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Geeks on Film: 29/03/13

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This week we look at some new posters for Kick-Ass 2 and The World’s End and plans for a Deadpool movie. We’ve also got information on new release The Host, I’ll introduce Geeks in TV and tell you why I’m excited about Film Four’s current Studio Ghibli Season.
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This Week’s Top Stories

We start this week’s top stories with the sad news that actor Richard Griffiths passed away today at the age of 65, following complications after heart surgery. Griffiths appeared in such films as Withnail and I and more recently, the Harry Potter series as Uncle Vernon. It’s a sad loss for comedy actors and thoughts go out to his family and friends.

2-new-character-posters-for-kick-ass-2-131203-a-1364464261-470-75Let’s take a look at this week’s latest film posters to have graced our eyes, starting off with some new glimpses of Kick-Ass 2. The two new posters feature Hit-Girl (nothing new with that) and a look at Jim Carrey’s character, ‘The Colonel’, which is a little more interesting.

The Colonel leads a group of vigilantes, Justice Forever, who team up with Hit-Girl in the upcoming sequel. Directed by Jeff Wadlow, Kick-Ass 2 will be released on 19th July.

Whilst we’re on the subject of Kick-Ass, another Mark Millar adaptation is coming to our screens with The Secret Service. Directed by Matthew Vaughn (Kick-Ass), it follows a secret agent veteran training someone up in the business of espionage. Filming won’t begin until August and we’re set for a late 2014 release.

Another new poster this week with a shot from Edgar Wright’s The World’s End, the final film in his ‘Blood and Ice Cream’ trilogy. The film follows a group of friends on a pub crawl when the apocalypse hits and will star the likes of Simon Pegg, Nick Frost, Martin Freeman and Paddy Considine.
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Final poster of the week now with upcoming horror, The Conjuring, which is the latest offering from James Wan, director of Saw and Insidious. The film is based on the Warrens, who were real-life paranormal investigators who worked on cases such as the one featured in The Amityville Horror. Apparently this is one to watch, hitting our screens on 19th July.

Time for a quick round-up of some gossip from Hollywood now, starting with Nicola Peltz (The Last Airbender) being cast as the female lead in Transformers 4. Peltz will play Mark Wahlberg’s daughter and serve as the love interest for the male lead, played by Jack Reynor. Director Michael Bay has confirmed that Megan Fox will not be making a cameo (a previous rumour) and that the film will focus on original material following on the plot from previous films.

Sequel city again, with further rumours of a second Prometheus film picking up where the first left off and confirmation of two – yes, two, sequels to the 1996 box-office hit, Independence Day. Nobody saw that one coming! Now for something everybody saw coming a mile off, plans for a Tomb Raider reboot are in the works following the recent game release. Shocker. Now we can all get prepared for a mass debate on who’s got the goods to fit into those shorts…

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One of this week’s more interesting top stories now with more news in the development of a Deadpool movie, directed by Tim Miller who has recently completed a test for Fox staring Ryan Reynolds.

The writers’ main concern at the moment is whether Marvel and Fox will okay a darker, more adult movie that will stray quite far from the usual Marvel film.

 

 

 

New Releases

This week’s main new release is another Stephanie Meyer adaptation, perhaps an attempt to keep the Twi-hards pent-up frustration at bay, with The Host. Directed by sci-fi director Andrew Niccol, at least we’re escaping Catherine Hardwicke’s bland directing skills. The film is set in a world where an alien parasite has invaded earth, taking over the bodies of humans. However, when Melanie (Saoirse Ronan) becomes the host for ‘wanda’, the alien begins to form a bond with her. Make way for some emo sci-fi with this, which I’m sure will satisfy the pants of Twi-hards, but in my opinion looks like utter garbage. I’d be half tempted to give it a chance if the posters didn’t all look like Twilight Vs Aliens, but, well, they do.HOST_MAINQUAD

Next week’s releases look set to be more interesting, with Spring Breakers and a Carrie remake on their way. Keep posted for news on them in the next Geeks on Film.

 

Geeks in TV


Hemlock_Grove_season_1_posterWith all the fabulous TV series out there at the moment, I’m giving a brand-spanking new Geeks in TV section a spin. I’ll be looking at any news in the world of geeky television series in both the UK and US, as well as a main focus on one that deserves particular attention that week. 

19th April sees the arrival of Eli Roth’s new horror series, Hemlock Grove, which I mentioned a few weeks back. The series will be exclusive and definitely one to watch from director of Hostel and Inglorious Basterds star Roth. Doctor Who returns to our screens tomorrow with ‘The Bells of Saint John’ where something has infected the Wi-Fi, and we have The Walking Dead season finale airing in the US on Sunday.

Let’s talk about that then, warning, there might be a couple of spoilers if you’re not up to date.

The first series was just outstanding, the second drooped a little and then picked up towards the end. The third series has been a struggle. It started off good, but in my opinion, it really started to sag after the mid-season break. Personally, I think that the sole reason for this is Andrea.

Bloody Andrea. Seriously woman, no one likes you! Rick isn’t interested, Woodbury don’t want you and we certainly don’t either. Quit you’re whining and get nommed by a zombie already. Until recently, I was having to force myself to finally get around to watching the episodes as I was just finding them so darn dull. However, that stopped with this week’s offering, finally with no Andrea, since she’s strapped to a torture device, yay!

Michael-Rooker
Everybody knew that Merle was for it, he was bound to be killed off by the end of the series. Saying that, people probably weren’t expecting to die being such a hero, trying to take out the Governor all on his own. Daryl’s battle with the task of killing his zombified brother in those closing moments was really something and I felt that the show had really brought viewers back in with such an emotional scene. Cue Daryl going on a crazy crossbow killing spree for the finale. Can’t wait!

I’m Excited About…

Well, this has been quite a lengthy edition of Geeks on Film, so I’ll be straight to the point with this one. I’m absolutely loving Film Four’s current Studio Ghibli season which kicked off this week with Hayao Miyazaki’s Oscar winning Spirited Away on Tuesday. The channel are screening Studio Ghibli films daily for another two weeks, featuring some absolutely beautiful pieces of cinema. For any fan of the films this is a real treat, and if you’ve not seen any/many before, I urge you to take advantage of this amazing opportunity.

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With fabulous films such as Howl’s Moving Castle, Princess Mononke and Arietty being shown, this really is a great season. Today brings us the charming My Neighbour Totoro, a personal favourite of mine. In fact, I love the fellow so much that I’ll be attending a convention next month in a gorgeous Totoro kigurumi, and can’t wait. Seriously guys, take this chance to watch some of Studio Ghibli’s films, because they really are something special.

DC: The Nth Wave

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So DC has cancelled a few series, and launched an equal number of new series in their fourth (I think, could be fifth, I lose track) wave of the New 52. The cancelled titles are The Fury of Firestorm: The Nuclear Men, Sword of Sorcery, The Ravagers, Team 7, Deathstroke, I Vampire, DC Universe Presents and The Savage Hawkman, and -unlike previous cancellation waves- I actually found myself breathing a sigh of relief at this one. I mean, sure, I love Sword of Sorcery with every sequin in my soul, and I Vampire and Firestorm were decent enough reads; but Ravagers wasn’t as good as the rest of the Young Justice titles, DC Universe Presents could easily be replaced by a bunch of miniseries, Deathstroke and Hawkman were tainted by the creepy-uncle touch of Liefeld, and as far as Team 7 is concerned, it should be scoured from continuity for what it did to Black Canary.

Needless to say, they won’t be missed. But what about the replacement titles- are they any better?

Thankfully yes, yes they are. So much better. Let’s take a look-see…

 

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Constantine

Constantine has left London and moved to America, in what is considered even within DC itself to be the greatest act of sacrilege ever committed. I have heard all the usual complaints, but honestly, I think it’s far too soon to condemn it. There’s no sign of the feared dumbing-down or cleaning-up of Constantine’s typical brutal occultism, and so long as it stays that way I can live with it. If I lose the feeling that Constantine is the only thing standing between me and soul-nomming demons, I’ll consider this a failure. Until then, I’m prepared to give it a chance.

 

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Justice League of America

On paper it’s a great idea- six people, all picked for their ability to effectively counter each member of the Justice League, in the employ of the US government. Except for, you know, 90% of their whole plan. I’ll buy Martian Manhunter as a foil for Superman. I’ll even concede that Simon Baz is a reasonable choice to go up against Hal Jordan, despite Jordan having far more experience than Baz, as well as a more reasonable outlook and approach to problem-solving. But Catwoman as a “solution” to Batman? Look, it’s made abundantly clear in Catwoman’s solo book that she and Bats don’t have any sort of intellectual connection- oh sure, she can tell something’s got him down right after Robin bites the dust, but she doesn’t know specifically what. Her skills are not even close to Batman’s, and he hasn’t shared any intimate details of his life with her- at least none she can use against him- so basically they hired Catwoman in the hopes that the man with the mental fortitude to go up against superpowered threats with a toolbelt would somehow be unable to resist the allure of good pussy.

And yet, in spite of the dubious qualifications of some of its members, I actually enjoyed JLA. It doesn’t have the star power of Justice League, but it does a better job with the characters than their most of their solo comics do- especially Hawkman.

  

justice-league-of-america_s-vibe-1Justice League of America’s Vibe

Vibe, like Marvel’s Luke Cage, started out as a ham-fisted attempt to inject ethnic diversity into comics, whilst unintentionally (we hope) perpetuating racist stereotypes. As society grew more and more progressive, Vibe (unlike Marvel’s Luke Cage) was pushed to the sidelines out of embarrassment, with occasional efforts made to atone for his offensive behaviour in the 1980s. So it’s quite a surprise to see him given a solid backstory, decent powers and -gasp!- the personality of a real human being in his very own series.

The writing’s good enough that I went from “Who the hell is this guy?” to putting him in my Top 10 favourite superheroes over the course of the first issue; and the introduction of Gypsy (from pre-reboot Birds of Prey and JSA) just made me warm to it even more.

But, I wouldn’t be me if I didn’t take a good thing and poke holes in it with a muddy stick, so I have to mention the absurdly convoluted title. Justice League of America’s Vibe? Were we going to confuse him with a different Vibe? I mean, Green Lantern doesn’t need an explanation in the title and there are literally thousands of them. Or was it just a subtle way of selling twice the comics: “Liked Vibe? He’s also in JLA! Buy that too!” It’s just weird. They didn’t call Katana “Formerly Birds of Prey’s, now Justice League of America’s Katana”, or Constantine “Justice League Dark’s Constantine, as ripped cruelly from Hellblazer”.

 

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Katana

Ah, Katana. I didn’t really warm to her in Birds of Prey, mostly because she just sort of lurks around the edges of the group while they all whisper to each other about how crazy she is, so hearing she was getting her own solo series puzzled me. What was there to write about? You may as well write an ongoing about a batarang- wait, that would be awesome, someone should totally write that. My point stands, though: she seemed like an extra pair of hands and a sword, and not a whole lot more. Boy, did this prove me wrong.

In a mere two issues, Katana shows herself to be both incredibly skilled and deeply flawed. She is a delicate contradiction: subjecting herself to an unachievable standard of perfection, whilst at the same time underestimating those she deems less skilled than herself; declaring herself a “clan of one”, yet serving on not just one superhero team, but two. All in all, I think Katana is the shining star of this wave- a strong female character in a richly-populated setting, with equal parts fighting and reflection.  If Katana were a movie, Tarantino would direct.

 

 

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Threshold

Following Star Sapphire’s narrow escape from Lady Styx’s bounty-hunting reality TV show in the Green Lantern: New Guardians annual, the rogue Green Lantern Jediah Caul is the show’s latest “star”… which means running, hiding and fighting for his life in the wretched hive of scum and villainy that is the eponymous Threshold. The rules of the game are simple and genius- a criminal (or just someone that Lady Styx isn’t too fond of) is released into the general populace, and after one day’s head start, anyone can kill them and claim the bounty. The civilians alternate between cheering on their favourite bounty hunting teams, and fantasising that maybe they’ll be the ones to do the deed.

In spite of this, Threshold resists the urge to make a trite statement about reality TV and our media-dependent society; the subtext is there, but subtext is all it is- the main focus of the story so far is on trusting and helping each other in a world where everyone really is out to get you. The characters are colourful, both in personality and in appearance, and you can’t help but get swept up in the excitement of the games. Go plucky rebels go!

 

The Green Team / The Movement

For those of you doing the counting and realising that DC will be a few comics short of a full 52-card deck, never fear: two more titles have been announced, though not released until May (which still leaves it one short, at least until we get more info about the alleged upcoming Superman comic)
Honestly, words can’t do justice to the incredible concepts behind these two interlinked titles, so I’m just going to give you the cover art and the blurbs, and let you squee for yourself.

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We are faceless. We are limitless. We see all. And we do not forgive.
Who defends the powerless against the GREEDY and the CORRUPT? Who protects the homeless and poverty-stricken from those who would PREY upon them in the DARK OF NIGHT?
When those who are sworn to protect us abuse their power, when toxic government calls down super-human lackeys to force order upon the populace…finally, there is a force, a citizen’s army, to push order BACK. Let those who abuse the system know this as well: We have our OWN super humans now. They are not afraid of your badges or Leagues. And they will not be SILENCED.
We are your neighbors. We are your co-workers. And we are your children

INVENTORS! EXPLORERS! ADVENTURERS! Do you need money to finance an important project? Then you should set up a meeting with THE GREEN TEAM!
• Nature of world-changing idea:
• Amount requested:
• Does your project have the potential to:
Fracture space-time?
Replace the combustion engine?
Attract extraterrestrial attention?
Prove/disprove existence of deities?
Piss off The Justice League?
Render the human body obsolete?
If any of the above are checked, please fill out liability release form GT2013-05. Send any 82 drawings, plans, models, or photos with request.

 

Politics has never been so epic.

 

Fatale #13

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Colorado 1883,’Black’ Bonnie Smith has a gift or a curse depending on your point of view and this is her tale.

The second of the stand alone issues featuring different characters from the on-going story is another example of why Fatale continues to be one of the best comics around.

Switching the setting to the Wild West, the focus of this tale ‘Black’ Bonnie has lived many lives, following an encounter with a fortune teller who told her she would ‘die three times’. Since the first time she’s been a wife, a nun, a singer, a mother, a prisoner and now an outlaw.

The story begins.
The story begins.

That’s just one of the great character touches here, things really take a twist when Bonnie meets a mysterious Native American who is immune to her ability to control men. Bonnie soon discovers that the Native American known only as ‘Milkfed’ is in the employ of Professor Waldo Smythe and soon the trio head out on an adventure packed with intrigue, horror and genuine emotional punch.

There’s a prevailing idea that stand alone comics in an on-going title are just filler, something hastily hashed out before getting back to the good stuff. Fatale is one of several titles that proves just how untrue this idea is. In the space of one issue Brubaker creates not only a core of likeable, intriguing and layered characters but also crafts a great story too. There are so many great character touches, Bonnie ‘had killed more men than she cared to count’ despite being a lousy shot (the rest of her gang do the shooting) or the tale behind the first time she realised she could control men or the way Milkfed genuinely astounds her by being the first man who hasn’t fallen under her thrall since she discovered it.

 

Bonnis is puzzled by Milkfed.
Bonnis is puzzled by Milkfed.

These aren’t throw away characters and you don’t want their story to end.

Then there’s the story quirks straight out of pulp tales, like Waldo using an eye in a jar as a way of determining the location of an item he’s searching for and the downright creepy weirdness that is running through every issue of Fatale, like the former owner of said eye and the idea of a lighthouse in the middle of a prairie.

All this would be great on it’s own but Sean Phillips art just makes everything click together even more, from panel arrangements, to character designs, lighting and the infrequent but brutal violence . There’s a reason why Brubaker and Phillips are known as one of the best partnerships in comics.

As great as Phillips art is credit should go Elizabeth Breitweiser for her great use of colour, often colourists are the unsung heroes of many a comic and the subtle colour palette here really brings the story to life.

If that isn’t enough awesome almost every issue features an article on pulp noir history or something similar by a new writer every issue.

 

Revisiting a Game from the Past: Theme Hospital

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As the Easter holidays began, I braced myself for the month of studying and revising that I had planned. It’s the first Monday, the day I told myself I would start the studying, and have I done anything? Nope. I’ve already sabotaged myself. How? I pretend that I hear you ask. Theme Hospital.

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A conversation with my housemates last week discussed our teenage years, which weren’t that long ago, and the games that we played. Of course Theme Hospital and Rollercoaster Tycoon came up. I found myself curious about playing Theme Hospital again and so I found the disk, installed it and bam! I’m addicted again.

There’s something about crazy conditions mixed with the responsibility of building and running a hospital with a group of staff who have bizarre hobbies in their spare time that really just interests me. Can I save the guy with spare ribs when they haven’t researched doggy bags enough? Can I find a nurse to save the invisible guy? Can I shoot the rats with my cursor? Can I help cure the guys dressed up as Elvis from their King Syndrome?

I prefer it when the patients listen to the receptionist’s request that ‘Patients are asked not to vomit too much’ or at least make it to the bathroom so I don’t have to hire fifteen handymen to stop the hospital from being hit by an epidemic and hide said epidemic from the Ministry of Health who is some guy in a top hat who meanders around the hospital. It gets frustrating when the only doctors available to hire are described as ‘lazy’ and ‘couldn’t care less’ and into ‘fart surfing’ (whatever that is, I don’t want to know) because they’re exactly the kind of people you want in your make-believe-but-feels-real hospital. It hits you right in the gut when the doctor guy in the corner declares ‘You’ve just killed your first patient. How does it feel?’ Heartbreaking! I’ll do better, I’ll be better. I guess I don’t feel so bad when that patient is collected by the Grim Reaper…

I must sound crazy if you haven’t played Theme Hospital but if you haven’t played it then WHY HAVEN’T YOU PLAYED IT? Where were you during the nineties? Busy playing on a Tamagotchi or watching Pokémon? I promise you it feels real when you’re playing- or maybe it really is just me and I need to go to rehab or something although that’d probably just remind me of Theme Hospital…oh what a conundrum.

It’s been three days since I began writing this blog post and I’m one level away from winning the game and my university work still remains in a pile on my desk. Who needs a degree when you can make a hospital and earn hundreds of thousands of dollars by saving patients from the strangest list of conditions? DON’T TELL ME IT’S NOT REAL!

Nope, as addictive as it is, I’m sure that upon completion I’ll at least take a break, pick up a textbook, flick through a few pages, makes a few notes then open my laptop back up and… play it all again on hard mode. 

For those of you who haven’t played and would like to watch some game play, here’s a YouTube video but I promise you it’s much more amusing when you’re playing yourself:

A Beginner’s Guide to Anime and Manga

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‘Big eyes, big boobs’. This may be the response you get when ‘anime’ or ‘manga’ is mentioned to the uninitiated. Either that or a look of utter bewilderment. For Western audiences animation and comics have always been deemed far lesser formats than live-action and novels. When compared to our most popular producers like Disney and Marvel, Japanese studios like Funimation and Viz Media are even less recognised and respected. Still, with a considerable rise in comic shops and import websites over recent years, anime and manga has become increasingly accessible for British consumers. Never has it been a better time to join this wonderfully wacky world.

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So what is it? Well ‘anime’ essentially refers to animation. This can be a film, short film or ‘OVA’ (original video animation), or a series of approximately 20 minute long episodes. ‘Manga’ on the other hand is the term for a Japanese comic. All Japanese text reads right-to-left rather than the Western method of left-to-right. As such manga is also read right-to-left on each page, starting from what we would typically call the ‘end’ of the book and working our way ‘backwards’.

Ultimately, nothing can beat real life or the written word. That said I have always been a defender of animation and illustration, as they can show a great deal that live-action and text cannot. Anime and manga can set a fantastical scene on a floating island or a space station with lower cost and perhaps greater detail than in a CGI-filled blockbuster film or a chapter in a novel. The way situations and objects are artistically portrayed can also present further ideas and deeper themes. In a terrifying situation characters may be shown with ‘dead eyes’ (the precise term eludes me) to show shock or in close-up with a magnifying ‘fish-eye lens’ effect to show paranoia.

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As part of another culture and another language there are a variety of common tropes and terms one will encounter in anime and manga. Teenage protagonists; exaggerated physical traits such as crazy hair, large eyes, and *ahem* huge breasts; cute mascots; and a visual representation of emotions for comedic effect. This last one includes a teardrop for bewilderment, a red cross for anger, a nosebleed to represent arousal, or a character shrinking down for a ‘super-deformed’ effect to show panic and embarrassment. As a little bit of Japanese 101, suffix addresses such as ‘-san’, ‘-kun’, and ‘-senpai’ are often used as terms of address to enforce one’s relationship to another and as a mark of respect. An ‘otaku’ is an extreme geek, often parodied as a complete social misfit with an unhealthy obsession with computers, anime and manga.

When discovering new shows and comics, one should also take note of the amount of ‘fanservice’ it is supposed to contain. Essentially this can be any situation in which sexual material is the focus, ranging from a one-off gag in which a character accidentally grabs another inappropriately, to a full-blown shower or spa scene. For the open-minded fanservice is often laughed off being nothing but ridiculous, but the the easily-offended may prefer to stick to safer fields.

When seeking a new series or a one-off, newcomers should consider the types of stories they usually enjoy and the rating they’re comfortable with. As anime and manga are an integral part of Japanese culture, they cover every genre imaginable (yes even that one but let’s not go there). So whether you’d prefer a tale of giant robots waging war in the depths of space, a coming-of-age romantic comedy, or a grisly supernatural horror, you’ll be catered for here. Materials are also categorised by their targeted demographic, including ‘shonen’ (‘boy’), ‘shojo’ (‘little female’), ‘seinen’ (‘young men’), or ‘josei’ (‘ladies’). However these classifications are far from rigid as many shows and comics rated for younger audiences can still be dark and appeal to adult audiences. In particular, manga series housed under the ‘Shonen Jump’ magazine brand such as Bleach and Naruto are extremely popular with audiences of all ages. Seinen are typically associated with outwardly explicit series like Battle Royale and Gantz but may also encompass titles that simply carry an adult nature such as Bokkurano: Ours and Eden of the East.

Bokurano

Beyond all the guidance and induction one may be given to such a diverse and complex realm, the best way to accustom oneself to any unknown field is to just dive in. Whether streaming online or buying boxsets, reading wiki pages or trawling through review sources, finding the best material will always be the result of research, trial n error, passion, and patience. To finish off this short but hopefully effective beginner’s guide to anime and manga, I have listed below a selection of various series and films that I think make great starting points for greenhorns. Whilst this is not a definitive list by any means, I have chosen these titles in particular to showcase a variety of different genres, styles, and tropes common in the medium.

 

Some starting points:

Any Studio Ghibli film

Studio Ghibli

 Founded in 1985, Studio Ghibli has since garnered high critical and commercial success and seen the release of seventeen feature films, directly mostly by its co-founder Hayao Miyazaki. They are often regarded as the Walt Disney of Japanese animation, which is somewhat ironic considering Disney holds the rights to international publishing. From epic fantasy to slice-of-life drama Ghibli films are often beautiful, moving, and unforgettable, boasting an impressive English voice cast including Kirsten Dunst, Christian Bale, and Willem Defoe. Like Disney films Ghiblis are also generally a good introduction to anime for all the family.

Particular highlights include Spirited Away, My Neighbour Totoro, and Kiki’s Delivery Service, all of which perceive coming-of-age tales through a fantasy environment. Princess Mononoke and Tales From Earthsea on the other hand are certainly for an older crowd, appealing most of all to die hard fantasy fans. Finally, Grave of the Fireflies is by far and away Ghibli’s darkest tale but also one of their best, following two orphaned children as they struggle to survive during World War II. In short, as Ghibli films are at once familiar and spectacular, they make a brilliant first impression for newcomers and an enticing invitation to see more.

 

One Piece

One Piece Manga

As Japan’s best-selling manga series, One Piece arguably beats the other Shonen top-dogs, Bleach and Naruto, by heart alone. Instead of just being a super-cool testosterone-fuelled action series, Eiichiro Oda goes the extra mile with story, characters, and art. Sure at its core OP centers around superpowered pirates looking to find a legendary treasure, shouting out the names of their attacks, and reaching otherworldly levels of strength. Yet what has kept the series running for over 60 volumes since 1997 is the way it makes the reader truly care for the superbly well-written and well-drawn main cast. Alongside some ridiculous character designs and an over-the-top sense of humour, the series also carries a surprisingly dark and adult edge with it.

Themes of murder, crime, revenge, responsibility, justice, war, and slavery fuse with those of friendship and heroism to create a deep and complex world. As the original source material, the manga is purest presentation of the story and characters and is backed up by some of the best illustrated out art out there. The anime in comparison suffers early on from budget and pacing issues and, like many long-running series, frustrates many with anime-exclusive ‘filler’ episodes. As a compliment to the comics however the animation brings the busy world of One Piece to life with vibrant colour, a cheery soundtrack, and a superb voice cast for both the Japanese subtitled version and the English dub. Just be sure to catch the Funimation release and stay way clear of the infamously bad, heavily censored 4Kidz version. Unless you like the idea of bullets being replaced with bubbles. Not as funny as it sounds either.

 

Death Note

Light Yagami

Anyone who reads this article and thinks anime and manga is all silly extremes should reconsider. For the ‘intellectual adults’ in the crowd here is the perfect series for you. If one thinks of a modern-day Sherlock Holmes story told from the perspective of a supernaturally-gifted killer then they would get Death Note. Brilliant but bored high-schooler Light Yagami discovers a notebook with an unusual ability. The person whose name is written within the book will die. Light vows to use the power for justice by punishing criminals everywhere and soon becomes known as Kira, god of the new world. No sooner does he gain this reputation is he then challenged by the world’s greatest detective, the mysterious ‘L’. The series continues to follow an intense battle of wits as the pair attempt to checkmate each other. Long-winded exposition isn’t uncommon in anime and manga.

Yet in Death Note it is not only essential for depicting the intellectual battle but it is also completely enthralling thanks to a brilliantly written script and incredibly artistic style. One episode of the anime is dedicated entirely to a conversation between Light and an FBI agent as her tries to gain the agent’s trust and ultimately her name. What should be a snooze-fest is instead one of the most gripping and delightfully clever sequences in any fictional media I have seen. Whilst I imagine the original manga is decent, I do highly recommend the anime version. Due to fantastic style and voice acting the anime is very artistic, almost on a literary level, being not only a supernatural thriller, but also a discussion of morality and humanity. Oh and it has a giant winged shinigami (god of death) who loves apples.

 

Uzumaki

Uzumaki

To someone as desensitised as myself only Asian horror stands any chance of producing nightmares. That said art clearly has a much harder job of actually creeping us out more than just bombarding the screen and page with blood and brutality. Thankfully Junji Ito has us covered. Following the violent Tomie and before the grotesque Gyo came Ito’s manga series Uzumaki (‘spiral’). Harking back to classic horror collections, each chapter is a short story connected to an overarching event. In the small town of Kurozu-cho many strange incidents occur all relating to spirals. First people grow obsessed or afraid of them to extreme levels. Then bodies begin to morph and anything spiral-shaped grows antagonistic. Soon enough Kirie and her increasingly unstable boyfriend Shuichi are confronted by curly hair with a mind of its own, two young lovers curling around each other like snakes, and men turning into snails, just to name a few.

Throughout the three-volume series, many psychological themes are explored, including each of the seven sins. Without spoiling it, the final climax is a brilliantly chaotic tribute to HP Lovecraft as the spiral curse gradually completes itself. Whilst the characters may just be set pieces in a grander game, the fantastically bizarre art and simplicity of each story will ensure that Uzumaki stays with you for a long time.

Akira

Akira

Whether looking at the anime film or the more-detailed manga series, Akira is considered by many to be a very important piece of fiction. It is both a landmark for modern animation and comics, as well as an epic, heavily-influential sci-fi, being quoted as a strong influence for the likes of The Matrix among others. Bold and beautiful, violent yet intellectual, Katsuhiro Otomo’s morality tale covers everything from technology to humanity and religion. The anime has one of the best-directed openings of any film animated or not, as viewers are thrust into a bright and busy future Tokyo where murderous biker gangs rule the neon night. All set to an incredible soundtrack that sits somewhere between tribal music and a church choir.

Beyond all of its scientific debates, the story boils down to Tetsuo a member of a biker gang accidentally receiving god-like psychic powers. As Tetsuo grows more unstable, his friend Kaneda must stop him from wiping out the whole city. As pessimistic, harsh, and techno-babbly as Akira can get, this doesn’t come highly recommended enough to anyone with the slightest interest in anime and manga. And yes, this came way before Chronicle.

Hopefully you have found this guide and list informative and will spur you on to explore further. Arigato!

 

Uncanny X-Force #3

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Storm, Psylocke and Puck confront Spiral about the drug she’s been peddling and the mutant girl. A rather angry and rather more powerful Bishop continues to cause problems and Fantomex and his clone/lover continue their crime spree whilst thinking about Psylocke.

Reading the New Uncanny X-Force from Sam Humphries is a disorienting and bewildering experience it has to be said.

So far, Storm and Psylocke were sent by Wolverine to meet up with Puck to help out with a problem, this problem turned out to be a strange drug called ‘Tao’. They discover that Spiral is behind distributing this drug but the source of it is a girl called Ginny, also a mutant. A far more powerful Bishop appears and causes carnage, whilst Fantomex is doing something with his clone/lover.

Things get personal between Spiral and Psylocke.
Things get personal between Spiral and Psylocke.

There are numerous flashbacks this issue, one detailing Psylocke’s past and shedding some light on her vulnerability, another dealing with what happened to Spiral and a brief one about Storm’s youth. For the most part anyone reading Marvel comics should already be well aware of these events with the exception of Spiral’s but this adds some context to events as they unfold.

Spiral’s story actually makes her seem far more sympathetic and it’ll be interesting to see where the character is headed. If she ends up joining the team that would actually be both left-field and a pretty cool development.

By far the best part of this issue is an incredibly well done fight between the team and Bishop in a subway tunnel with the fight being punctuated with trains speeding through the pitch black tunnel.

The issue ends on one of the most WTF moments I’ve seen in a Marvel comic and the confusion of the reader is shared by Psylocke as she’s is staring confused at the mindscape of Bishop which is distinctly M.C. Escher like.

The team head underground.
The team head underground.

The art from Ron Garney is clean and crisp, it should also be noted this issue has a rather large art team with Scott Hanna, Adrian Alphona, Christina Strain, Martie Gracia and Israel Gonzalez all featuring and having a different art team on the mindscape pages is a neat touch.

Also the fact Puck spends the whole time bare chested made for a nice inversion of the usual half-naked women everywhere problem that persists in comics.

Entering into this latest issue it’s hard to tell where any of this is supposed to be leading and it’s pretty much the same after reading it. This is a stark contrast to Rick Remender’s streamlined and focused run on the title. The main story maybe intriguing but the sub-plot involving Fantomex seems completely and utterly superfluous at this point.

Episode 133 – The scent of a gamer or Introducing the hall of shame

New Gameovercast Podcast is online. Press the link below orrrrrr, as always, subscribe on I-Tunes to listen

Hello and welcome to episode 133 of the GameOverCast

In games we talk the new Tomb Raider, Star Conflict, Mark of the Ninja, The banner Saga and the bitter sweet Real Racing 3.
In imminent releases we ready our selves God of war ascension and Starcraft 2 heart of the swarm.

Theres News, imminent releases and finish off with some awesome emails and close with our newest feature:
The hall of SHAME
Enjoy!

http://www.gameovercast.co.uk/index.php?id=news&db3=133

International Wolverine Trailer

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Who has just sat and watched the new Wolverine trailer about ten times over?

I have!!!

I am beyond joyful that Wolverine is getting more of the lover-ly attention he deserves. Before watching the X-men movies and re-acquainting my-self with the characters I only remember two characters standing out to me from the cartoons of my childhood, that was Wolverine and Storm.

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As a child, for some reason Wolverine always called to me (and still does). He is my favourite of the X-men. He carves himself a truly bad ass name and effectively makes the funniest moment in the First Class film. I think it is his nonchalant ‘I don’t give a sh*t but still decide to kick ass’ attitude that causes him to stand out from the other X-men. (Behind his animalistic instincts and strength he is really just a soft lil’ puppy dog. *cough*)

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As I have grown older and the films have become live action I have another reason for falling for Wolverine… They have not only, in my mind, created an awesome live action version of him, they have also turned him into eye candy. I know for serious comic book junkies, this may not be what you want to see but as a warm blooded woman it just adds to the awesome when you get to see a lot of toplessness and a fleeting glimpse of that perfect posterior!

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Who could not love this man?

Anyway. I am looking forward to the new film. As I always do with X-men related films and just wanted to share the pure awesome that is the newly release Wolverine international trailer

Though seriously the story line seems pretty heavy and it looks like, as mortality has been granted to him, Wolverine is going to be fighting his hardest fight yet.

Claw’s Vs Samurai Swords. Place your bets folks.

Angel and Faith #20

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With the soul of Giles now complete, Faith, Spike and Alasdair must find a suitable vessel, the only problem is the only person who knew that part of the plan was Angel, who is currently incapacitated due to playing host to the soul of Giles, his own soul and the Demon Angelus.

Whilst the Buffy comic seems to stumble along in a rather hit and miss manner, Faith and Angel continues to impress and this might well be the best issue yet.

Last issues ending left a lot of questions with it’s cliff hanger ending of Angel, in the fetal position unable to handle being host to three beings. Angel is still out of commission, so it’s down to Spike and Faith to save the day, and it’s brilliant.

 Christos Gage shows he knows these characters and more than that gets the tone dead on.

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Faith and Spike work out their issues.

Spike is all snarky attitude and wit and his dialogue is genuinely funny, the numerous scenes between him and Faith crackle with chemistry. Faith actually gets to show how much she’s grown and matured, as Spike is making wise cracks about how she has chains in her basement when they decide to shackle Angel up for everyone’s safety.

There’s also a fight with some monsters but rather than being a perfunctory sequence ticking a box, it actually fits into the story adding to the dynamic of Spike and Faith. Especially when Faith says that Spike and Angel have a ‘bromance’ going on, due to both their experiences with Buffy, resulting in Spike completely denying this whilst cathartically hacking monsters into bloody chunks.

Spike and Faith take on some demons.
Spike and Faith take on some demons.

Not only does it work well as action sequence but it also seems like it could be a scene from either of the Buffy or Angel shows.

A maudlin Spike confessing all to Angel and ranting at him in the basement after being rejected by Giles’s Great Aunts really shows why these characters endure after their parent TV shows finished.

Rebekah Isaacs character art is great too, not just in capturing the characters likenesses but in the expressions which are key to really selling the characters and the situations they are in. The other details, like the backgrounds and the monsters all add to why this is such a good read.

Those last three pages are killer too.

Episode 132 – Where aim to have a short show, and have the longest in ages

New Gameovercast Podcast is online. Press the link below orrrrrr, as always, subscribe on I-Tunes to listen

Episode 132 of the GameOverCast is up and at them!

Games we talk about this week include: Crysis 3, Sonic all stars Racing transformed, Dark souls, Call of duty black ops 2 and Farcry 3.
Imminent releases has us impressed with Tomb Raider, chomping at the bit for Naruto, and all stroking our beards in regards to Sim City.
We also have a VERY VERY indepth spoiler discussion on everything Walking dead game Episode 1 to 5 (including the ending). You have been warned!
ENJOY!

http://www.gameovercast.co.uk/index.php?id=news&db3=132