Sara Dunkerton will both attend the BCExpo 2014, for the convention launch of their story, with Sara sketching at their table, so do your best not to miss them if you’re there. Stay tuned for the review of the first issue, which will soon follow.

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Sneaky Zebra’s London Super Comic Con (LSCC) 2014 – Cosplay Music Video.

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You know how I feel about these guys: Hard working, British Film making at its best; and they are awfully nice chaps as well.

They deserve great things, so help them get there by watching another one of their amazing cosplay music Videos, from LSCC 2014…ENJOY!

 

BEST THING ON THE INTERNET…EVER! – R2D2 Budgie

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I have been out of action for nearly a week now due to Convention Flu, or some other lurgy that has laid me low. Suffice to say I have been feeling pretty sorry for myself and turned to the tinterweb to try and break me out of my funk. Surely there will be something out there to cheer me up?

It seemed like all hope was lost, it seemed as if the lurgy had won….. until this happened:

thank you to Marlin Liability Baines for posting this our our facebook wall winning the competition for best thing on the internet.. ever! This has cheered me up. THANKS!