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MCM Expo Birmingham Comic Con

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Birmingham Comic Con is quite probably the largest UK comic convention outside of London, with nearly a hundred guests and thousands of attendees throughout the weekend.

Even before entering the convention, attendees soon realised that Birmingham Comic Con was something special, due to the dozens of cosplayers encountered in the Atrium, which was also patrolled by the UK Garrison’s classic storm troopers. However, it was shortly after entering the convention itself then the true breadth of geek culture’s popularity was fully realised.

One hall had been set aside purely for people to buy tickets on the day. However, the queues filled the hall. This did not take into account the number of people who had bought tickets in advance. Yet even with nearly two hours wait to buy tickets, this does not beat the queue to enter EM-Con earlier this year.

Rule #1 Always buy your ticket in advance. Always.

The second thing that will be noticed upon entering Birmingham Comic Con is that it is big, I mean very big. Three halls connected together to form a single giant cornucopia of science-fiction and fantasy, to create a smorgasbord of geekery.

It could be quite overwhelming entering a convention for the first time if you are unprepared. It was easy to spot those who had never visited a convention before, as they could be seen standing awestruck at the thousands of people exploring the hundreds of stalls with dozens of cosplayers amongst them.

Rule #2 Download a convention map and schedule so not to miss anything.

The biggest draw for Birmingham Comic Con was the guest-signings, with many of the stars from Red Dwarf, including Chris Barrie and Robert Llelwyn (Craig Charles was stranded in some jungle apparently). However, for some the biggest draw was the chance to meet actors from classic television comedies, such as Kim Hartwell who played Private Helga in Allo Allo.

Relic Hunter actor Christien Anholt was one of the many actors that who a signing table, during which he revealed an interesting nugget that there were “discussions of a sequel” for the cult rom-com movie Preaching to the Perverted, which he had starred in opposite Guinevere Turner.

Rule #3 Expect to queue. You will always queue.

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This was the queue just to buy tickets!

Conventions often differ from the usual memorabilia exhibitions, in that the stall-holders are often just as much fans as the attendees themselves. Birmingham Comic Con was no exception, with many of the stall holders wearing various costumes, such as the excellent Snikt and Bamf, which added to the fun atmosphere for the day.

It would be very easy to empty your bank account – and overdraft – at a convention, and Birmingham Comic Con was all the more so, with everything from comic books to film memorabilia on offer. Whilst many stands accepted cards, some did not and the guest signings and food huts only accepted cash. ATMs were available, but only for a significant fee. And another queue.

Rule #4 Bring money with you.

However, despite the temptation to spend all your money, it is not a necessity. A lot of the fun in attending a convention is gained just from wandering the stands, meeting your favourite actors and viewing the displays, as well as admiring some of the awesome costumes being worn.

Costumers, or more accurately cosplayers, are to conventions what bees are to honey, and are what makes conventions have such a carnivalesque atmosphere. Cosplayers can be anything from the casual fan dressing as their favourite character to the dedicated professional groups. Birmingham Comic Con was no exception to this, with some great costumes being worn, in particular the squad of Colonial Marines from Aliens and Lady Deadpool. All of the cosplayers were friendly with strangers asking to take their photos (or often have their photos taken with them).

Rule #5 Respect the cosplayers

Birmingham Comic Con was just as much a family-day-out as it was a convention, as dozens of families with children were there, many of them dressed as their favourite characters such as Iron Man and Thor. However, due to some of the more scary costumes (such as the hulking Space Marine from Warhammer 40,000 or the Xenomorph from the Alien movies), it may be unsuitable for more timid children.

Overall, Birmingham Comic Con was a prime example of a convention managed correctly. The queue for day-tickets was unfortunate, and could have been alleviated with more ticket booths, but the people arriving without tickets were equally to blame.

The case for Constantine: Why it should be allowed to grow

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Season 1 of NBC’s Constantine is ending with episode 13, with the future of the series seemingly in the hands of the gods. There are plenty of series that have ended after their first season; Almost Human, Firefly, Threshold, Odyssey 5 and Brimstone being a few. With Constantine’s future uncertain here’s a look at why Constantine deserves to continue.

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Matt Ryan

Fans of Hellblazer have been speculating on who could play John Constantine on screen for years. when the film Constantine appeared the majority of those fans were left rather displeased at the fact that an American actor, Keanu Reeves, was playing the part. The fact he didn’t even look like the character was just a twist of the knife. When the series was first announced there was a big question mark as to who would actually be playing the shady magus, would it just be another American actor and would they attempt the scouse accent suggested by Constantine’s place of birth, namely Liverpool?

Enter Matt Ryan a relatively unknown actor, who not only looked the part once the first promo shots surfaced but managed to manifest the characters arrogance and irascible charm when it came to playing the part on screen. Shock horror- he’s not even American! Ryan pretty much is John Constantine, I’m saying this as a hardcore Hellblazer fan too. John Constantine is not a hero or a knight in shining armour, in fact he’s a bit of a bastard really. John Constantine doesn’t have a burning desire to save the day but somehow ends up doing it anyway and Ryan portrays this really well.

Acknowledging the source material

NBC’s Constantine could have just been a generic monster of the week type of affair, there’s plenty of them around, Supernatural being one of the most popular. Churn it out, job done. They haven’t gone down that route though, as Hellblazer fans will know there’s plenty of lore and mythology from the comics that’s featured so far from John’s past and how it’s attached to horrific events in Newcastle which are the reason for him being in Ravenscar a mental institute. John Constantine is a grifter and street magus who isn’t prone to just throwing fireballs around, magic in the world of Hellblazer is a messy affair and this is acknowledged on screen. Ryan’s Constantine utilises strange artifacts, performs rituals and importantly things go wrong- magic is a tricky thing after all…

There’s no better example of this acknowledging the source material than the episode Feast For Friends, based on the very first story to feature in Hellblazer named Hunger (written by Jamie Delano). Despite the limitations of network TV Constantine gets pretty dark at times, much like the source material.

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Michael James Shaw

Papa Midnite is an integral character to Hellblazer; a sometime enemy and sometime ally who featured in the comic right back in issue one. Midnite is a pimp, voodoo priest and crime boss in one formidable figure. Michael James Shaw has a powerful presence as Midnite and importantly is believable as a threat to the cocky Constantine . Shaw and Ryan playing off against each other in the recent Danse Vaudou episode brilliantly captures the relationship between the two, with the pair blaming each other when a magic ritual they are working on together doesn’t have the desired effect. Midnite and Constantine have a begrudging respect for each other’s talents even if they aren’t always on the same side. Shaw speaking to the skull of his dead sister is more acknowledgement of the source material too.

Whilst Midnite being a regular fixture could rob the character of his potency Shaw is definitely an asset to Constantine and represents the ambiguity at the heart of John Constantine’s world, Midnite isn’t evil in the classic sense but rather has his own motivations and goals.

Ambiguity

There’s a lot to be said for having some ambiguity to a story; not everything should be explained, especially in the opening few episodes. Questions add a sense of intrigue to the proceedings and stop things becoming predictable. Manny (played by Harold Perrineau) is one agent of ambiguity on Constantine, his motivations are unclear and despite being an angel Manny is just as much tormentor as he is advisor to the cantankerous John. Another agent of ambiguity is Chaz played by Charles Halford ,John’s best and arguably only friend, who seemingly can’t die although he is not invulnerable. This actually makes a lot of sense given that by John’s own admission he’s dangerous to be around. Celaya’s Zed comes with her own ambiguity- her past is a mystery as is her connection to Constantine himself. Ambiguity isn’t a problem- it’s an asset, it’s waiting too long for any sense of clarification that becomes a problem.

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Listening to the fans

Constantine’s original pilot featured Ryan’s Constantine tracking down Liv a character created for the series played by Lucy Griffiths. Liv was the daughter of an old friend who had died and Constantine had to tell her about the “real” (as in supernatural) world and how she was connected to it. After the pilot was “leaked” fan response wasn’t exactly great to this idea or to the character of Liv. Not long after that came the announcement that Liv’s character was exiting the show stage left . There would be a new female character joining Matt Ryan’s character, Zed played by Angelica Celaya. Zed would be another character taken from the pages of Hellblazer, a psychic artist who has been dreaming of and drawing John without ever meeting him.

Potential and growth

Constantine has aired 5 episodes to date and whilst the pilot itself may have been a little clunky every one of those episodes has seen an improvement all round from writing to direction to the cast. Hellblazer ran for 300 issues and those 300 issues are packed with deep mythology, classic stories and memorable characters that could in theory feature in the series at some point if it’s given a chance to actually grow. The series is not without its limitations but there’s a genuine sense of untapped potential at the core of Constantine much more so than the likes of Gotham which continues to be plagued by all the faults I previously mentioned and some new ones.

What do you think of Constantine? Is it worth the watch? Hit us up on facebook, Twitter and in the comments below!

Billy Boyd: The Last Goodbye

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16 years, six movies, one epic story.

And what better way to finish the trilogy than by having one of the original cast members singing the franchise to its rest – Billy Boyd, otherwise known as ‘Pippin’ Peregrin Took.

It has been known for a while now that the actor/musician was being given the honour of writing the end credits song. After Neil Finn’s ‘Song of the Lonely Mountain’ and Ed Sheeran’s ‘I See Fire’, I thought this should be interesting.

‘Interesting’ turned out to be the understatement of the year.

The music is haunting, and I can imagine it playing as the credits roll for the final time on this journey of epic proportions.

The video is fantastic, with a variety of clips from the original trilogy, the Hobbit films, and the off-screen interactions of cast and crew.

Billy Boyd, you may never see this, but…this was beautiful.

And I cannot wait to see it played as the credits roll on the big screen before me, come December.

Star Trek: The Next Generation Season 7 Gag Reel

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I miss Next Gen, I really do it. It was a show that switched me from my daily dose of soaps to being a sci-fi fanatic and I am sorely disappointed by the lack of a current Star Trek TV series. So it is with much elation that I bring you the gag reel from ST:TNG season 7. With a little bit of Geordie, Beverly Crusher living up to her name and of course Riker nailing it. RUN ENSIGN, RUN!

https://www.youtube.com/watch?v=S3_YTmAKBaA

The gag reel and much more is included in the Blu-Ray release of season 7 set for release on December 2nd.

Source [Uproxx]

Rememblog #2: How Angel Showed Me A Darker Heroism

So apparently when I said we’d hopefully be back with this soon I meant 3 months. So, yeah… more than a little awkward at the failure there. Anyway, I am returning once more with the Rememblog, for those of you don’t know what this is I refer you here. For those of you who do remember all that time ago, you may recall that I confessed to weeping like a child because of Buffy The Vampire Slayer. Well, perhaps appropriately I’m returning now with the spin-off of Buffy, namely Angel. In case you hadn’t guessed already, the Whedon love is strong with this one.

Let’s clear one thing up straight away, Buffy was always a hero. Yes, she screwed up at times. And she certainly didn’t always handle situations in the best way possible (check out ‘When She Was Bad’ for some major failure to deal). But we always knew that, at the end of the day, she was a hero. She was our hero. And though Angel was far from, ironically, an angel in his three seasons on Buffy, as long as he wasn’t in his soulless, Angelus form, the guy tried pretty damn hard to help out. So when he left for Los Angeles and began his own, eponymous series as Buffy headed into a season that would contain some of the show’s best episodes (check out ‘Hush’ for some truly terrifying drama), it was with some apprehension that I followed. It is perhaps notable that I watched Buffy and Angel one after the other as opposed to concurrently, the way that they aired. This means that I came to Angel with certain ideas and expectations from Buffy of how things were going to play out. I didn’t know any real particulars as the crossover episodes between the two shows are limited and are more focused in the moment than in long stretching spoilers. But I’d got used to Sunnydale and the Scooby Gang and good guys coming out shining. Boy was I in for a surprise.

Admittedly a far from unpleasant one
Admittedly a far from unpleasant one

You see, Angel starts off as heroic as you like. It definitely treads some darker territory than Buffy, partly thanks to the more gritty setting of Los Angeles (a city that appears in a very dark light in both shows), and there’s a more adult tone throughout the show’s five seasons but, overall, it starts off with a pretty white knight type Angel. It’s not easy for him to settle in L.A as he attempts to run his detective agency aided by half-demon seer Doyle and the ever snarky Cordelia (another Sunnydale alum). But what really captured the difference between Angel and its parent show, and what aided in maintaining the spin-off’s audience (aside from the stake hidden blades of course), was the fact that Angel wasn’t afraid to go to dark places and, though he hated his vampire nature, he never backed down from the fact that, in the end, he was a monster. Angel very much took the path of fight fire with fire.

Let it not be forgotten this is his true face
Let it not be forgotten this is his true face

In doing so, we eventually had to confront the fact that Angel might not actually be a hero. Here is where it dips into BIG SPOILER TERRITORY so, despite the age of the show, if you haven’t see it I urge you to look away now and go binge watch the hell out of the show. Moving on though, when we reach season four, Angel gets weird. I mean, season three had some messed up stuff but four really hits some nerves. These nerves include Angel’s son, Connor, sleeping with Cordelia, who Angel is in love with. It bears mentioning that Connor is a young adult because he grew up in a hell dimension where time passes differently. And Cordy is sort of possessed by a former member of the Powers That Be that is kind of crazy and evil now. It got pretty messed up. In order to save the world from enslavement the gang pretty much end world peace. So… that happened. The more I think back on it, the more messed up I realise that season was. The important thing though is that because of the whole world peace ending thing and the belief that they can corrupt Angel to bring about the Apocalypse, Wolfram and Hart (evil demon law firm) offer Angel and his team control of the L.A branch of their firm. Angel, in order to save Cordelia and Connor, accepts. This is where the show began to paint with grey.

Just to give an idea of how messed up Angel’s control of Wolfram and Hart is, I should indicate that there is a truly epic episode (‘Damage’) in which the team have to hunt down an insane Slayer (there being many Slayers all over the world due to Buffy’s activating of every potential in the season seven finale) and stop her from doing any harm with her misdirected Slayer powers. They’re aided in their mission by Andrew (sort of villain in Buffy season six) who now serves Buffy as a sort of mission controller, pseudo-Watcher type figure. When they eventually manage to capture the rogue Slayer they find Andrew demanding that Angel hands over the girl. Understandably cocky, Angel refuses and, backed up by his Wolfram and Hart security team, insists that he’ll take the girl. About twenty freaking slayers then come out of the vans behind Andrew. Angel is then told to piss off when requesting to speak to Buffy as, having taken over Wolfram and Hart, the Buffy group no longer trust him and believe him to have been seduced by the dark side. The awesomeness of that standoff aside however, the important point at the heart of the confrontation is that it’s entirely possible Angel might not be the hero.

This happened. And it was incredible
This happened. And it was incredible

The more Angel went on, the more I had to deal with the fact that I couldn’t actually trust in him doing the right thing. Though certain moments of ‘grey Angel’ were brilliant in how screwed up they were (i.e. him allowing Darla and Drusilla to murder an entire room of Wolfram and Hart executives), more often than not the show led further and further to the conclusion that our previously unassailable white knight was kind of a mess.

Don’t get me wrong, it was a superb way to direct the show. The way in which Whedon and his team really explored the presence of shades of grey not just within Angel himself but just generally in the ideology of heroism, contextualised within the Buffyverse, was nothing short of brilliant. Standing in a stark contrast of light and dark, Buffy and Angel took very different routes to their endings. Appropriately, Buffy ended with hope while Angel, well Angel ends with apocalypse. There’s no other way it could end really. As a man, as a monster, Angel stood above all those who came at him but never managed to quite transcend into being truly human, into being a hero that could and would be rewarded for his shining example. The important takeaway was that that didn’t matter though. In the end, he still goes out swinging. Friends dead, abandoned by some of those he once held dearest, bloodied but never beaten Angel continued, until the very last moment, to fight. It is in those very shades of grey that made him questionable that he triumphed because no one else could go through what he did and come out in the way he did. And, to close on a note that proves the epic scale to which Angel takes his attempts at heroics, this:

"I don't know about you but I feel like fighting a dragon"
“I don’t know about you but I feel like fighting a dragon.” 

 

 

2 Minute Preview of the Doctor Who Christmas Special

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Showing their support for the Children In Need appeal (go and donate) the BBC treated the audience to this two minute preview of the Christmas Day special. If you are dead set against spoilers, there is a bit of one so don’t watch. It’s Santa Claus and a couple of elves, but is all as it seems?

https://www.youtube.com/watch?v=MsxEenCBRG0

Just because I’m nice, here is the 30 second trailer that ran after the series finale.

 

BlazeRush Review (PC, PS3) – May Contain Explosions

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There is a certain level of expectation with particular game studios, not necessarily a qualitative one, but an expectation that certain studios will create a certain kind of game with certain quirks and idiosyncrasies. You play a Codemasters racing game, for example, and you get a game which generally gives a mix of arcadey racing controls with simulation physics that make you feel like a legitimate racer right up until the moment you crash spectacularly into a wall. You play a Eutechnyx game and you expect total rubbish.

Targem Games have had a fairly mixed legacy over the last decade. Starting out making rather workable games like Insane 2 and GearGrinder, they went on to make the excellent Planets Under Attack and have recently shifted focus to simple, well crafted party games. This brings us nicely to BlazeRush, a dystopian party racing game fueled heavily by explodium, which leads us to ask: Is this the generic racer side of Targem showing, or the polished party game company shining through?

BlazeRush is a single screen racing game, incredibly reminiscent of Codemasters’ Micro Machines at first glace and, I expect, very close to how that series would look if it were rebooted today. The game is astonishingly fun and absolutely bonkers, playing as a combination between Micro Machines and Super Smash Bros; knocking your opponents off the stage is the name of the game. The controls could not be simpler, with driving being entirely controlled by pointing the analogue stick and two buttons controlling the different kinds of pick ups in the pursuit of carnage, victory and an abundance of explosions one might consider excessive if they had no concept of fun.

If Michael Bay directed video games...
If Michael Bay directed video games…

In terms of power ups, there’s a good range of fairly unique items, going from the humble autogun (which can be used to push enemies over the edge of a track) to circular saws, green slime, homing missiles and others that are mostly used to slow down or blow up enemies and there’s just enough variety in the weapon pickups to keep the games interestingly frantic. On the flip side there are the boost power ups which progress on a trade-off between increasing power but decreasing control, from the simple speed booster to the somewhat dangerous jet booster and the incredibly strategic pulse booster.

There’s enough variety to stop the game becoming dull and sufficient checks and balances to stop it from being an entirely random free-for-all in the same way Mario Kart and the later Micro Machines games could become, something that is mostly aided by the way in which items dropped. Boost items drop in front of the leader which, along with the teleport system designed to stop people falling behind means that the game is about pickups, clever offensive/defensive driving and some very opportune strikes near corners since every weapon has the power to send your opponents careening hilariously off the edge and no opponent can actually end up far enough behind to no longer be a threat. The sixteen racers you can choose from seem to be designed with the same principles, each of them being a different combination of traction, weight, and acceleration from the slow but incredibly stable tank to the floaty unwieldy UFO and all manner of wheeled, tracked and floating cars in between. Practically it doesn’t add a huge amount to the strategy but the difference between cars is noticeable, particularly with how they affected by certain items.

In between the explosions there is some tense and thrilling racing as well...
In between the explosions there is some tense and thrilling racing as well…

There are three primary game modes (and a fourth one seen only in the single player campaign): Race, Survival and King of the Hill. Race is fairly self explanatory, although due to the mechanics of the game pretty much every race is decided at the very last corner and a flurry of explosions.

King of the Hill is an interesting choice, being typically a game mode seen in first person shooters. Basically whoever remains in first place for fifty seconds wins, which can lead to some tense moments when more than one person has less than ten seconds left and it leads once again to a flurry for explosions (you may be seeing a trend here…).

Pictured: Most of the Game
Pictured: Most of the Game

Survival is the most interesting of the modes, playing very similar to Micro Machines’ multiplayer mode. Basically it is a race against the screen and either knocking an enemy off the stage or ensuring they fall behind eliminates them and scores a point for every survivor. This generally goes to fifteen points with whoever has the most points after the final round being the winner. This can lead to some very tense moments where the final round has been called but opponents are technically still in the running to win the series. Few things in the game are as satisfying as overtaking the leader with the last point. Oh, I forgot to mention the most important point: during this entire mode every player is chased by a giant mincing machine which will turn your car into a flurry of explosions if it catches you.

Speaking of explosions, there is a level of polish to the graphics that honestly surprises at the game’s price point. There are not terribly many graphics options to set, but the game is well optimised, runs like an absolute treat and is filled with rather impressive smoke and explosion effects as well a nice aesthetic design all around. The interface is nice as well, with some delightfully amateurish touches such as the campaign mode graphics.

Pictured: The Script for Death Race 3000
Pictured: The Script for Death Race 3000

Speaking of which, there is indeed a single player campaign to cap off all the party mode shenanigans, which even has its own story. To explain the story of the game would be a complete waste of words, although suffice to say evil corporations, death races and all sorts of hilarious justifications for game mechanics abound. It uses the standard 3-Star/Trophy format used in a lot of casual games with a series of 53 challenges progressing through each of the five areas and levels based within. The campaign works as a de-facto tutorial as well, guiding you through the mechanics of the game one by one and introducing weapons gradually. There is even a final boss at the end, a somewhat underwhelming experience which is especially disappointing given that the rest of mechanics are so fleshed out.

The nature of the game and it’s perennial craziness does mean that it actually works as a single player game and is a lot of fun, although of course you lack the crazed screaming and trash talk if you’re not playing it with other people. Local single screen four player and online 8 player modes are available for multiplayer with drop in and drop out lobbies and the campaign can be played with four local players as well although it adds little to the experience.

The calm before the explosions...
The calm before the explosions…

BlazeRush is an absolute sleeper hit of a game, one of those gems that you really didn’t expect to have so much fun with. I absolutely adored my time with it and loved that it managed to have both excellent single and multiplayer modes. The mechanics are simple enough to pick up and play, random enough to pick up and win and still offer options for strategy and skill to decide games, particularly in the excellent survival mode. There is potential for more content, and perhaps a few extra tracks may not have gone amiss, but what is there is nitroglycerin-packed fun and cannot be recommended enough.

Ex-WWE Wrestler CM Punk Joins Marvel as Writer

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CM Punk joins Marvel
CM Punk joins Marvel

Ex-WWE Wrestler CM Punk (Real name: Phil Brooks) has traded in spandex for a pen as he joins up with Marvel as a writer for February’s Thor Annual #1. Phil Brooks may have been the best in the world as a WWE Superstar but now he’s teaming up with artist Rob Guillory in an attempt to tackle the God of Thunder.

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In an interview with Marvel, Brooks told of how he is learning on the job so to speak with this being his first attempt at writing a comic-style script and that it was also Guillory’s debut for Marvel as well.

‘This is the first time Rob Guillory’s ever worked for Marvel, so I think that’s pretty exciting. And I think he wants to tackle certain things in a different, almost selfish way—kind of the same way I do, you know? Like, technically this is my first comic book writing assignment, and I’m writing Thor, which is pretty heavy. It’s not an independent. It’s not an offshoot story. I’m writing Thor, one of the Marvel heavy hitters. They make movies about him now, if you didn’t know. And I think we’re both almost looking at it like, “Man, if we never get another assignment from Marvel, then we have to write and/or draw as many Marvel characters as we possibly can!” And I think this kind of gives us the freedom. I think we’re kind of under-the-radar, and there’s not really a whole lot of pressure on us to deliver some sort of a magnum opus as a 10-page backup story in an annual, so I think we have a lot of freedom that could be really fun.’

Chris Hemsworth (Thor), Stan Lee & CM Punk
Chris Hemsworth (Thor), Stan Lee & CM Punk

Whilst it’s clear CM Punk is in awe of writing a story for one of Marvels big characters, Thor wasn’t his first choice. In fact as far back as 2011 he had his eyes set on writing for a different Marvel super hero, The Punisher.

‘I think,my original pitch to Axel Alonso in 2011 was, “Let me write Punisher.” In my mind, for some odd reason, I’ve just got this Punisher story in my head, and I think it’s super, super awesome. I can read Jason Aaron’s Punisher and everybody else’s [take on the] character and it’s good, but I think that my Punisher story is pretty badass. So everything I do for Marvel is going to be leading up to, “Please just let me write my Punisher story.” So until they let me do that, you’re gonna get all kinds of other stories about all kinds of other characters until they satisfy this need I have to write Frank Castle.’

MCM Birmingham Comic Con is Coming.

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London Comic Con is so last season, as MCM Birmingham Comic Con is coming.

Cary Elwes, best known for The Princess Bride, is the latest guest to be announced for MCM Birmingham Comic Con.

As well as swashbuckling his way into cinematic history as Westley, Elwes has a host of credits to his name, appearing in everything from Saw and Bram Stoker’s Dracula to Liar Liar and Robin Hood: Men In Tights (“Unlike some other Robin Hoods, I can speak with an English accent.”), not to mention Hot Shots!

Cary Elwes will be joining a host of other stars from the world of science fiction and fantasy. Chris Barrie, Danny John-Jules, Robert Llewellyn, Hattie Haybridge and Chloe Annette from Red Dwarf have already been announced.

https://www.youtube.com/watch?v=e4tU-8w5UBs

Also in attendance will be Honor Blackman from Goldfinger and the Avengers (the TV series not the film), RJ Mitte from Breaking Bad, Hannah Spearitt from Primeval, as well as dozens more.

As well as their special guests, MCM Birmingham Comic Con will include the best dealers from across the UK, a plethora of comic artists and writers, the stunning cosplay masquerade and the awesome robots from Robot Wars!

MCM Birmingham Comic Con will be held on the 22nd and 23rd November at Birmingham NEC. Tickets are available to buy in advance from the website.

Twisted Tails Film Festival is coming on December 5th 2014

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With December coming up so is the Twisted Tails Film Festival (TTFF), one that is dedicated to independent horror movies. The festival organizers combine, according to their own description, two things when it comes to TTFF. A love for independent horror films and a love of animals. I must admit I wasn’t sure how these two go hand in hand and several gory scenarios have gone through my mind, but an explanation was provided by Tamela Ehlinger (the talent and guest booker of the festival). The proceeds that come from organizing the festival go towards helping animals in need (Paws in the city), and the festival doesn’t accept movies that feature animals being abused or killed. Kudos to that rule, a rule that I am told will never be broken, no matter who wants to showcase their film.

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Started in 2011, the festival has quickly grown from being a one movie venue, to having several movies signed up, with numerous actors, film makers and more joining the guest list. This year the festival organizers boast with a guest list that includes: Tom Mac, Scott Tepperman, Chanel Ryan, Wyzae, Corey Feldman and Andrew Divoff, to name only a few. For three days they, alongside several other guests will be part of workshops, conferences and movie screenings. Here are some of the movies that can be seen at the festival: Jebadiah’s Axe, Whispers behind the Wall (Die Frau hinter der Wand), Sacrement. The list is much longer and I am sure there’s something for every horror movie lover out there.

The festival starts on the 5th of December and lasts until the 7th and it will take place at the Angelika Film Centre in Dallas, Texas. For more information, visit their official website and watch this space.