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Scribblenauts + DC = Scribblenauts Unmasked

Have you ever wanted to combine Batman‘s utility belt, with the Green Lantern‘s ring, Harley Quinn‘s mallet and Superman‘s heat vision? Well look no further – the new Scribblenauts title looks to do exactly that!

Scribblenauts Unmasked

Warner Bros. Interactive Entertainment have announced that a new DC-themed version of popular videogame Scribblenauts is set for release this fall.

Yep! Maxwell will get to team up with Batman, Superman and the rest of the Justice League (and the rest) in the latest game in the series.

If you’re not familiar with the Scribblenauts series, they are puzzle games made by 5th Cell, primarily for the mobile gaming market (iOS, 3DS etc) using the mechanic of typing in whatever you need – if you need a crane to complete a puzzle, you type “crane” and it generates one for you, and so on.

Check out the trailer, and the official press release below.

Trailer:

Press Release:

Warner Bros. Interactive Entertainment announces Scribblenauts Unmasked – A DC Comics Adventure, a new game that melds the boundless creativity of the award-winning video game franchise with thousands of DC Comics™ characters and objects across DC Comics worlds — all drawn in the classic Scribblenauts art style. Created and developed by 5TH Cell, the game will be available for the Wii U™ system, Nintendo 3DS™ hand-held system and PC in North and South America and Australia this fall.

Scribblenauts Unmasked features a story where players embark as protagonist Maxwell on an imaginative and comical quest, taking them through GOTHAM CITY™, METROPOLIS™, ATLANTIS™ and other iconic locales from the DC Comics universe. In the game, Maxwell comes to the aid of BATMAN™, SUPERMAN™ and the rest of THE JUSTICE LEAGUE™ as they face the mightiest DC Comics Super Villains, such as THE JOKER™, LEX LUTHOR™ and SINESTRO™. Fueled by the player’s imagination, Maxwell must use his magic notebook to put a stop to the villains’ evil schemes and save the day!

Expanding on the video game franchise’s innovation, Scribblenauts Unmasked features for the first time dynamically created puzzles called Heroic Feats that increase the game’s replayability by continuously generating original scenarios requiring different solutions with each visit.

“Scribblenauts Unmasked includes action-packed missions with fan favorite DC Comics Super Heroes adding to the players’ puzzle solving experience as the beloved Maxwell,” said Samantha Ryan, Senior Vice President, Production and Development, Warner Bros. Interactive Entertainment. “Challenges in the game encourage broader player choices all set in well-known locations of the DC Comics universe, interacting in new and inventive ways with a wide range of popular DC Comics characters.”

“Fans of both DC Comics and Scribblenauts can really let their imaginations run wild with the Super Hero Creator in Scribblenauts Unmasked,” said Jeremiah Slaczka, C.E.O. and Creative Director of 5TH Cell. “Players will be challenged to craft new and never-before-seen characters such as Wonder Joker or Bane Lantern and use them to solve puzzles or share them with friends.”

A new Super Hero Creator tool available on Wii U and PC elevates the game’s creativity by giving players the ability to produce their own Super Hero or Super Villain using any item from the DC Comics universe and then setting properties for how it behaves, changing its appearance and powers. Players can then share their creations with the community and download others.

Geek Ink

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Welcome to the Gun show, My left arm, based on LOTR Armour

Tattoos have been around for about 5000 years now  but  despite a long history of cool people like Pirates, Rockers, soldiers and well, Me, having them, it is only now that they are becoming that bit more common place. 

No longer the bastion of rogues, uncivilised tribes and the great unwashed; ‘Ink’ (that’s what all the cool kids call it these days) is now in the main stream and with it, something wonderful is happening.

With Geekdom following close on the heels of the tattoo, into the world of acceptance and even ‘The norm.’  It seems both worlds are merging and within the resulting stew a new form of artistic expression has been born.. ‘Geek Ink’

It’s a movement showing ones pride in ones passion, in the next evolution of what being a proud geek is. It’s not about hiding away what you are in side, on the contrary, it is about emblazoning it on your skin for all to see!

I give to you, ladies and gentlegeeks, some of GPs readers and their Geek Ink

 

 

 

Please note, if your name isn’t beside your tattoo , then please get in touch.

 

If you have Any tattoos you want to show off to the world, then please email them over to [email protected]  

 

 

Suicide Squad #20

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The remaining members of the team are in lockdown in Belle Reve, where Amanda Waller and a mysterious individual are discussing the different team members including some new recruits. Waller also takes the opportunity to punish the team for their recent insubordination and reveals an unpleasant truth.

There’s a new team on Suicide Squad with new writer Ales Kot and new artist Patrick Zircher and already this has made a big difference just on the evidence of this, their first issue.

What’s immediate is the characters have more shades to them than previously – King Shark is seen reading a book ‘The Essential Rumi’ and has apparently turned vegan. Whilst this could have been played for laughs, and as King Shark’s past is eluded to he cuts a rather sympathetic and tragic figure rather than a monster.

A scene with Unknown Soldier, Harley Quinn and Voltaic shows that Unknown Soldier is clearly on side with Waller – he is introduced as her ‘hound’ at the start, after he savagely beats Voltaic for trying to pry into his past.

Introductions.

Deadshot meanwhile is suffering a Clockwork Orange–style nightmare as he is told that even if he is killed in action, he (along with the rest of the team) can be revived thanks to a mysterious new serum at Waller’s disposal.

Suicide-Squad-20-fake-jokerWaller also manipulates Harley by using a member of the Die Laughing gang to impersonate The Joker only for Unknown Soldier to ‘save her’ and gain her trust.

There are two new members of the team who feature only in passing; David Graves, a wheelchair-bound writer turned supervillian and Cheetah.

These new shades of character work add extra dimensions, especially in the case of King Shark who has previously been a clichéd, dumb tank character.

In doing this though it also highlights how much of a sociopathic sadist Waller is – the brutal manipulation and torture of the team is supposed to be acceptable due to the team being made up of villians, however in this issue it’s pretty clear who is the biggest monster of them all and it’s definitely not King Shark.

 New team members.

Whether Kot is intending to make the team sympathetic or not, it’s hard to side with Waller leaving you rooting for the bad guys.

Patrick Zircher impresses with his debut and works in some genuine emotion in surprising places, most notably in both the treatment of King Shark – the panel of him sat reading has shades of Marvel‘s Beast with both power and intelligence on display – and Harley, with the entire relationship dynamic between Harley and The Joker being summed up in just one panel featuring a close up of her eyes.

Suicide Squad definitely has a bit of a bad reputation, it’s been woefully inconsistent since the beginning and whilst Waller is definitely a problem, Kot has definitely jolted a spark of life into this title and the reveal of who Waller’s mystery guest is definitely holds potential.

 

The Fearless Defenders #4

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Valkyrie Misty Knight – a resurrected Hippolyta sent by Hela – and archaeologist Annabelle face the Doom Maidens’ ancient Valkyrior who’s driven mad by power and bloodlust as they attempt to rescue Dani Moonstar Hel’s Valkyrie, who’s energy has been used to awaken the Doom Maidens as part of a plan by the mysterious Mr. Raven and Caroline Le Fay.


Whilst DC might be in the lead when it comes to the number of female-fronted comics they’re producing, Marvel‘s The Fearless Defenders leaves them all choking in the dust as Cullen Bunn and friends show how to pull off an all-female title with style.

One of the most immediate things about The Fearless Defenders is that despite this being an all-woman team, there’s no pandering to the sexy. This isn’t scantily-clad heroes fighting it out for the viewing pleasure of the hormonally crazed male demographic.

Sure Valkyrie and Hippolyta might look radiant, but they’re legendary immortals so that’s pretty much a given and Misty Knight despite originally being inspired by the Blaxploitation and Kung Fu craze of the seventies comes across as fierce and intelligent.

Hippolyta gets a wake up call.

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It’s interesting to note that so far in the title the only male character of note to appear is Odin via a flashback. It’s been distinctly X chromosomes all the way since issue 1, and not only only that but these characters are all powerful and independent – it’s been a girlpower roll-call, but without the base crassness that such a phrase implies.

Despite being a teens-and-up title I really hope this is a hit with younger girl readers because with all the sex, darkness and messed-up stuff going on in comicdom (that’s you DC) Hippolyta, Valkyrie and the rest of the team make for great figures to look up to.

All this would make The Fearless Defenders better than a lot of titles that have a much wider readership, but it gets better; Annabelle the archaeologist, a friend of Misty’s, likes girls and has a crush on Valkyrie but this isn’t handled in a clumsy hot lesbo action manner – it adds another layer to an everyman or rather everywoman character for the reader to relate to, seeing her confusion and surprise as she finds out she has been selected as a shield maiden by the All Mother of Asgard just makes you love this character even more.

Odin as featured in flashback.

What this title deals in is what seems to be majorly lacking in a lot of titles – fun. It’s packed with punchy dialogue and great characters that bounce off each other, and kudos to writer Cullen Bunn for pulling it off with gusto and even managing to include words like ‘vexatious’. Look it up.

Art-wise Will Sliney and Veronica Gandini make for a good team, the action is clear and kinetic and panels like one with Hippolyta looking down from above after taking flight make for an interesting change of perspective. A flashback to Valkyrie’s past is great stuff, a confrontation between Hippolyta and Dani suiting up in her valkyrie armour all shining gold and winged helm really crackles with energy and there’s a great full page ‘holy shit’ moment at the mid point.

Credit must also go to Mark Brooks for his inventive and impressive covers.

 

Uber #1

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Churchill hears news of the Ubermensch. Freya makes a break for freedom and Hitler makes a devastating display of power.

Kieron Gillen‘s Uber is a hot property, with it’s initial issue #0 selling out and the following enhanced edition reprint selling out prompting another reprint – issue #1 has sold out too on a retailer level.

Whilst Avatar may be known for its ‘no holds barred’ styled titles Uber manages to upstage them all.

Opening up on a full page shot of Adolf Hitler with a gun in his mouth definitely gets the attention, Taking place in the final days of World War II, Hitler as anyone with a knowledge of history knows is a broken man and defeated and this plays into events in this issue. That Hitler himself has no knowledge of the Ubermensch features into both the beginning and ending of this issue

A scene in the Cabinet War Rooms of London, featuring a despondent Winston Churchill, reacting to the news of the decimation wrought by the Ubermensch in Berlin, shows the sheer futility in the unfolding situation. Knowing he can’t disclose the whole truth to the public, he opts to inform them of the Ubermensch but also say that the British also have their own super soldiers.

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This ties in with Freya’s story as it is revealed she is a deep cover British agent with her mission to bring back secrets of the Ubermensch for using by the British forces to combat the new Nazi threat.

This issue is moving numerous pieces into place and Freya’s mission and escape from the Reich is sure to be one of the driving forces behind this narrative.

Time is also major factor in Uber with numerous mentions of the date and time in various locations down to the exact minute.

Gillen apparently has a plan to visit numerous countries and portray their reactions to the unfolding crisis as an arms race unfolds but with super soldiers instead of munitions.

Canaan White impresses again with his visceral and brutal style, with the closing double spread being a memorable display of his ability to handle epic scenes. Keith Williams inks add another level with Avatar mainstays Digikore providing the colour with a muted palette which really makes the use of the Ubermensch’s powers really stand off the page.

Most of all though it’s the tone of Uber which makes it stand out – this isn’t tongue in cheek nazi’s with superpowers fun – it’s a brutal and horrific exercise in the grim reality of war, amplified by the idea of an even more unhinged Hitler possessing extreme power. Unlike Avatar’s other offerings there’s a distinct absence of the usual humour to be found here.

Even in Freya the character the reader is supposed to be rooting for as she flees, it’s blatantly clear that she is no hero in the classical sense, a scene of her stubbing out cigarettes on her arm makes her self-loathing starkly evident and those that that have read issue #0 will know where this stems from.

Gillen’s poignant afterword about a train journey on Remembrance Sunday makes a powerful accompaniment to the preceding pages too.

 

Welcome To Level 7 – Full Agents of Shield Trailer

“Don’t touch Lola”. Marvel’s Agents of S.H.I.E.L.D is ramping up the action quotient pretty quickly when it comes to series starting in the fall, and now we have a full, glorious trailer clocking-in at just under the 3 minute mark to make you drool further.

Agents of S.H.I.E.L.D

When previously we only saw quick glimpses of the characters and a sparse amount of action, this new trailer gives us a little bit more of both.

We see Agent Ward’s (Brett Dalton) induction into S.H.I.E.L.D and his shock at Coulson’s (Clark Gregg) re-appearance, as well as Agents Fitz & Simmons (Iain De Caestecker & Elizabeth Henstridge respectively, and no, she’s no relation to Natasha) in the field doing what they do best, along with Melinda May (Ming-Na Wen) kicking some ass Black Widow-style. An interesting addition to the team is Skye (Chloe Bennet) who initially wants to subvert Shield’s efforts, thinking they’re the bad guys.

What I’m really happy about is the superhero we saw in the teaser trailer is none other than Whedonverse favourite J. August Richards (Gunn from Angel, to the uninitiated), who I always saw as a really underrated actor from his time in Angel. With his appearance I’m really hoping we get a few more of Joss’ buddies involved… what I wouldn’t give for Nathan Fillion or Alan Tudyk to make a cameo appearance somewhere!

J. August Richards kicking ass, as usual
J. August Richards kicking ass, as usual

The trailer itself looks great, and appears to shift from the dramatic to humourous with ease, much like The Avengers. There’s some good lines in there too, like when Agent Ward is questioned as to what the name “Strategic Homeland Intervention Enforcement and Logistics Division” means to him, and his reply is “It means that someone really wanted our initials to spell out shield”.

I was excited about a primetime Marvel TV series, but also dubious it would end up being too cheesy when compared to shows like Fringe. Now I know taking impressions from a near 3-minute trailer isn’t going to give us all the information that we need, but after watching it I’m happy to say it looks like Marvel have delivered a lighthearted action series that may pack a punch.

Your Tuesday night’s TV schedule just got a bit more interesting.

Trailer:

Game of Thrones – Season 3 – Episode 7 – Allegory

Sometimes you feel as though Game of Thrones’ episode titles are lost on people. They are not highlighted or shown on screen for even a few seconds and yet they always highlight and foreshadow what the episode will be about.

There was a fantastic lack of subtlety in this week’s title, The Bear and the Maiden Fair, as the episode literally ended with the two fighting. But that was the final scene. The episode as a whole followed this allegory, with the vulnerable and the naive falling victim to the brutish and animalistic.

Between Ygritte and Jon Snow it’s definitely Jon who is the maiden, as Ygritte’s awesome ruggedness and no-nonsense Northern attitude mock him and his southern ways. Jon is then schooled by the shapechanger on the ways of those beyond the wall, before he goes on to propose sexual congress to Ygritte himself… which could’ve caused one of the weirdest menage a trois’ in history. Ygritte is a rational person and turns him down though, not being the maiden the shapechanger wants her to be. But as with any good relationship Jon and Ygritte swap the roles, being vulnerable and brutal in opposite turns, as Ygritte later shows her naivety at the grandiosity of a run down windmill and then with the Wildlings’ chances of reclaiming large parts of the North. In 1000 years, 6 attempts have failed, and Jon Snow knows the seventh will…

But he hasn’t seen the state of Westeros, which is still at war, as we see with Robb’s own Small Council. The point of how grumpy Walder Frey is and how little Edmure Tully is looking forward to his wedding are hammered home before Robb and Jeyne take turns to show us their arses. Robb tries to plan a war, gruff and grim, but cannot concentrate with Jeyne being naked. What concentration he has is destroyed when he finds she’s pregnant, showing that a maiden can tame a bear easily.

Of course, power is not always brute strength and Margaerey shows that in a conversation with Sansa about her upcoming weeding to Tyrion Lannister. Sansa shows her naivety about sex during the discussion and the Tyrell girl showing her own experience. Her husband-to-be then shows that power does not rule you out of being a maiden, a child, yourself as Tywin Lannister basically owns him without the stupid boy every realising it.

A metaphorical bear in Jorah Mormont tries to teach Daenerys about the nature of war, still thinking of her as his young charge, but she shows him and the people of the Eastern Lands her own strength. She the most epitomises both the roles of this episode throughout the series, making a great show of strength to threaten an ambassador from a city she covets… but not realising her strength will galvanise and give warning to those same people.

Tyrion is startlingly artless as he considers his wedding, not admitting aloud his own lust for Sansa and his designs on her but expecting Shae to comfortably accept being a Salt Wife, living a comfortable life safely away from his marriage. Naturally she dismisses this, knowing she would not be his love but his whore whilst he was married to Sansa.

Melisandre then tells Gendry he’s Robert Baratheon’s son. I think I see where this is going now… and don’t have much more to say about that.

Arya then shows toughness, claiming to the Brotherhood Without Banners that her only god is Death itself, as she is still furious with them for selling Gendry. Berric Dondarrion somehow expects her to just accept this betrayal and they let their guard down when preparing to raid the Lannisters; this allows Arya to get free and then be captured by the Hound, who almost epitomises the word ‘grizzly’.

Theon is then tempted with women, two hired ladies who tend his wounds and discuss his legandary ‘equipment’. To his credit, Theon realises this is a trick but only until the blood rushes and then he lets down his guard… at which point, a trumpet plays and the charade comes to an end. His captor appears with a very uniquely-shaped knife and proceeds, with help, to ensure Theon’s legend dies there and then.

The main meat of the story, though, is between Brienne and Jaime. Jaime is to be taken back to King’s Landing and Roose Bolton’s reputation increased with Tywin (even though he is supposed to be Robb’s bannerman, may I add) but Brienne is to be left to the fate Jaime already saved her from. Brienne pardons him from saving her if he fulfills his promise and releases the Stark children, calling him Ser as she now respects the Kingslayer, and Jaime goes only under the belief that she will be ransomed and freed. But Bolton’s men have been convinced she is worth her weight in gems, remember, and do not accept the very generous offer Brienne’s father makes for her. When Jaime realises this, he uses his name once more but to do good, to save her; racing back with Bolton’s men lusting for gold, he finds Brienne in a bear pit, fighting a bear, bloodied and with only a wooden sword.

This, then, is when we see Jaime flourish. He jumps into the pit to save her, relying on his name to rescue them both but not knowing for sure. He ensures Brienne gets out of the pit first and then desperately – and adequately for a man with one arm – struggles out himself. The Rains of Castemere play as he pimps away, the bear having saved the ‘maiden’.

This episode was up and down but it ended strongly. I look forward to seeing the interplay between Arya and the Hound now… and, of course, all of Westeros looks forward to the coming weddings…

Abrams’ Next Series “Almost Human” Looks Awesome

From an announcement of one series that looks a bit dodgy, to one that looks pretty damn good! Karl Urban brings his Dredd-like persona to JJ. Abrams‘ next project: Almost Human.

Almost Human

Starring Urban as John Kennex, and Michael Ealy as his synthetic partner Dorian, Almost Human is being billed as a buddy cop/drama series that looks like it takes a few queues from 2004’s I, Robot. The story consists of Kennex’s tech-prejudiced cop being partnered up with a buggy last-gen android – Urban’s character has some part-synthetic components that he resents (just like his Will Smth I, Robot counterpart), and Ealy’s android has some part-human components that allows him to feel emotion (again, much like Alan Tudyk in I, Robot).

Set 35 years in the future,  the unlikely pairing fight crime and in typical Abrams fashion, there are twists and turns, and a deeper cover up to investigate.

Almost Human - Dorian

The trailer looks pretty good if I’m honest – a decent supporting cast too with Mackenzie Crook of Pirates of the Caribbean & The Office (UK) fame making an appearance, there’s definitely a Fringe vibe about things. Urban’s stoic sneering just makes me think of Dredd which isn’t a bad thing either.

Have a look at the trailer here:

Now this series I’m excited about – how about you?

Sleepy Hollow Gets A TV Series

Sooooo, yeah. Apparently the Tim Burton directed, Johnny Depp-starring movie Sleepy Hollow was successful enough for someone to come up with a hair-brained idea to make it into a series. No that sentence alone isn’t too bad… however setting it modern day, with a 250 year old Ichabod Crane? Hmmm.

Sleepy Hollow Title

Unfortunately the series doesn’t involve Burton or Depp, but it does involve the writers of Star Trek: Into Darkness, Roberto Orci & Alex Kurtzman which is something at least. After a little digging and watching the trailer, I’ve found that Mr Hikaru Sulu aka John Cho is also featured in the series, along with The Kurgan… I mean, Clancy Brown.

The story goes like this – Ichabod Crane was given the task of killing a particular redcoat by President George Washington, which he does by repeatedly shooting, then beheading him. 250 years later, and Crane is resurrected along with said redcoat, who becomes the headless horseman. However he’s not just the headless horseman – he is one of the four horsemen of the apocalypse. Crane is then used as a consultant for the police who are investigating a spate of… yep, you guessed it… beheadings.

Crane confronts what will become the Horseman
Crane confronts what will become the Horseman

Tom Mison will be playing Ichabod, while his present-day lisason with the police Abbie Archer is played by American Violet’s Nicole Beharie. The pilot (at least) will be directed by Len Wiseman, director of Underworld and the forthcoming Mummy reboot.

The trailer itself looks quite well-produced, but incredibly cheesy… making the most of Starbucks jokes and pop culture references. I swear though if someone doesn’t make a Highlander reference in this series I’ll be pissed, especially with Clancy Brown in at least the first episode.

If I’m honest this sounds less like a coherent TV series, and more like a comicbook written by someone on acid. I’m hoping Washington Irving himself doesn’t rise from the grave and decapitate whoever’s responsible. Still, I suppose I could be surprised and the series may end up being rather fun.

What do you think of the news? Do you like the idea, or are you also thinking it could go horribly, horribly wrong?

Trailer:

Official Series Synopsis:

Ichabod Crane wakes up from the throes of death 250 years in the future to find the world on the brink of destruction and learn he is humanity’s only hope. From co-creators/executive producers Alex Kurtzman and Roberto Orci (the “Star Trek” and “Transformers” franchises, “Fringe”) comes the adventure thriller SLEEPY HOLLOW. In this modern-day retelling of Washington Irving’s classic, ICHABOD CRANE (Tom Mison, “Salmon Fishing in the Yemen”) is resurrected and pulled two and a half centuries through time to find that the world is on the brink of destruction and that he is humanity’s last hope, forcing him to team up with a contemporary police officer (Nicole Beharie, “Shame,” “American Violet”) to unravel a mystery that dates back to the founding fathers.

Persona 4 Arena Review – 9GPPs

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Since its Japanese release back in 2008, Persona 4 has generally been revered as a modern classic and one of the best titles in the JRPG genre. In an effort to promote the game’s legacy, last year brought the arrival of Persona 4 Golden and Persona 4 Arena. The former was a portable remake (my review of which you can find here) and reached UK shores just three months after its US release. The latter on the other hand is a fighting game spin-off that has only just landed on UK shelves after being region-locked in the US for almost a year. So, the question arises: was Persona 4 Arena worth the wait? Read on to find out.
Persona 4 Arena 2

As the product of collaboration between Arc System Works (BlazBlue) and Atlus (Persona), Persona 4 Arena stands as a hardcore anime fighter lovingly adapted from its source material. All your favourite super-powered high schoolers are here in the form of glorious 2D sprites, and they’re ready to kick butt with supers, counters, and many other techniques.

Set two months after the murder case of P4, protagonist Yu Narukami (now his official name) returns to Inaba to be reunited with friends and family. No sooner is he there when the Midnight Channel immediately starts broadcasting again, this time advertising a fighting tournament starring Yu and the rest of the persona-users. So is the setup for the Investigation Team’s return to the TV world, where they meet several characters from Persona 3 and a mysterious girl named Labrys.
Persona 4 Arena 3

[pullquote_right]Every character has the ability to summon personas – godlike alter egos that can be called to fight alongside you[/pullquote_right]Gameplay-wise P4A is a solid fighter. Two buttons deliver weak and strong normal attacks (square and X on PS3), whilst two more execute weak and strong persona attacks (circle and triangle). Every character has the ability to summon personas – godlike alter egos that can be called to fight alongside you momentarily before disappearing. Like your chosen guy or gal, personas can deliver attacks and initiate skills to string together punishing combos.

They can also take damage, and after four hits a Persona Break occurs, locking them and their related moves for a short time. Personas are undoubtedly the key difference between this and many other titles in the genre (bar JoJo’s Bizarre Adventure). That said, there many more mechanics and techniques for players to familiarise themselves with.

All characters are highly adaptable thanks to throws, blocking, dashing, double jumping, and evasive manoeuvres. Pressing square and X together engages in an “All-Out Rush” that acts as a useful combo string. Doing so whilst crouching performs a sweep that knocks the opponent off guard, and a tap of X and circle in unison unleashes a Furious Attack which counters at the cost of SP.
As you fight SP gradually builds and can also be used for enhanced versions of skills, SP Skills (super moves), Guard Cancels, and 1 More! (instant) Cancels. Once Burst becomes available it can knock back the opponent and turn the tides of battle. When health drops to a certain level your character will Awaken, raising max SP and reducing all damage taken. It is only in this state that Instant Kills and Awakened SP Skills can be performed. On top of all this skills can also inflict a variety of status ailments including Poison (which reduces health), Panic (reverses controls) and Shock (normal movement is not permitted).
Persona 4 Arena X1

There’s a lot to take in but thanks to auto-combos and a user-friendly tutorial even fighting game noobs can pick it up. Input is slick and responsive, and whilst the system is complex enough to warrant tournament play, mastery feels far from impossible. At its heart it may be a traditional arcade fighter but altogether it boasts a unique RPG-inspired experience.

[pullquote_left]Everything from the intro sequence to the fights themselves ooze with style and fanservice.[/pullquote_left]Persona 4 Arena is also one of the most colourful and energetic games out there. Character animation and voice acting suits perfectly, stages integrate 3D and 2D even more naturally than in BlazBlue, and Shoji Meguro returns with original and remastered music tracks. Everything from the intro sequence to the fights themselves ooze with style and fanservice. At each visit of the main menu, the time of day and background music changes, fans will no doubt be grinning.

In terms of modes there’s Versus, Training, Arcade, Score Attack, Challenge (requiring completion of various combos), an unlockable Gallery, and a replay Theatre. Network mode is solid. What it lacks in ranking enticement (see the titles and icons of Injustice), it more than makes up for in functionality and complete customisation of any room you host, even barring the use of certain characters if you so choose.
Persona 4 Arena X2

Finally there’s Story mode but unfortunately this is by far the weakest feature. The story itself is fairly interesting, slowly unravelling with the completion of each character’s chapter. As a canonical entry in the series it suggests where Persona may be heading next. Only the most of patient of fans will find out however as the execution here isn’t great. Whilst fully voiced talking heads and anime cutscenes are present, the mode boils down to a visual novel with incredibly lengthy amounts of soundless internal monologue. I respect that this may be to introduce newcomers to Persona’s expansive world and save on expenses. However this does not excuse the fact that it is at times unbearably tedious with minimal player input due to short-lived one round matches.

Despite the poorly presented Story mode, Persona 4 Arena is an impressive game. Atlus and Arc System Works have fused the RPG and fighting genres into a decidedly wacky, vibrant, and thoroughly enjoyable experience. Persona fans are sure to get the most out of it, but with such a large collection of (mostly) high quality content even series newcomers should give it a try.

Was it worth the wait? Hell yeah!